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DUK10006753_015
PEOPLE: Schlagerposen in der 1960er Jahren
Das deutsche Model Elvira Steinhausen, Deutschland 1960er Jahre.
The german model Elvira Steinhausen, Germany 1960s. 24x36swNeg54 *** Local Caption *** 02561928
(c) Dukas -
DUK10006753_011
PEOPLE: Schlagerposen in der 1960er Jahren
Das deutsche Model Elvira Steinhausen, Deutschland 1960er Jahre.
The german model Elvira Steinhausen, Germany 1960s. 24x36swNeg54 *** Local Caption *** 02561950
(c) Dukas -
DUKAS_185577016_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_185576869_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_185576867_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_185576865_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_185576759_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_185576758_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_185576658_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_185576657_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_185576656_DAL
Atomic Kitten
ATOMIC KITTEN
2003
Credit : WILFLING/ BMC /DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUK10163281_014
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_012
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_016
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_015
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_003
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_017
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_024
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_006
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_005
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_022
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_007
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_001
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_002
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_028
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_013
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_029
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_030
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_011
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_018
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_032
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_008
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_031
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_004
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_021
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_023
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_009
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_025
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_026
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_010
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_027
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_019
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_020
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163088_012
Hielt ihre Beschwerden für Covid: Bei der 27jährigen Evgenia aus London wurde eine aggressive Krebsart diagnostiziert
SONDERKONDITIONEN: Satzpreis!
WORDS BYLINE: Deborah Cicurel
For months, she brushed off the symptoms. The nagging pain in her shoulder blade, an irritating cough, and relentless fatigue all seemed like nothing serious.
But when Evgenia’s pain worsened, her energy drained, and a mysterious rash appeared, she knew something wasn’t right.
“I didn't really think that anything was going wrong until I really started feeling the pain in the shoulder blade getting more and more intense,” the 27-year-old says.
“I started coughing at some point as well, and this is when I thought maybe I’d got Covid. I didn't really pay much attention to it.
“Then it started getting really bad and I wouldn't be able to speak. I would cough all the time, and it really interfered with my day-to-day stuff.”
In March 2023 she decided to seek help. At first, doctors were unconcerned. An MRI of her neck revealed nothing alarming - except, by sheer luck, a small glimpse of a lump lower in her chest.
Evgenia, 25 at the time, was referred to a lung specialist but the appointment was delayed. Precious weeks ticked by before she could get further tests.
By the time she underwent a biopsy in July, her condition had deteriorated significantly.
The persistent cough made speaking difficult, everyday tasks left her exhausted, and what had started as a vague discomfort had become an overwhelming burden.
Then came the words no one ever expects to hear: Stage 4 lymphoma.
“I had a feeling before that I might have cancer,” Evgenia, from London, remembers. “I think actually knowing the diagnosis is much better than not knowing it.
“Of course I was upset and I couldn't believe the diagnosis for a bit, and I was like, ‘This cannot be happening to me. Why me?’
“But in a way it was a relief: when you don't know your diagnosis yet, you feel super frustrated because you know that you are getting worse and worse every day.
“And then when I finally found out the diagnosis, things started h *** Local Captio
(c) Dukas -
DUK10163088_011
Hielt ihre Beschwerden für Covid: Bei der 27jährigen Evgenia aus London wurde eine aggressive Krebsart diagnostiziert
SONDERKONDITIONEN: Satzpreis!
WORDS BYLINE: Deborah Cicurel
For months, she brushed off the symptoms. The nagging pain in her shoulder blade, an irritating cough, and relentless fatigue all seemed like nothing serious.
But when Evgenia’s pain worsened, her energy drained, and a mysterious rash appeared, she knew something wasn’t right.
“I didn't really think that anything was going wrong until I really started feeling the pain in the shoulder blade getting more and more intense,” the 27-year-old says.
“I started coughing at some point as well, and this is when I thought maybe I’d got Covid. I didn't really pay much attention to it.
“Then it started getting really bad and I wouldn't be able to speak. I would cough all the time, and it really interfered with my day-to-day stuff.”
In March 2023 she decided to seek help. At first, doctors were unconcerned. An MRI of her neck revealed nothing alarming - except, by sheer luck, a small glimpse of a lump lower in her chest.
Evgenia, 25 at the time, was referred to a lung specialist but the appointment was delayed. Precious weeks ticked by before she could get further tests.
By the time she underwent a biopsy in July, her condition had deteriorated significantly.
The persistent cough made speaking difficult, everyday tasks left her exhausted, and what had started as a vague discomfort had become an overwhelming burden.
Then came the words no one ever expects to hear: Stage 4 lymphoma.
“I had a feeling before that I might have cancer,” Evgenia, from London, remembers. “I think actually knowing the diagnosis is much better than not knowing it.
“Of course I was upset and I couldn't believe the diagnosis for a bit, and I was like, ‘This cannot be happening to me. Why me?’
“But in a way it was a relief: when you don't know your diagnosis yet, you feel super frustrated because you know that you are getting worse and worse every day.
