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An American In Paris
A scene from An American In Paris from Ballet To Broadway: Wheeldon Works by The Royal Ballet @ Royal Ballet and Opera.
(Opening 09-05-25)
©Tristram Kenton 05-25
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DUKAS_177492856_EYE
Royal Ballet: Encounters; Birmingham Royal Ballet: Dusk
A scene from Dusk by Joseph Toonga from Encounters: Four Contemporary Ballets by The Royal Ballet at the The Royal Ballet and Opera House.
(Opening 22-10-24)
Tristram Kenton / Guardian / eyevine
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DUKAS_175705012_EYE
Alice's Adventures in Wonderland review - all stops are pulled out for Wheeldon ballet
This production of Frederick Ashton's version of the bucolic love story allows the beauty and humour to flow naturally from the choreography.
Francesca Hayward (Alice) and Lauren Cuthbertson (Queen) in Alice's Adventures In Wonderland by The Royal Ballet at the Royal Ballet and Opera. Choreography by Christopher Wheeldon.
(Press night 28-09-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_175705010_EYE
Alice's Adventures in Wonderland review - all stops are pulled out for Wheeldon ballet
This production of Frederick Ashton's version of the bucolic love story allows the beauty and humour to flow naturally from the choreography.
Francesca Hayward (Alice) and Kristen McNally (Cook) in Alice's Adventures In Wonderland by The Royal Ballet at the Royal Ballet and Opera. Choreography by Christopher Wheeldon.
(Press night 28-09-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_170968340_EYE
The Royal Ballet: Ashton Celebrated review - a world where everything is just delightful. Lez Rendezvous.
Launching a four-year celebration of Frederick Ashton's genteel 'English style', this triple bill is full of refined beauty and pleasure - though with athleticism visible below the surface.
A scene from Lez Rendezvous, part of Frederick Ashton Celebrated by The Royal Ballet at the Royal Opera House. Set and Costumes by Jasper Conran.
(Opening 06-06-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_171041137_EYE
The Royal Ballet: Ashton Celebrated review - a world where everything is just delightful.
Launching a four-year celebration of Frederick Ashton’s genteel 'English style', this triple bill is full of refined beauty and pleasure - though with athleticism visible below the surface.
Daichi Ikarashi (Puck) in The Dream, part of Frederick Ashton Celebrated by The Royal Ballet at the Royal Opera House
(Opening 06-06-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_171041136_EYE
The Royal Ballet: Ashton Celebrated review - a world where everything is just delightful.
Launching a four-year celebration of Frederick Ashton’s genteel 'English style', this triple bill is full of refined beauty and pleasure - though with athleticism visible below the surface.
Francesca Hayward, centre, in The Dream, part of Frederick Ashton Celebrated by The Royal Ballet at the Royal Opera House
(Opening 06-06-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_171041139_EYE
The Royal Ballet: Ashton Celebrated review - a world where everything is just delightful.
Launching a four-year celebration of Frederick Ashton’s genteel 'English style', this triple bill is full of refined beauty and pleasure - though with athleticism visible below the surface.
Harrison Lee, Isabella Gasparini and Leo Dixon in Lez Rendezvous part of Frederick Ashton Celebrated by The Royal Ballet at the Royal Opera House. This new production of Les Rendezvous is a co-production with the Frederick Ashton Foundation and features set and costume designs by British designer Jasper Conran.
(Opening 06-06-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_171041135_EYE
The Royal Ballet: Ashton Celebrated review - a world where everything is just delightful.
Launching a four-year celebration of Frederick Ashton’s genteel 'English style', this triple bill is full of refined beauty and pleasure - though with athleticism visible below the surface.
Harrison Lee, Isabella Gasparini and Leo Dixon in Lez Rendezvous part of Frederick Ashton Celebrated by The Royal Ballet at the Royal Opera House. This new production of Les Rendezvous is a co-production with the Frederick Ashton Foundation and features set and costume designs by British designer Jasper Conran.
(Opening 06-06-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_171324926_EYE
The Royal Ballet: Ashton Celebrated review - a world where everything is just delightful
Launching a four-year celebration of Frederick Ashton's genteel 'English style', this triple bill is full of refined beauty and pleasure - though with athleticism visible below the surface
Reece Clarke and Marianela Nunez in Lez Rendezvous part of Frederick Ashton Celebrated by The Royal Ballet at the Royal Opera House. This new production of Les Rendezvous is a co-production with the Frederick Ashton Foundation and features set and costume designs by British designer Jasper Conran.
(Opening 06-06-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_166217352_EYE
Festival of New Choreography review - the Royal Ballet spreads its wings. For What It's Worth
Impressive new work from Joshua Junker and Mthuthuzeli November pushes dancers well beyond the classical repertoire.
A scene from For What Itís Worth by Mthuthuzeli November, part of New Works from The Festival Of New Choreography by The Royal Ballet at the Royal Opera House.
