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DUKAS_29524175_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667o)
Sandrine takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_18089721_REX
Nature
Mandatory Credit: Photo by Albert Machler / Mood Board / Rex Features ( 1259158a )
Three rearing alpine ibexes
Nature
(FOTO:DUKAS/REX)
DUKAS/REX -
DUK10004836_009
FEATURE: Surreale Bilder verschmelzen Realität und Vorstellungen
MANDATORY CREDIT: Logan Zillmer/REX Shutterstock. Only for use in this story. Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Logan Zillmer/REX Shutterstock (5078829n)
The Encounter, shows a shot-down UFO
Surreal photos blend reality and imagination, America - Aug 2015
FULL COPY: http://www.rexfeatures.com/nanolink/r7o9
A photographer has created a series of quirky 'reality-bending' photos.
American Photographer Logan Zillmer takes photos of everyday situations and merges them with a conceptual idea - to demonstrate his thoughts on the world around him.
One picture named 'The Traveller and the Fog' represents a man facing life's obstacles.
A picture called 'The Encounter', shows a shot-down UFO, and suggests a possible-reality in the future.
Meanwhile, another picture, named 'Spur Series' represents pursuing dreams and the inherent dangers involved in that sort of life decision.
(FOTO:DUKAS/REX)
(c) Dukas -
DUKAS_29524176_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667i)
Cecile takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524174_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667r)
Stephane takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524173_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667g)
Bea takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524172_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667p)
Sarah takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524171_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667q)
Viet takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524170_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667b)
Julie takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524169_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667c)
Sylvie takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524168_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667e)
Zoe takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524167_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667n)
Pauline takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524166_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667m)
Marie Charlotte takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524165_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667a)
Jeph takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524164_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667j)
Claude takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524163_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667l)
Marc takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524162_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667h)
Dom takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524161_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667d)
Valerie takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_29524160_REX
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
Editorial Use Only. No stock, books, advertising or merchandising without photographer's permission
Mandatory Credit: Photo by Metra & Jeanson / Rex Features (2230667f)
Ariane takes part in an experiment on visual perception - facial features are cut from fashion magazines and, using sticky tape, create a new form of facial expressions
'ID' - artists Bruno Metra and Laurence Jeanson distort people's faces with magazine cut-outs, Lyon, France - 02 Apr 2013
FULL COPY: http://www.rexfeatures.com/nanolink/kk7k
Photographers Bruno Metra and Laurence Jeanson have created a portrait series of people who appear to have had cosmetic surgery.
However, the models' nips and tucks are actually cut-outs from magazines.
Poking fun at the fashion industry the French artists stick images of facial features, cut out from fashion magazines, over the models' eyes, lips and noses to form new facial expressions.
The surreal project entitled ID is experimenting with visual perception and demonstrating that beauty is no longer natural, but socially conditioned.
(FOTO:DUKAS/REX)
DUKAS/REX -
DUKAS_186332585_NUR
Tim Burton Masterclass In Mexico
Director, producer, screenwriter, and cartoonist Tim Burton poses during a masterclass as part of the immersive experience 'Tim Burton, The Labyrinth' at the Panteon de Dolores in Mexico City, Mexico, on June 24, 2025. (Photo by Ian Robles/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_186332523_NUR
Tim Burton Masterclass In Mexico
Director, producer, screenwriter, and cartoonist Tim Burton poses during a masterclass as part of the immersive experience 'Tim Burton, The Labyrinth' at the Panteon de Dolores in Mexico City, Mexico, on June 24, 2025. (Photo by Ian Robles/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_186332518_NUR
Tim Burton Masterclass In Mexico
Director, producer, screenwriter, and cartoonist Tim Burton poses during a masterclass as part of the immersive experience 'Tim Burton, The Labyrinth' at the Panteon de Dolores in Mexico City, Mexico, on June 24, 2025. (Photo by Ian Robles/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_186332478_NUR
Tim Burton Masterclass In Mexico
