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DUKAS_189918353_NUR
2nd Annual Gurus Awards Presented by Gurus Magazine
Russian choreographer and dancer Gleb Savchenko and American yoga instructor, entrepreneur, podcaster, and author Hilaria Baldwin arrive at the 2nd Annual Gurus Awards Presented by Gurus Magazine held at Cicada Restaurant and Lounge at Oviatt Building at The Olive in Los Angeles, California, United States. (Photo by Xavier Collin/Image Press Agency/NurPhoto) -
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Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778141_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778145_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778140_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778176_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778173_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778175_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778143_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778177_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778150_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778142_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778144_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778178_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778148_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778151_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778174_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778146_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_189778149_EYE
Michael Flatley
Michael Flatley, photographed at the InterContinental Dublin in Ballsbridge, Dublin, Ireland. September 2025. The Lord of the Dance was always fanatically driven, practising for 16 hours a day in his teens. His body now bears the damage of that era. But he still wants more.
Credit: Johnny Savage / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Johnny Savage -
DUKAS_188442206_POL
Choreographer Wade Robson sues Michael Jackson estate
March 8, 2001 - Los Angeles, California, United States:Wade Robson.March 8, 2001 - Los Angeles, California, United States: Wade Robson. Robson, an Australian dancer and choreographer, began performing as a dancer at the age of five. When he was nine, Michael Jackson recruited him to appear in three of of his music videos: "Black or White," "Jam," and "Heal the World." Robson went on to direct music videos and world tours for numerous music artists such as 'N Sync and Britney Spears. He also is the host and executive producer for The Wade Robson Project which aired on MTV in 2003. In 2007, he joined the Fox television dance series So You Think You Can Dance as both a judge and choreographer. Robson testified in Michael Jackson's defense at the People v. Jackson trial in 2005, but, in 2013, he alleged Jackson had sexually abused him as a child, and he is suing the Jackson estate in a trial scheduled to begin in June 2014. (Misha Erwitt/Polaris) (FOTO:DUKAS/POLARIS) -
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Choreographer Wade Robson sues Michael Jackson estate
March 8, 2001 - Los Angeles, California, United States: Music video choreographer Wade Robson with recording artist Usher. Robson, an Australian dancer and choreographer, began performing as a dancer at the age of five. When he was nine, Michael Jackson recruited him to appear in three of of his music videos: "Black or White," "Jam," and "Heal the World." Robson went on to direct music videos and world tours for numerous music artists such as 'N Sync and Britney Spears. He also is the host and executive producer for The Wade Robson Project which aired on MTV in 2003. In 2007, he joined the Fox television dance series So You Think You Can Dance as both a judge and choreographer. Robson testified in Michael Jackson's defense at the People v. Jackson trial in 2005, but, in 2013, he alleged Jackson had sexually abused him as a child, and he is suing the Jackson estate in a trial scheduled to begin in June 2014. (Misha Erwitt/Polaris) (FOTO:DUKAS/POLARIS) -
DUKAS_188442047_POL
Choreographer Wade Robson sues Michael Jackson estate
March 8, 2001 - Los Angeles, California, United States:Wade Robson.March 8, 2001 - Los Angeles, California, United States: Wade Robson. Robson, an Australian dancer and choreographer, began performing as a dancer at the age of five. When he was nine, Michael Jackson recruited him to appear in three of of his music videos: "Black or White," "Jam," and "Heal the World." Robson went on to direct music videos and world tours for numerous music artists such as 'N Sync and Britney Spears. He also is the host and executive producer for The Wade Robson Project which aired on MTV in 2003. In 2007, he joined the Fox television dance series So You Think You Can Dance as both a judge and choreographer. Robson testified in Michael Jackson's defense at the People v. Jackson trial in 2005, but, in 2013, he alleged Jackson had sexually abused him as a child, and he is suing the Jackson estate in a trial scheduled to begin in June 2014. (Misha Erwitt/Polaris) (FOTO:DUKAS/POLARIS) -
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Stephen Page: 'Am I old? Am I not old? Can I still create?'
Stephen Page: 'Am I old? Am I not old? Can I still create?'
The acclaimed choreographer on leaving Bangarra, losing family and finding sacred stability.
Stephen Page is an Australian choreographer, film director and former dancer. He was artistic director of the Bangarra Dance Theatre.
Carly Earl / Guardian / eyevine
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DUKAS_187403478_EYE
Stephen Page: 'Am I old? Am I not old? Can I still create?'
Stephen Page: 'Am I old? Am I not old? Can I still create?'
The acclaimed choreographer on leaving Bangarra, losing family and finding sacred stability.
Stephen Page is an Australian choreographer, film director and former dancer. He was artistic director of the Bangarra Dance Theatre.
Carly Earl / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_187403480_EYE
Stephen Page: 'Am I old? Am I not old? Can I still create?'
Stephen Page: 'Am I old? Am I not old? Can I still create?'
The acclaimed choreographer on leaving Bangarra, losing family and finding sacred stability.
