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DUKAS_182403850_EYE
Osipova/Linbury review - superstar ballerina reckons with the icons of dance. Errand Into The Maze.
Errand Into The Maze.
Natalia Osipova steps into Martha Graham and Isadora Duncanís shoes in a mischievous triple bill which also acts as a statement of intent.
Marcelino Sambe and Natalia Osipova in Errand Into The Maze by Martha Graham part of Osipova/Linbury at the Linbury Theatre, Royal Opera House.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_182403847_EYE
Osipova/Linbury review - superstar ballerina reckons with the icons of dance. Errand Into The Maze.
Errand Into The Maze.
Natalia Osipova steps into Martha Graham and Isadora Duncanís shoes in a mischievous triple bill which also acts as a statement of intent.
Marcelino Sambe and Natalia Osipova in Errand Into The Maze by Martha Graham part of Osipova/Linbury at the Linbury Theatre, Royal Opera House.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_182403853_EYE
Osipova/Linbury review - superstar ballerina reckons with the icons of dance. Errand Into The Maze.
Errand Into The Maze.
Natalia Osipova steps into Martha Graham and Isadora Duncanís shoes in a mischievous triple bill which also acts as a statement of intent.
Marcelino Sambe and Natalia Osipova in Errand Into The Maze by Martha Graham part of Osipova/Linbury at the Linbury Theatre, Royal Opera House.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_182403844_EYE
Osipova/Linbury review - superstar ballerina reckons with the icons of dance. Errand Into The Maze.
Errand Into The Maze.
Natalia Osipova steps into Martha Graham and Isadora Duncanís shoes in a mischievous triple bill which also acts as a statement of intent.
Natalia Osipova in Errand Into The Maze by Martha Graham part of Osipova/Linbury at the Linbury Theatre, Royal Opera House.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_182492018_EYE
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova. Rehearsals.
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova.
Natalia Osipova stars in a special programme at the Royal Opera House's Linbury theatre this month. We step into rehearsals.
Natalia Osipova and Chris Akrill rehearse The Exhibition by Jo StrØmgren part of Osipova/Linbury @ MacMillan Studio, Royal Opera House.
Opening at The Linbury Theatre, ROH.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_182492016_EYE
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova. Rehearsals.
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova.
Natalia Osipova stars in a special programme at the Royal Opera House's Linbury theatre this month. We step into rehearsals.
Natalia Osipova and Chris Akrill rehearse The Exhibition by Jo StrØmgren part of Osipova/Linbury @ MacMillan Studio, Royal Opera House.
Opening at The Linbury Theatre, ROH.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_182492014_EYE
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova. Rehearsals.
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova.
Natalia Osipova stars in a special programme at the Royal Opera House's Linbury theatre this month. We step into rehearsals.
Marcelino Sambe and Natalia Osipova rehearse Errand Into The Maze by Martha Graham from Osipova/Linbury @ MacMillan Studio, Royal Opera House. Opening at The Linbury Theatre, ROH.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_182492019_EYE
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova. Rehearsals.
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova.
Natalia Osipova stars in a special programme at the Royal Opera House's Linbury theatre this month. We step into rehearsals.
Marcelino Sambe and Natalia Osipova rehearse Errand Into The Maze by Martha Graham from Osipova/Linbury @ MacMillan Studio, Royal Opera House. Opening at The Linbury Theatre, ROH.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_182492020_EYE
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova. Rehearsals.
Natalia Osipova's night: Royal Ballet puts the spotlight on Osipova.
Natalia Osipova stars in a special programme at the Royal Opera House's Linbury theatre this month. We step into rehearsals.
Marcelino Sambe and Natalia Osipova rehearse Errand Into The Maze by Martha Graham from Osipova/Linbury @ MacMillan Studio, Royal Opera House. Opening at The Linbury Theatre, ROH.