“And then when I finally found out the diagnosis, things started h *** Local Captio
(c) Dukas -
DUK10163088_008
Hielt ihre Beschwerden für Covid: Bei der 27jährigen Evgenia aus London wurde eine aggressive Krebsart diagnostiziert
SONDERKONDITIONEN: Satzpreis!
WORDS BYLINE: Deborah Cicurel
For months, she brushed off the symptoms. The nagging pain in her shoulder blade, an irritating cough, and relentless fatigue all seemed like nothing serious.
But when Evgenia’s pain worsened, her energy drained, and a mysterious rash appeared, she knew something wasn’t right.
“I didn't really think that anything was going wrong until I really started feeling the pain in the shoulder blade getting more and more intense,” the 27-year-old says.
“I started coughing at some point as well, and this is when I thought maybe I’d got Covid. I didn't really pay much attention to it.
“Then it started getting really bad and I wouldn't be able to speak. I would cough all the time, and it really interfered with my day-to-day stuff.”
In March 2023 she decided to seek help. At first, doctors were unconcerned. An MRI of her neck revealed nothing alarming - except, by sheer luck, a small glimpse of a lump lower in her chest.
Evgenia, 25 at the time, was referred to a lung specialist but the appointment was delayed. Precious weeks ticked by before she could get further tests.
By the time she underwent a biopsy in July, her condition had deteriorated significantly.
The persistent cough made speaking difficult, everyday tasks left her exhausted, and what had started as a vague discomfort had become an overwhelming burden.
Then came the words no one ever expects to hear: Stage 4 lymphoma.
“I had a feeling before that I might have cancer,” Evgenia, from London, remembers. “I think actually knowing the diagnosis is much better than not knowing it.
“Of course I was upset and I couldn't believe the diagnosis for a bit, and I was like, ‘This cannot be happening to me. Why me?’
“But in a way it was a relief: when you don't know your diagnosis yet, you feel super frustrated because you know that you are getting worse and worse every day.
“And then when I finally found out the diagnosis, things started h *** Local Captio
(c) Dukas -
DUK10163088_009
Hielt ihre Beschwerden für Covid: Bei der 27jährigen Evgenia aus London wurde eine aggressive Krebsart diagnostiziert
SONDERKONDITIONEN: Satzpreis!
WORDS BYLINE: Deborah Cicurel
For months, she brushed off the symptoms. The nagging pain in her shoulder blade, an irritating cough, and relentless fatigue all seemed like nothing serious.
But when Evgenia’s pain worsened, her energy drained, and a mysterious rash appeared, she knew something wasn’t right.
“I didn't really think that anything was going wrong until I really started feeling the pain in the shoulder blade getting more and more intense,” the 27-year-old says.
“I started coughing at some point as well, and this is when I thought maybe I’d got Covid. I didn't really pay much attention to it.
“Then it started getting really bad and I wouldn't be able to speak. I would cough all the time, and it really interfered with my day-to-day stuff.”
In March 2023 she decided to seek help. At first, doctors were unconcerned. An MRI of her neck revealed nothing alarming - except, by sheer luck, a small glimpse of a lump lower in her chest.
Evgenia, 25 at the time, was referred to a lung specialist but the appointment was delayed. Precious weeks ticked by before she could get further tests.
By the time she underwent a biopsy in July, her condition had deteriorated significantly.
The persistent cough made speaking difficult, everyday tasks left her exhausted, and what had started as a vague discomfort had become an overwhelming burden.
Then came the words no one ever expects to hear: Stage 4 lymphoma.
“I had a feeling before that I might have cancer,” Evgenia, from London, remembers. “I think actually knowing the diagnosis is much better than not knowing it.
“Of course I was upset and I couldn't believe the diagnosis for a bit, and I was like, ‘This cannot be happening to me. Why me?’
“But in a way it was a relief: when you don't know your diagnosis yet, you feel super frustrated because you know that you are getting worse and worse every day.
“And then when I finally found out the diagnosis, things started h *** Local Captio
(c) Dukas -
DUK10163088_001
Hielt ihre Beschwerden für Covid: Bei der 27jährigen Evgenia aus London wurde eine aggressive Krebsart diagnostiziert
SONDERKONDITIONEN: Satzpreis!
WORDS BYLINE: Deborah Cicurel
For months, she brushed off the symptoms. The nagging pain in her shoulder blade, an irritating cough, and relentless fatigue all seemed like nothing serious.
But when Evgenia’s pain worsened, her energy drained, and a mysterious rash appeared, she knew something wasn’t right.
“I didn't really think that anything was going wrong until I really started feeling the pain in the shoulder blade getting more and more intense,” the 27-year-old says.
“I started coughing at some point as well, and this is when I thought maybe I’d got Covid. I didn't really pay much attention to it.
“Then it started getting really bad and I wouldn't be able to speak. I would cough all the time, and it really interfered with my day-to-day stuff.”