Stephen Page is an Australian choreographer, film director and former dancer. He was artistic director of the Bangarra Dance Theatre.
Carly Earl / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_187403484_EYE
Stephen Page: 'Am I old? Am I not old? Can I still create?'
Stephen Page: 'Am I old? Am I not old? Can I still create?'
The acclaimed choreographer on leaving Bangarra, losing family and finding sacred stability.
Stephen Page is an Australian choreographer, film director and former dancer. He was artistic director of the Bangarra Dance Theatre.
Carly Earl / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE) -
DUKAS_187403483_EYE
Stephen Page: 'Am I old? Am I not old? Can I still create?'
Stephen Page: 'Am I old? Am I not old? Can I still create?'
The acclaimed choreographer on leaving Bangarra, losing family and finding sacred stability.
Stephen Page is an Australian choreographer, film director and former dancer. He was artistic director of the Bangarra Dance Theatre.
Carly Earl / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE) -
DUKAS_185015771_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
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Rii Schroer -
DUKAS_185015769_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
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Rii Schroer -
DUKAS_185015767_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
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Rii Schroer -
DUKAS_185015759_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
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Rii Schroer -
DUKAS_185015763_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
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Rii Schroer -
DUKAS_185015761_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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Rii Schroer -
DUKAS_185015765_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
Rii Schroer -
DUKAS_185015755_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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Rii Schroer -
DUKAS_185015757_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
Rii Schroer -
DUKAS_185015756_EYE
English international choreographer of contemporary ballet Christopher Wheeldon.English international choreographer of contemporary ballet Christopher Wheeldon.
English international choreographer of contemporary ballet Christopher Wheeldon pictured on the rehearsal set of AN AMERICAN IN PARIS (BALLET) at the Royal Opera House, London, UK.
23 April 2025
© Rii Schroer / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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Rii Schroer -
DUKAS_181466183_EYE
'Why aren't there Oscars for what we do?' Choreographer Ellen Kane lets rip
'Why aren't there Oscars for what we do?' Choreographer Ellen Kane lets rip
From Matilda to Dear England, Ellen Kane is the movement director everyone wants to work with - and her work has lit up hit after smash hit. But, she says, it's time this under-appreciated art received proper recognition.
Ellen Kane, choreographer at The National Theatre, London, UK.
January 2025.
Sarah Lee / Guardian / eyevine
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Commissioned by the Guardian. All rights remain with Sarah Me Lee, please contact prior to any non Guardian publication +44 0 -
DUKAS_181466185_EYE
'Why aren't there Oscars for what we do?' Choreographer Ellen Kane lets rip
'Why aren't there Oscars for what we do?' Choreographer Ellen Kane lets rip
From Matilda to Dear England, Ellen Kane is the movement director everyone wants to work with - and her work has lit up hit after smash hit. But, she says, it's time this under-appreciated art received proper recognition.
Ellen Kane, choreographer at The National Theatre, London, UK.
January 2025.
Sarah Lee / Guardian / eyevine
Contact eyevine for more information about using this image:
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Commissioned by the Guardian. All rights remain with Sarah Me Lee, please contact prior to any non Guardian publication +44 0 -
DUKAS_181466184_EYE
'Why aren't there Oscars for what we do?' Choreographer Ellen Kane lets rip
'Why aren't there Oscars for what we do?' Choreographer Ellen Kane lets rip
From Matilda to Dear England, Ellen Kane is the movement director everyone wants to work with - and her work has lit up hit after smash hit. But, she says, it's time this under-appreciated art received proper recognition.
Ellen Kane, choreographer at The National Theatre, London, UK.
January 2025.
Sarah Lee / Guardian / eyevine
Contact eyevine for more information about using this image:
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Commissioned by the Guardian. All rights remain with Sarah Me Lee, please contact prior to any non Guardian publication +44 0 -
DUKAS_182911191_EYE
Elizabeth Cameron Dalman at 91: 'In dance we are ageless'
Elizabeth Cameron Dalman at 91: 'In dance we are ageless'
With a career spanning more than six decades, the pioneering co-founder of Australian Dance Theatre is still dancing - just don’t ask about the age thing.
Elizabeth Cameron Dalman is a pioneer and icon of dance in Australia. She is also the owner of the Mirramu Creative Arts Centre in Bungendore, just outside of Canberra and happens to be over 90 years old - but as she puts it, we don't talk about age because dancers are 'ageless'.
Teagan Glenane / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Copyright Teagan Glenane 2024 -
DUKAS_182911189_EYE
Elizabeth Cameron Dalman at 91: 'In dance we are ageless'
Elizabeth Cameron Dalman at 91: 'In dance we are ageless'
With a career spanning more than six decades, the pioneering co-founder of Australian Dance Theatre is still dancing - just don’t ask about the age thing.
Elizabeth Cameron Dalman is a pioneer and icon of dance in Australia. She is also the owner of the Mirramu Creative Arts Centre in Bungendore, just outside of Canberra and happens to be over 90 years old - but as she puts it, we don't talk about age because dancers are 'ageless'.
