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  • ‘You only have one shot’: how film cameras won over a younger generation.
    DUKAS_140126847_EYE
    ‘You only have one shot’: how film cameras won over a younger generation.
    A new wave of enthusiasts are eschewing the multi-megapixel convenience of digital photography in favour of an older, slower, 'magical' tech.

    Specialising in vintage cameras, film accessories and film processing, owner Nick Vlahadamis has watched as young people have used their lenses to turn back time. “In the last two years, film sales have increased 20-fold and processing has quadrupled,” he says.

    Sydney Super8 owner Nick Vlahadamis at his store in Newtown, NSW, Australia.
    2nd April 2022.

    Guardian Australia

    © Blake Sharp-Wiggins / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    © Guardian / eyevine. All Rights Reserved.

     

  • ‘You only have one shot’: how film cameras won over a younger generation.
    DUKAS_140126844_EYE
    ‘You only have one shot’: how film cameras won over a younger generation.
    A new wave of enthusiasts are eschewing the multi-megapixel convenience of digital photography in favour of an older, slower, 'magical' tech.

    Specialising in vintage cameras, film accessories and film processing, owner Nick Vlahadamis has watched as young people have used their lenses to turn back time. “In the last two years, film sales have increased 20-fold and processing has quadrupled,” he says.

    Sydney Super8 film photography store in Newtown, Sydney, NSW, Australia.
    2nd April 2022.

    Guardian Australia

    © Blake Sharp-Wiggins / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘You only have one shot’: how film cameras won over a younger generation.
    DUKAS_140126843_EYE
    ‘You only have one shot’: how film cameras won over a younger generation.
    A new wave of enthusiasts are eschewing the multi-megapixel convenience of digital photography in favour of an older, slower, 'magical' tech.

    Specialising in vintage cameras, film accessories and film processing, owner Nick Vlahadamis has watched as young people have used their lenses to turn back time. “In the last two years, film sales have increased 20-fold and processing has quadrupled,” he says.

    Co-owner of Sydney Super8, Chris Tiffany sits outside the store helping customers in Newtown, NSW, Australia. Film photography resurgence in Australia..
    2nd April 2022.

    Guardian Australia

    © Blake Sharp-Wiggins / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘You only have one shot’: how film cameras won over a younger generation.
    DUKAS_140126848_EYE
    ‘You only have one shot’: how film cameras won over a younger generation.
    A new wave of enthusiasts are eschewing the multi-megapixel convenience of digital photography in favour of an older, slower, 'magical' tech.

    Specialising in vintage cameras, film accessories and film processing, owner Nick Vlahadamis has watched as young people have used their lenses to turn back time. “In the last two years, film sales have increased 20-fold and processing has quadrupled,” he says.

    Customers line up outside Sydney Super8 film photography store in Newtown, NSW, Australia.
    2nd April 2022.

    Guardian Australia

    © Blake Sharp-Wiggins / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘You only have one shot’: how film cameras won over a younger generation.
    DUKAS_140126845_EYE
    ‘You only have one shot’: how film cameras won over a younger generation.
    A new wave of enthusiasts are eschewing the multi-megapixel convenience of digital photography in favour of an older, slower, 'magical' tech.

    Specialising in vintage cameras, film accessories and film processing, owner Nick Vlahadamis has watched as young people have used their lenses to turn back time. “In the last two years, film sales have increased 20-fold and processing has quadrupled,” he says.

    Sydney Super8 store owner, Nick Vlahadamis, sells a Super8 film camera to a customer in Newtown, Sydney, NSW, Australia.
    2nd April 2022.

    Guardian Australia

    © Blake Sharp-Wiggins / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘You only have one shot’: how film cameras won over a younger generation.
    DUKAS_140126846_EYE
    ‘You only have one shot’: how film cameras won over a younger generation.
    A new wave of enthusiasts are eschewing the multi-megapixel convenience of digital photography in favour of an older, slower, 'magical' tech.

    Specialising in vintage cameras, film accessories and film processing, owner Nick Vlahadamis has watched as young people have used their lenses to turn back time. “In the last two years, film sales have increased 20-fold and processing has quadrupled,” he says.

    Recent film photography enthusiast Indi Shields in Newtown, Sydney, NSW, Australia.
    2nd April 2022.

    Guardian Australia

    © Blake Sharp-Wiggins / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘You only have one shot’: how film cameras won over a younger generation.
    DUKAS_140126842_EYE
    ‘You only have one shot’: how film cameras won over a younger generation.
    A new wave of enthusiasts are eschewing the multi-megapixel convenience of digital photography in favour of an older, slower, 'magical' tech.