(Opening 15-02-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_166217343_EYE
Festival of New Choreography review - the Royal Ballet spreads its wings. For What It's Worth
Impressive new work from Joshua Junker and Mthuthuzeli November pushes dancers well beyond the classical repertoire.
A scene from For What It's Worth by Mthuthuzeli November, part of New Works from The Festival Of New Choreography by The Royal Ballet at the Royal Opera House.
(Opening 15-02-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_166217351_EYE
Festival of New Choreography review – the Royal Ballet spreads its wings. Never Known
Impressive new work from Joshua Junker and Mthuthuzeli November pushes dancers well beyond the classical repertoire.
A scene from Never Known by Joshua Junker, part of New Works from The Festival Of New Choreography by The Royal Ballet at the Royal Opera House.
(Opening 15-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_156914798_EYE
Royal Ballet triple bill review - McGregor and Wheeldon at the top of their game
Wayne McGregor's incisive new ballet conjures the very brushstrokes of the late Carmen Herrera; Bernstein meets Les Sylphides in a muscular Christopher Wheeldon revival; and Laura Morera bows out in style.
A scene from Corybantic Games by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Opening 09-06-2023)
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DUKAS_124524480_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524479_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524478_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524477_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524476_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524475_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524474_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524473_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524472_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524471_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524450_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524449_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524448_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
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DUKAS_124524447_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
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DUKAS_124524446_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
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DUKAS_124524445_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
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DUKAS_124524444_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524443_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524442_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524441_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
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DUKAS_124524440_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524439_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524438_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524437_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_124524436_EYE
Director of The Royal Ballet, Kevin O'Hare
Director of The Royal Ballet, Kevin O'Hare at Royal Opera House, Covent Garden. The company’s director acknowledges that coming out of the pandemic is an opportunity to make much-needed change.
© Daniel Hambury / Evening Standard / eyevine
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DUKAS_126866721_EYE
Corybantic Games
Beatriz Stix-Brunell and Yasmine Naghdi in Corybantic Games part of the Bernstein Centenary Triple Bill by The Royal Ballet @ Royal Opera House.
(Opening 15-03-18)
©Tristram Kenton / Guardian / eyevine
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DUKAS_130556848_EYE
The Illustrated 'Farewell' by Twyla Tharp
A scene from The Illustrated 'Farewell' by Twyla Tharp, The Wind by Arthur Pita and Untouchable by Hofesh Shechter from The Triple Bill by The Royal Ballet at Royal opera House
(Opening 06-11-17)
¬11-17
(Opening 23-10-17)
¬10-17
(Opening 23-10-17)
¬10-17
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DUKAS_112503145_EYE
Thiago Soares
Thiago Soares (Lige Hightower) in The Wind by Arthur Pita from The Triple Bill by The Royal Ballet @ Royal opera House
(Opening 06-11-17)
©Tristram Kenton 11-17
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DUKAS_112503203_EYE
Thiago Soares
Thiago Soares (Lige Hightower) in The Wind by Arthur Pita from The Triple Bill by The Royal Ballet @ Royal opera House
(Opening 06-11-17)
©Tristram Kenton 11-17
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DUKAS_112503200_EYE
Thiago Soares
Thiago Shares and Lauren Cuthbertson in The Judas Tree, part of Kenneth MacMillan: A National Celebration by The Royal Ballet @ Royal Opera House
(Opening 18-10-17)
©Tristram Kenton 10-17
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DUKAS_112503144_EYE
Thiago Soares
Thiago Shares and Lauren Cuthbertson in The Judas Tree, part of Kenneth MacMillan: A National Celebration by The Royal Ballet @ Royal Opera House
(Opening 18-10-17)
©Tristram Kenton 10-17
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DUKAS_112503194_EYE
Thiago Soares
Thiago Shares and Lauren Cuthbertson in The Judas Tree, part of Kenneth MacMillan: A National Celebration by The Royal Ballet @ Royal Opera House
(Opening 18-10-17)
©Tristram Kenton 10-17
© Tristram Kenton / Guardian / eyevine
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Thiago Soares
Thiago Soares and Marianela Nunez in Song Of The Earth from The Triple Bill, The Four Temperaments, Untouchable and Song Of The Earth by The Royal Ballet @ ROH
(Opening 27-03-15)
©Tristram Kenton 03/15
© Tristram Kenton / Guardian / eyevine
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Thiago Soares
A scene from The Four Temperaments, Untouchable and Song Of The Earth by The Royal Ballet @ ROH
(Opening 27-03-15)
©Tristram Kenton 03/15
© Tristram Kenton / Guardian / eyevine
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Thiago Soares
A scene from The Four Temperaments, Untouchable and Song Of The Earth by The Royal Ballet @ ROH
(Opening 27-03-15)
©Tristram Kenton 03/15
© Tristram Kenton / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
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The Royal Ballet
Eddie J Shellman and Darcey Bussell in the pas de deux from Agon, part of the Mixed Programme by The Royal Ballet @ ROH.
(Opened 20-11-1991)
11/91
© Tristram Kenton / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
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