Teagan Glenane / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
Copyright Teagan Glenane 2024 -
DUKAS_182911187_EYE
Elizabeth Cameron Dalman at 91: 'In dance we are ageless'
Elizabeth Cameron Dalman at 91: 'In dance we are ageless'
With a career spanning more than six decades, the pioneering co-founder of Australian Dance Theatre is still dancing - just don’t ask about the age thing.
Elizabeth Cameron Dalman is a pioneer and icon of dance in Australia. She is also the owner of the Mirramu Creative Arts Centre in Bungendore, just outside of Canberra and happens to be over 90 years old - but as she puts it, we don't talk about age because dancers are 'ageless'.
Teagan Glenane / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Copyright Teagan Glenane 2024 -
DUKAS_182911193_EYE
Elizabeth Cameron Dalman at 91: 'In dance we are ageless'
Elizabeth Cameron Dalman at 91: 'In dance we are ageless'
With a career spanning more than six decades, the pioneering co-founder of Australian Dance Theatre is still dancing - just don’t ask about the age thing.
Elizabeth Cameron Dalman is a pioneer and icon of dance in Australia. She is also the owner of the Mirramu Creative Arts Centre in Bungendore, just outside of Canberra and happens to be over 90 years old - but as she puts it, we don't talk about age because dancers are 'ageless'.
Teagan Glenane / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Copyright Teagan Glenane 2024 -
DUKAS_171245234_REX
77th Annual Tony Awards in New York, United States - 16 Jun 2024
Mandatory Credit: Photo by Peter Foley/UPI/Shutterstock (14542884d)
Justin Peck, wins the Best Choreography award for "Illinoise" holds his Tony Award in the press room at The 77th Annual Tony Awards at David H. Koch Theater at Lincoln Center for the Performing Arts on Sunday, June 16, 2024 in New York City.
77th Annual Tony Awards in New York, United States - 16 Jun 2024 -
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Bring on the naked rollerskating nuns! The wild visions of Florentina Holzinger
Live tattooing, non-simulated sex, flesh hook body hoisting and an ejaculating helicopter - these are commonplace in the astonishing shows of Europe's hottest director Florentina Holzinger. But is her latest just too shocking?
Austrian choreographer Florentina Holzinger is famous for working with performers who can endure more pain than most: the all-female casts of her shows regularly include sword-swallowers, pole-dancers, Japanese bondage artists and "hair hangers"
Florentina Holzinger, choreographer and performance artist from Austria; VOLKSBUHNE Berlin; in the Red Salon & on the stage 'Orphelia'; upcoming: 'Sancta', opera performance; music Paul Hindemith ("Sancta Susanna"); Berlin; 04.05.2024.
Christian Jungeblodt / Guardian / eyevine
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http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
Christian Jungeblodt -
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Bring on the naked rollerskating nuns! The wild visions of Florentina Holzinger
Live tattooing, non-simulated sex, flesh hook body hoisting and an ejaculating helicopter - these are commonplace in the astonishing shows of Europe's hottest director Florentina Holzinger. But is her latest just too shocking?
Austrian choreographer Florentina Holzinger is famous for working with performers who can endure more pain than most: the all-female casts of her shows regularly include sword-swallowers, pole-dancers, Japanese bondage artists and "hair hangers"
Florentina Holzinger, choreographer and performance artist from Austria; VOLKSBUHNE Berlin; in the Red Salon & on the stage 'Orphelia'; upcoming: 'Sancta', opera performance; music Paul Hindemith ("Sancta Susanna"); Berlin; 04.05.2024.
Christian Jungeblodt / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com (FOTO: DUKAS/EYEVINE)
Christian Jungeblodt -
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Arlene Phillips at 80: on Strictly, scandal, survival - and still being a sizzling hot choreographer
Arlene Phillips outraged Mary Whitehouse, worked with Tina Turner, Elton John and Freddie Mercury, and is up for an Olivier for choreographing a smash hit production of Guys & Dolls. Will she ever slow down? Not likely ...
Choreographer Arlene Phillips.
12/03/2024.
Linda Nylind / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
Linda Nylind -
DUKAS_167526671_EYE
Arlene Phillips at 80: on Strictly, scandal, survival - and still being a sizzling hot choreographer
Arlene Phillips outraged Mary Whitehouse, worked with Tina Turner, Elton John and Freddie Mercury, and is up for an Olivier for choreographing a smash hit production of Guys & Dolls. Will she ever slow down? Not likely ...
Choreographer Arlene Phillips.
12/03/2024.
Linda Nylind / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Linda Nylind -
DUKAS_167526675_EYE
Arlene Phillips at 80: on Strictly, scandal, survival - and still being a sizzling hot choreographer
Arlene Phillips outraged Mary Whitehouse, worked with Tina Turner, Elton John and Freddie Mercury, and is up for an Olivier for choreographing a smash hit production of Guys & Dolls. Will she ever slow down? Not likely ...
Choreographer Arlene Phillips.
12/03/2024.
Linda Nylind / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Linda Nylind -