    Specialising in vintage cameras, film accessories and film processing, owner Nick Vlahadamis has watched as young people have used their lenses to turn back time. “In the last two years, film sales have increased 20-fold and processing has quadrupled,” he says.

    Recent film photography enthusiast Indi Shields in Newtown, Sydney, NSW, Australia.
    2nd April 2022.

    Guardian Australia

    © Blake Sharp-Wiggins / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676112_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676110_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676109_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676108_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676107_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at LondonÕs Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676080_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676079_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676078_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676077_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676076_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • Ways of seeding: the designer changing the way we look at gardening.
    DUKAS_135676075_EYE
    Ways of seeding: the designer changing the way we look at gardening.
    Errol Reuben Fernandes. Ways of seeding: the designer changing the way we look at gardening. With a background in fashion and art, Errol Fernandes brings a creative eye to designing outdoor spaces. Errol Reuben Fernandes, head of horticulture at London’s Horniman Museum, in the Grassland Garden.
    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘Did they give life? No! So how can they take it?’: on the frontline of knife crime As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset
    DUKAS_125868644_EYE
    ‘Did they give life? No! So how can they take it?’: on the frontline of knife crime As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset
    ÔDid they give life? No! So how can they take it?Õ: on the frontline of knife crime
    As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset by violence can still provide hope.
    Pictured: Ciaran Thapar & Jhemar Jonas.

    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    © Guardian / eyevine. All Rights Reserved.

     

  • ‘Did they give life? No! So how can they take it?’: on the frontline of knife crime As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset
    DUKAS_125868641_EYE
    ‘Did they give life? No! So how can they take it?’: on the frontline of knife crime As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset
    ÔDid they give life? No! So how can they take it?Õ: on the frontline of knife crime
    As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset by violence can still provide hope.
    Pictured: Ciaran Thapar & Jhemar Jonas.

    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
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  • ‘Did they give life? No! So how can they take it?’: on the frontline of knife crime As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset
    DUKAS_125868638_EYE
    ‘Did they give life? No! So how can they take it?’: on the frontline of knife crime As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset
    ÔDid they give life? No! So how can they take it?Õ: on the frontline of knife crime
    As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset by violence can still provide hope.
    Pictured: Ciaran Thapar & Jhemar Jonas.

    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘Did they give life? No! So how can they take it?’: on the frontline of knife crime As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset
    DUKAS_125868639_EYE
    ‘Did they give life? No! So how can they take it?’: on the frontline of knife crime As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset
    ÔDid they give life? No! So how can they take it?Õ: on the frontline of knife crime
    As stabbings surged across London, Ciaran Thapar became a mentor to young boys whose lives were in danger. One of his mentees, Jhemar Jonas, showed him how a life beset by violence can still provide hope.
    Pictured: Ciaran Thapar & Jhemar Jonas.

    © Cian Oba-Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • George MacKay
    DUKAS_111000677_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

    Contact eyevine for more information about using this image:
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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • George MacKay
    DUKAS_111000676_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • George MacKay
    DUKAS_111000674_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • George MacKay
    DUKAS_111000678_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • George MacKay
    DUKAS_111000672_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

    Contact eyevine for more information about using this image:
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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • George MacKay
    DUKAS_111000679_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

    Contact eyevine for more information about using this image:
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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • George MacKay
    DUKAS_111000673_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

    Contact eyevine for more information about using this image:
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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • George MacKay
    DUKAS_111000680_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • George MacKay
    DUKAS_111000670_EYE
    George MacKay
    George MacKay is a British actor. He has appeared in the films The Boys Are Back, How I Live Now, Sunshine on Leith, For Those in Peril, Captain Fantastic, Ophelia and 1917.

    CLEARANCE NEEDED BEFORE USE.

    © Matt Humphrey / eyevine

    Contact eyevine for more information about using this image:
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    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
    © Matt Humphrey / eyevine

     

  • 2018-08-28 Greta Thunberg
    DUKAS_140253286_EYE
    2018-08-28 Greta Thunberg
    STOCKHOLM, SWEDEN - AUGUST 28: Greta Thunberg leads a school strike and sits outside of the Swedish Parliament, in an effort to force politicians to act on climate change on August 28, 2018 in Stockholm, Sweden (Photo: Michael Campanella)
    © Michael Campanella / Guardian / eyevine