(Opening 06-03-2025)
Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_168563348_EYE
Swan Lake; Danses Concertantes/Different Drummer/Requiem - review
The Royal Ballet's long-running and rather cumbersome Swan Lake is elevated by the dancers' artistry, while a fine Kenneth MacMillan triple bill deserves more performances.
Lauren Cuthbertson in Requiem from MacMillan Celebrated by The Royal Ballet at the Royal Opera House.
(Opening 20-03-2024)
Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
©Tristram Kenton -
DUKAS_145304959_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Ryoichi Hirano (Crown Prince Rudolf) and Natalia Osipova (Baroness Mary Vetsera) in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145647129_EYE
Mayerling review - sex, drugs and revolution in the Royal Ballet's superb staging
Edward Watson finds sympathy for the doomed prince while Sarah Lamb gives one of the performances of her career in MacMillanÕs unsparingly brutal ballet.
Mayerling is surely the richest, if not the most popular of Kenneth MacMillanÕs story ballets. Created in 1978, it looks and sounds like a conventionally mainstream work, with its swags of period costume and lush Liszt score. Yet as it voyages into an emotional wasteland of sex, psychosis and addiction, its choreography yields an unsparingly brutal account of human nature.
Ryoichi Hirano (Crown Prince Rudolf) and Natalia Osipova (Baroness Mary Vetsera) in Mayerling by Kenneth MacMillan at the Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145304979_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Ryoichi Hirano (Crown Prince Rudolf) and Natalia Osipova (Baroness Mary Vetsera) in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145304981_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Ryoichi Hirano (Crown Prince Rudolf) and Francesca Hayward (Princess Stephanie) in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145304980_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Itziar Mendizabal (Empress Elisabeth), centre, in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145304958_EYE
Mayerling review - astounding from beginning to end
Kenneth MacMillan's bleak psychological period piece is a gift for the Royal Ballet’s dancers, who take turns in performances of gripping, in-the-moment power.
Powered by a score of Liszt excerpts assembled by John Lanchbery (and played with passion by the orchestra under Koen Kessels), set by Nicholas Georgiadis among glowing autumnal colours, its imaginative, inventive confidence is truly astonishing.
Ryoichi Hirano (Crown Prince Rudolf), Francesca Hayward (Princess Stephanie), Itziar Mendizabal (Empress Elisabeth) and Christopher Saunders (Emperor Franz Joseph) in Mayerling by Kenneth MacMillan @ Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_145647126_EYE
Mayerling review - sex, drugs and revolution in the Royal Ballet's superb staging
Edward Watson finds sympathy for the doomed prince while Sarah Lamb gives one of the performances of her career in MacMillanÕs unsparingly brutal ballet.
Mayerling is surely the richest, if not the most popular of Kenneth MacMillanÕs story ballets. Created in 1978, it looks and sounds like a conventionally mainstream work, with its swags of period costume and lush Liszt score. Yet as it voyages into an emotional wasteland of sex, psychosis and addiction, its choreography yields an unsparingly brutal account of human nature.
Ryoichi Hirano (Crown Prince Rudolf), Francesca Hayward (Princess Stephanie), Christopher Saunders (Emperor Franz Joseph) and Itziar Mendizabal (Empress Elisabeth) in Mayerling by Kenneth MacMillan at the Royal Opera House. A Royal Ballet production.
(Opening 05-10-2022)
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_139293085_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
Jason Kittelberger as JosÈ?
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293082_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
Jason Kittelberger as José?