In March 2023 she decided to seek help. At first, doctors were unconcerned. An MRI of her neck revealed nothing alarming - except, by sheer luck, a small glimpse of a lump lower in her chest.
Evgenia, 25 at the time, was referred to a lung specialist but the appointment was delayed. Precious weeks ticked by before she could get further tests.
By the time she underwent a biopsy in July, her condition had deteriorated significantly.
The persistent cough made speaking difficult, everyday tasks left her exhausted, and what had started as a vague discomfort had become an overwhelming burden.
Then came the words no one ever expects to hear: Stage 4 lymphoma.
“I had a feeling before that I might have cancer,” Evgenia, from London, remembers. “I think actually knowing the diagnosis is much better than not knowing it.
“Of course I was upset and I couldn't believe the diagnosis for a bit, and I was like, ‘This cannot be happening to me. Why me?’
“But in a way it was a relief: when you don't know your diagnosis yet, you feel super frustrated because you know that you are getting worse and worse every day.
“And then when I finally found out the diagnosis, things started h *** Local Captio
(c) Dukas -
DUK10163088_004
Hielt ihre Beschwerden für Covid: Bei der 27jährigen Evgenia aus London wurde eine aggressive Krebsart diagnostiziert
SONDERKONDITIONEN: Satzpreis!
WORDS BYLINE: Deborah Cicurel
For months, she brushed off the symptoms. The nagging pain in her shoulder blade, an irritating cough, and relentless fatigue all seemed like nothing serious.
But when Evgenia’s pain worsened, her energy drained, and a mysterious rash appeared, she knew something wasn’t right.
“I didn't really think that anything was going wrong until I really started feeling the pain in the shoulder blade getting more and more intense,” the 27-year-old says.
“I started coughing at some point as well, and this is when I thought maybe I’d got Covid. I didn't really pay much attention to it.
“Then it started getting really bad and I wouldn't be able to speak. I would cough all the time, and it really interfered with my day-to-day stuff.”
In March 2023 she decided to seek help. At first, doctors were unconcerned. An MRI of her neck revealed nothing alarming - except, by sheer luck, a small glimpse of a lump lower in her chest.
Evgenia, 25 at the time, was referred to a lung specialist but the appointment was delayed. Precious weeks ticked by before she could get further tests.
By the time she underwent a biopsy in July, her condition had deteriorated significantly.
The persistent cough made speaking difficult, everyday tasks left her exhausted, and what had started as a vague discomfort had become an overwhelming burden.
Then came the words no one ever expects to hear: Stage 4 lymphoma.
“I had a feeling before that I might have cancer,” Evgenia, from London, remembers. “I think actually knowing the diagnosis is much better than not knowing it.
“Of course I was upset and I couldn't believe the diagnosis for a bit, and I was like, ‘This cannot be happening to me. Why me?’
“But in a way it was a relief: when you don't know your diagnosis yet, you feel super frustrated because you know that you are getting worse and worse every day.
“And then when I finally found out the diagnosis, things started h *** Local Captio
(c) Dukas -
DUK10163088_007
Hielt ihre Beschwerden für Covid: Bei der 27jährigen Evgenia aus London wurde eine aggressive Krebsart diagnostiziert
SONDERKONDITIONEN: Satzpreis!
WORDS BYLINE: Deborah Cicurel
For months, she brushed off the symptoms. The nagging pain in her shoulder blade, an irritating cough, and relentless fatigue all seemed like nothing serious.
But when Evgenia’s pain worsened, her energy drained, and a mysterious rash appeared, she knew something wasn’t right.
“I didn't really think that anything was going wrong until I really started feeling the pain in the shoulder blade getting more and more intense,” the 27-year-old says.
“I started coughing at some point as well, and this is when I thought maybe I’d got Covid. I didn't really pay much attention to it.
“Then it started getting really bad and I wouldn't be able to speak. I would cough all the time, and it really interfered with my day-to-day stuff.”
In March 2023 she decided to seek help. At first, doctors were unconcerned. An MRI of her neck revealed nothing alarming - except, by sheer luck, a small glimpse of a lump lower in her chest.
Evgenia, 25 at the time, was referred to a lung specialist but the appointment was delayed. Precious weeks ticked by before she could get further tests.
By the time she underwent a biopsy in July, her condition had deteriorated significantly.
The persistent cough made speaking difficult, everyday tasks left her exhausted, and what had started as a vague discomfort had become an overwhelming burden.
Then came the words no one ever expects to hear: Stage 4 lymphoma.
“I had a feeling before that I might have cancer,” Evgenia, from London, remembers. “I think actually knowing the diagnosis is much better than not knowing it.
“Of course I was upset and I couldn't believe the diagnosis for a bit, and I was like, ‘This cannot be happening to me. Why me?’
“But in a way it was a relief: when you don't know your diagnosis yet, you feel super frustrated because you know that you are getting worse and worse every day.
“And then when I finally found out the diagnosis, things started h *** Local Captio
(c) Dukas -