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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • dukas 26998140 rev
    DUKAS_26998140_REV
    dukas 26998140 rev
    Emma Roberts
    Los Angeles
    November 27 2012
    Emma Roberts leaving Benjamin Hair Salon on Melrose in West Hollywood, carrying a clear container, wearing a"Kiss The Future" sweatshirt from Zoe Karssen and a 'Spice Girls' key chain. Once in her Range Rover Sport, she took pictures with her 35mm Sprocket Rocket Panorma Camera, a camera that use films
    ID revpix121127001
    All pictures must be credited revolutionpix (FOTO: DUKAS/REVOLUTIONPIX)
    DUKAS/REVOLUTIONPIX

     

  • dukas 26998077 rev
    DUKAS_26998077_REV
    dukas 26998077 rev
    Emma Roberts
    Los Angeles
    November 27 2012
    Emma Roberts leaving Benjamin Hair Salon on Melrose in West Hollywood, carrying a clear container, wearing a"Kiss The Future" sweatshirt from Zoe Karssen and a 'Spice Girls' key chain. Once in her Range Rover Sport, she took pictures with her 35mm Sprocket Rocket Panorma Camera, a camera that use films
    ID revpix121127001
    All pictures must be credited revolutionpix (FOTO: DUKAS/REVOLUTIONPIX)
    DUKAS/REVOLUTIONPIX

     

  • dukas 26998069 rev
    DUKAS_26998069_REV
    dukas 26998069 rev
    Emma Roberts
    Los Angeles
    November 27 2012
    Emma Roberts leaving Benjamin Hair Salon on Melrose in West Hollywood, carrying a clear container, wearing a"Kiss The Future" sweatshirt from Zoe Karssen and a 'Spice Girls' key chain. Once in her Range Rover Sport, she took pictures with her 35mm Sprocket Rocket Panorma Camera, a camera that use films
    ID revpix121127001
    All pictures must be credited revolutionpix (FOTO: DUKAS/REVOLUTIONPIX)
    DUKAS/REVOLUTIONPIX

     

  • dukas 26998058 rev
    DUKAS_26998058_REV
    dukas 26998058 rev
    Emma Roberts
    Los Angeles
    November 27 2012
    Emma Roberts leaving Benjamin Hair Salon on Melrose in West Hollywood, carrying a clear container, wearing a"Kiss The Future" sweatshirt from Zoe Karssen and a 'Spice Girls' key chain. Once in her Range Rover Sport, she took pictures with her 35mm Sprocket Rocket Panorma Camera, a camera that use films
    ID revpix121127001
    All pictures must be credited revolutionpix (FOTO: DUKAS/REVOLUTIONPIX)
    DUKAS/REVOLUTIONPIX

     

  • dukas 26998040 rev
    DUKAS_26998040_REV
    dukas 26998040 rev
    Emma Roberts
    Los Angeles
    November 27 2012
    Emma Roberts leaving Benjamin Hair Salon on Melrose in West Hollywood, carrying a clear container, wearing a"Kiss The Future" sweatshirt from Zoe Karssen and a 'Spice Girls' key chain. Once in her Range Rover Sport, she took pictures with her 35mm Sprocket Rocket Panorma Camera, a camera that use films
    ID revpix121127001
    All pictures must be credited revolutionpix (FOTO: DUKAS/REVOLUTIONPIX)
    DUKAS/REVOLUTIONPIX

     

  • Toronto International Film Festival, Toronto, Canada - Sep 2010
    DUKAS_16558058_REX
    Toronto International Film Festival, Toronto, Canada - Sep 2010
    Mandatory Credit: Photo by Canadian Press / Rex Features ( 1226631d )
    Sir Anthony Hopkins. The portrait was shot with 35mm film on a Holga camera which is formatted to shoot medium format 120 film. The result is that the exposure spreads across the entire emulsion of the film
    Toronto International Film Festival, Toronto, Canada - Sep 2010

    (FOTO:DUKAS/REX)
    DUKAS/REX

     

  • Bombardment at Ypres
    DUKAS_33266925_UNA
    Bombardment at Ypres
    Bombardment at Ypres - 5/7/15 - In the spring of 1915, an intensive German bombardment was started up on the town. This was carried out by long range, heavy German artillery, which included a huge 42cm howitzer. This gun was nicknamed 'Dicke Bertha' (big Bertha) by the German Army and consequently became known as 'Big Bertha' to the British Army. This bombardment was the prelude to the launch of a German gas attack on the Allied front line in the Ypres Salient on 22nd April 1915. It was the beginning of the Second Battle of Ypres and the beginning of the total destruction of a beautiful Flemish city. - Belgium / Colour 35mm Transparency, Belgien
    DUKAS/UNITED ARCHIVES