Director, producer, screenwriter, and cartoonist Tim Burton poses during a masterclass as part of the immersive experience 'Tim Burton, The Labyrinth' at the Panteon de Dolores in Mexico City, Mexico, on June 24, 2025. (Photo by Ian Robles/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_186332473_NUR
Tim Burton Masterclass In Mexico
Director, producer, screenwriter, and cartoonist Tim Burton poses during a masterclass as part of the immersive experience 'Tim Burton, The Labyrinth' at the Panteon de Dolores in Mexico City, Mexico, on June 24, 2025. (Photo by Ian Robles/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_186332468_NUR
Tim Burton Masterclass In Mexico
Director, producer, screenwriter, and cartoonist Tim Burton poses during a masterclass as part of the immersive experience 'Tim Burton, The Labyrinth' at the Panteon de Dolores in Mexico City, Mexico, on June 24, 2025. (Photo by Ian Robles/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_186332328_NUR
Tim Burton Masterclass In Mexico
Director, producer, screenwriter, and cartoonist Tim Burton poses during a masterclass as part of the immersive experience 'Tim Burton, The Labyrinth' at the Panteon de Dolores in Mexico City, Mexico, on June 24, 2025. (Photo by Ian Robles/Eyepix Group) (Photo by Eyepix/NurPhoto) -
DUKAS_183886539_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
Cyclists pass over a marked border between the Netherlands (L) and Belgium (R) near street signs pointing to nearby Dutch and Belgian towns in Baarle-Nassau, Netherlands, on 22.04.2025. In this famously divided town, international boundaries cross even the quietest residential corners and cycling routes. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886537_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses and country initials mark the border between Belgium (L) and the Netherlands (R) as it cuts diagonally through a residential entrance in Baarle-Hertog, Belgium, on 22.04.2025. The town is part of a patchwork of Belgian enclaves embedded within Dutch territory, where international borders intersect homes and streets. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886600_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
A cafÈ table is positioned directly over the border between the Netherlands (L) and Belgium (R), marked by white crosses, in Baarle-Nassau, Netherlands, on 22.04.2025. In this border town, even a coffee break can take place across two countries at once. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886591_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses trace the international border between the Netherlands (L) and Belgium (R), leading up to the door of a dental clinic in Baarle-Hertog, Belgium, on 22.04.2025. The window features the phrase ìNice smiles have no borders,î a playful nod to the buildingís unique location straddling two countries. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886590_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses and country initials mark the border between Belgium (R) and the Netherlands (L) as it cuts diagonally through a residential entrance in Baarle-Hertog, Belgium, on 22.04.2025. The town is part of a patchwork of Belgian enclaves embedded within Dutch territory, where international borders intersect homes and streets. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886547_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
Belgian and Dutch flags hang above the entrance of a building in Baarle-Hertog, Belgium, on 22.04.2025. The townís intertwined territories make dual national symbols a common sight across shopfronts and public institutions. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886545_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses and country initials mark the border between Belgium (R) and the Netherlands (L) as it cuts diagonally through a residential entrance in Baarle-Hertog, Belgium, on 22.04.2025. The town is part of a patchwork of Belgian enclaves embedded within Dutch territory, where international borders intersect homes and streets. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886589_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses and country initials mark the border between Belgium (L) and the Netherlands (R) as it cuts diagonally through a residential entrance in Baarle-Hertog, Belgium, on 22.04.2025. The town is part of a patchwork of Belgian enclaves embedded within Dutch territory, where international borders intersect homes and streets. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886588_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses and country initials mark the border between Belgium (L) and the Netherlands (R) as it cuts diagonally through a residential entrance in Baarle-Hertog, Belgium, on 22.04.2025. The town is part of a patchwork of Belgian enclaves embedded within Dutch territory, where international borders intersect homes and streets. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886587_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses and country initials mark the border between Belgium (L) and the Netherlands (R) as it cuts diagonally through a residential entrance in Baarle-Hertog, Belgium, on 22.04.2025. The town is part of a patchwork of Belgian enclaves embedded within Dutch territory, where international borders intersect homes and streets. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886586_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