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293052_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Isaac Hern·ndez as Escamillo/film director
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293048_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Isaac Hernández as Escamillo/film director?Eryck Brahmania as Cameraman, Fan of Osipova/Carmen
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293054_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
Hannah Ekholm as Michaela
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293057_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293058_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293050_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293102_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293083_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293079_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen?Eryck Brahmania as Cameraman, Fan of Osipova/Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293051_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen?Eryck Brahmania as Cameraman, Fan of Osipova/Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293086_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293059_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen?Eryck Brahmania as Cameraman, Fan of Osipova/Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293081_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Jason Kittelberger as José
Hannah Ekholm as Michaela
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293049_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Jason Kittelberger as José
Hannah Ekholm as Michaela
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293101_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Jason Kittelberger as José
Hannah Ekholm as Michaela
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293053_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
Jason Kittelberger as JosÈ?
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293047_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293080_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
Isaac Hernández as Escamillo/film director?Eryck Brahmania as Cameraman, Fan of Osipova/Carmen
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293103_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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© Elliott Franks / eyevine. -
DUKAS_139293100_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293046_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293084_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
‘CARMEN’ performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293087_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Natalia Osipova as Carmen
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293055_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Jason Kittelberger as JosÈ
Hannah Ekholm as Michaela
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_139293056_EYE
Rehearsal of Carmen at The Southbank, London.
Rehearsal of Carmen. Choreographed and directed by Didy Veldman at The Southbank, QEH, London, UK.
26th May 2022.
Jason Kittelberger as JosÈ?
CARMEN performances: May 27th and May 28th at Queen Elizabeth Hall© Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_132129104_EYE
Bonhams’ Natalia Osipova Ballet NFT sale preview, New Bond Street, London.
Bonhamsí Natalia Osipova Ballet NFT
sale preview, New Bond Street,
London, Great Britain
29th November 2021
Press photo call
Natalia Osipova
Principal dancer of The Royal Ballet
With Jason Kittelberger
A still from the NFT Giselle, the entrance of Act II. Right: Natalia Osipova
Ballet dancer Natalia Osipova promoting
Triptych, the worldís first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the worldís first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II ñ Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Giselle, Solo of Act II ñ Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Left behind ñ Video of live show in Mexico 2019; choreographed by Jason Kittelberger (bidding starts at £30,000)
Natalia Osipova is currently dancing in Giselle at The Royal Opera House in London.
Sale: Encore! Modern Art on Stage
Date: 29 November - 10 December 2021
Photograph by Elliott FranksBallet dancer Natalia Osipova with Jason Kittelberger promoting Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from N
© Elliott Franks / eyevine. -
DUKAS_132129123_EYE
Bonhams’ Natalia Osipova Ballet NFT sale preview, New Bond Street, London.
Bonhamsí Natalia Osipova Ballet NFT
sale preview, New Bond Street,
London, Great Britain
29th November 2021
Press photo call
Natalia Osipova
Principal dancer of The Royal Ballet
A still from the NFT Giselle, the entrance of Act II. Right: Natalia Osipova
Ballet dancer Natalia Osipova promoting
Triptych, the worldís first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the worldís first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II ñ Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Giselle, Solo of Act II ñ Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Left behind ñ Video of live show in Mexico 2019; choreographed by Jason Kittelberger (bidding starts at £30,000)
Natalia Osipova is currently dancing in Giselle at The Royal Opera House in London.
Sale: Encore! Modern Art on Stage
Date: 29 November - 10 December 2021
Photograph by Elliott FranksBallet dancer Natalia Osipova promoting
Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from November 2021 exclusive for NFT (bidding starts at
© Elliott Franks / eyevine. -
DUKAS_132129099_EYE
Bonhams’ Natalia Osipova Ballet NFT sale preview, New Bond Street, London.
Bonhams’ Natalia Osipova Ballet NFT
sale preview, New Bond Street,
London, Great Britain
29th November 2021
Press photo call
Natalia Osipova
Principal dancer of The Royal Ballet
A still from the NFT Giselle, the entrance of Act II. Right: Natalia Osipova
Ballet dancer Natalia Osipova promoting
Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Giselle, Solo of Act II – Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Left behind – Video of live show in Mexico 2019; choreographed by Jason Kittelberger (bidding starts at £30,000)
Natalia Osipova is currently dancing in Giselle at The Royal Opera House in London.