Tourists pose for a photo while straddling the international border marked with white crosses between Belgium (L) and the Netherlands (R) in front of a dual-numbered house on Loveren Street in Baarle-Hertog, Belgium, on 22.04.2025. The popular photo spot symbolizes the townís unique geopolitical layout, where buildings and streets lie across two countries. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886585_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses mark the border between Belgium (L) and the Netherlands (R) as it runs through a residential building on Loveren Street in Baarle-Hertog, Belgium, on 22.04.2025. The house, located on both sides of the international boundary, displays two house numbers ó one Belgian and one Dutch ó reflecting its presence in both countries. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886606_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses and country initials mark the border between Belgium (R) and the Netherlands (L) as it cuts diagonally through a residential entrance in Baarle-Hertog, Belgium, on 22.04.2025. The town is part of a patchwork of Belgian enclaves embedded within Dutch territory, where international borders intersect homes and streets. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886543_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
A house number marked with ìNLî indicates Dutch territory, while the buildingís wall straddles two distinct architectural finishes in Baarle-Nassau, Netherlands, on 22.04.2025. In this border town, house numbers often reflect the country in which the front door is located, regardless of where the rest of the building stands. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886541_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
A painted border line marks the separation between Belgium (L) and the Netherlands (R) at the edge of a residential area in Baarle-Hertog, Belgium, on 22.04.2025. The town, consisting of Belgian enclaves within Dutch territory, features borders that cut directly through driveways, gardens, and buildings. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_183886584_EYE
Belgian enclaves inside Dutch town of Baarle-Nassau
White crosses and country initials mark the border between Belgium (L) and the Netherlands (R) as it cuts diagonally through a residential entrance in Baarle-Hertog, Belgium, on 22.04.2025. The town is part of a patchwork of Belgian enclaves embedded within Dutch territory, where international borders intersect homes and streets. Photo by Wiktor Dabkowski.
© Wiktor Dabkowski / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
Wiktor Dabkowski -
DUKAS_166751023_EYE
The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
Press photocall for The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
1st March 2024.
Auction is on 7th March 2024
Works presented with a combined low estimate of £169,225,000
CECILY BROWN (B. 1969)
Can Can
Estimate
GBP 1,800,000 – GBP 2,500,000
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_166751020_EYE
The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
Press photocall for The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
1st March 2024.
Auction is on 7th March 2024
Works presented with a combined low estimate of £169,225,000
RENÉ MAGRITTE (1898-1967)
Le principe d'Archimède
Estimate
GBP 450,000 – GBP 650,000
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_166751029_EYE
The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
Press photocall for The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
1st March 2024.
Auction is on 7th March 2024
Works presented with a combined low estimate of £169,225,000
René Magritte, L'ami intime (The Intimate Friend) (1958, estimate: £30,000,000-50,000,000)
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_166751031_EYE
The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
Press photocall for The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
1st March 2024.
Auction is on 7th March 2024
Works presented with a combined low estimate of £169,225,000
LUCIAN FREUD (1922-2011)
Kai
Estimate
GBP 4,000,000 – GBP 6,000,000
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_166751022_EYE
The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
Press photocall for The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
1st March 2024.
Auction is on 7th March 2024
Works presented with a combined low estimate of £169,225,000
Francis Bacon, Landscape near Malabata, Tangier (1963, estimate: £15,000,000-20,000,000)
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_166751028_EYE
The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
Press photocall for The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
1st March 2024.
Auction is on 7th March 2024
Works presented with a combined low estimate of £169,225,000
HENRY MOORE (1898-1986)
Reclining Figure No. 2
Estimate
GBP 1,200,000 – GBP 2,000,000
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_166751026_EYE
The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
Press photocall for The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
1st March 2024.
Auction is on 7th March 2024
Works presented with a combined low estimate of £169,225,000
HENRY MOORE (1898-1986)
Reclining Figure No. 2
Estimate
GBP 1,200,000 – GBP 2,000,000
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_166751019_EYE
The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
Press photocall for The 20th / 21st Century: London Evening Sale and The Art of the Surreal Evening Sale at Christie's, London, UK
1st March 2024.
Auction is on 7th March 2024
Works presented with a combined low estimate of £169,225,000
MERET OPPENHEIM (1913-1985)
Tisch mit Vogelfüssen
Estimate
GBP 100,000 – GBP 200,000
Credit: Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