Sale: Encore! Modern Art on Stage
Date: 29 November - 10 December 2021
Photograph by Elliott FranksBallet dancer Natalia Osipova promoting
Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from November 2021 exclusive for NFT (bidding starts at
© Elliott Franks / eyevine. -
DUKAS_132129121_EYE
Bonhams’ Natalia Osipova Ballet NFT sale preview, New Bond Street, London.
Bonhamsí Natalia Osipova Ballet NFT
sale preview, New Bond Street,
London, Great Britain
29th November 2021
Press photo call
Natalia Osipova
Principal dancer of The Royal Ballet
A still from the NFT Giselle, the entrance of Act II. Right: Natalia Osipova
Ballet dancer Natalia Osipova promoting
Triptych, the worldís first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the worldís first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II ñ Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Giselle, Solo of Act II ñ Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Left behind ñ Video of live show in Mexico 2019; choreographed by Jason Kittelberger (bidding starts at £30,000)
Natalia Osipova is currently dancing in Giselle at The Royal Opera House in London.
Sale: Encore! Modern Art on Stage
Date: 29 November - 10 December 2021
Photograph by Elliott FranksBallet dancer Natalia Osipova promoting
Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from November 2021 exclusive for NFT (bidding starts at
© Elliott Franks / eyevine. -
DUKAS_132129124_EYE
Bonhams’ Natalia Osipova Ballet NFT sale preview, New Bond Street, London.
Bonhams’ Natalia Osipova Ballet NFT
sale preview, New Bond Street,
London, Great Britain
29th November 2021
Press photo call
Natalia Osipova
Principal dancer of The Royal Ballet
A still from the NFT Giselle, the entrance of Act II. Right: Natalia Osipova
Ballet dancer Natalia Osipova promoting
Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Giselle, Solo of Act II – Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Left behind – Video of live show in Mexico 2019; choreographed by Jason Kittelberger (bidding starts at £30,000)
Natalia Osipova is currently dancing in Giselle at The Royal Opera House in London.
Sale: Encore! Modern Art on Stage
Date: 29 November - 10 December 2021
Photograph by Elliott FranksBallet dancer Natalia Osipova promoting
Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from November 2021 exclusive for NFT (bidding starts at
© Elliott Franks / eyevine. -
DUKAS_132129098_EYE
Bonhams’ Natalia Osipova Ballet NFT sale preview, New Bond Street, London.
Bonhams’ Natalia Osipova Ballet NFT
sale preview, New Bond Street,
London, Great Britain
29th November 2021
Press photo call
Natalia Osipova
Principal dancer of The Royal Ballet
A still from the NFT Giselle, the entrance of Act II. Right: Natalia Osipova
Ballet dancer Natalia Osipova promoting
Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Giselle, Solo of Act II – Video from November 2021 exclusive for NFT (bidding starts at £8,000)
Left behind – Video of live show in Mexico 2019; choreographed by Jason Kittelberger (bidding starts at £30,000)
Natalia Osipova is currently dancing in Giselle at The Royal Opera House in London.
Sale: Encore! Modern Art on Stage
Date: 29 November - 10 December 2021
Photograph by Elliott FranksBallet dancer Natalia Osipova promoting
Triptych, the world’s first ballet NFTs.
The three NFTs will be offered at Bonhams sale Encore! Modern Art on Stage, which runs from 29 November to 1 December on bonhams.com.
Bonhams is to offer the world’s first non-fungible tokens (NFTs) for ballet. World-famous ballerina Natalia Osipova, the principal dancer at The Royal Ballet in London, has performed three pieces, two from the classic ballet Giselle and one from the contemporary duet Left behind, which she dances alongside Jason Kittelberger.
Giselle, The Entrance of Act II – Video from November 2021 exclusive for NFT (bidding starts at
© Elliott Franks / eyevine. -
