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DUKAS_169413679_EYE
Bookkeeping with a bang: Manchester's stage spectacular The Accountants - in pictures
A world premiere presented by Factory International, The Accountants combines one tale of two auditing firms with another of friends who have connected British Indian and British Chinese heritages.
Rehearsal images for the world premiere of Keith Khanís The Accountants presented by Factory International - choreographed by Terence Lewis, Mahrukh Dumasia and Xie Xin.
This world-first international collaboration will premiere at Manchesterís landmark new cultural space Aviva Studios on 7 May and was pieced together remotely from India, China and the UK.
(Opening 07-05-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_169413680_EYE
Bookkeeping with a bang: Manchester's stage spectacular The Accountants - in pictures
A world premiere presented by Factory International, The Accountants combines one tale of two auditing firms with another of friends who have connected British Indian and British Chinese heritages.
Rehearsal images for the world premiere of Keith Khanís The Accountants presented by Factory International - choreographed by Terence Lewis, Mahrukh Dumasia and Xie Xin.
This world-first international collaboration will premiere at Manchesterís landmark new cultural space Aviva Studios on 7 May and was pieced together remotely from India, China and the UK.
(Opening 07-05-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_169413742_EYE
Bookkeeping with a bang: Manchester's stage spectacular The Accountants - in pictures
A world premiere presented by Factory International, The Accountants combines one tale of two auditing firms with another of friends who have connected British Indian and British Chinese heritages.
Rehearsal images for the world premiere of Keith Khanís The Accountants presented by Factory International - choreographed by Terence Lewis, Mahrukh Dumasia and Xie Xin.
This world-first international collaboration will premiere at Manchesterís landmark new cultural space Aviva Studios on 7 May and was pieced together remotely from India, China and the UK.
(Opening 07-05-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_168840226_EYE
The truth, joy and tragedy behind Laughing Boy
A decade after her autistic son Connor Sparrowhawk died in a specialist NHS facility, Sara Ryan's campaign to reveal the truth about what happened is coming to the stage.
Alfie Friedman (Connor Sparrowhawk) and Janie Dee (Sara Jane) rehearsing Laughing Boy by Stephen Unwin @ Jerwood Space. Opening at Jermyn Street Theatre on 25th April. Directed by Stephen Unwin.
(Opening 25-04-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_168840228_EYE
The truth, joy and tragedy behind Laughing Boy
A decade after her autistic son Connor Sparrowhawk died in a specialist NHS facility, Sara Ryan's campaign to reveal the truth about what happened is coming to the stage.
Alfie Friedman (Connor Sparrowhawk) and Janie Dee (Sara Jane) rehearsing Laughing Boy by Stephen Unwin @ Jerwood Space. Opening at Jermyn Street Theatre on 25th April. Directed by Stephen Unwin.
(Opening 25-04-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_168840233_EYE
The truth, joy and tragedy behind Laughing Boy
A decade after her autistic son Connor Sparrowhawk died in a specialist NHS facility, Sara Ryan's campaign to reveal the truth about what happened is coming to the stage.
Rehearsals of Laughing Boy by Stephen Unwin @ Jerwood Space. Opening at Jermyn Street Theatre on 25th April. Directed by Stephen Unwin.
(Opening 25-04-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_168840227_EYE
The truth, joy and tragedy behind Laughing Boy
A decade after her autistic son Connor Sparrowhawk died in a specialist NHS facility, Sara Ryan's campaign to reveal the truth about what happened is coming to the stage.
Janie Dee (Sara Jane) and Forbes Masson (Rich) rehearsing Laughing Boy by Stephen Unwin @ Jerwood Space. Opening at Jermyn Street Theatre on 25th April. Directed by Stephen Unwin.
(Opening 25-04-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_168840232_EYE
The truth, joy and tragedy behind Laughing Boy
A decade after her autistic son Connor Sparrowhawk died in a specialist NHS facility, Sara Ryan's campaign to reveal the truth about what happened is coming to the stage.
Alfie Friedman (Connor Sparrowhawk) rehearsing Laughing Boy by Stephen Unwin @ Jerwood Space. Opening at Jermyn Street Theatre on 25th April. Directed by Stephen Unwin.
(Opening 25-04-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_168840230_EYE
The truth, joy and tragedy behind Laughing Boy
A decade after her autistic son Connor Sparrowhawk died in a specialist NHS facility, Sara Ryan's campaign to reveal the truth about what happened is coming to the stage.
Alfie Friedman (Connor Sparrowhawk) rehearsing Laughing Boy by Stephen Unwin @ Jerwood Space. Opening at Jermyn Street Theatre on 25th April. Directed by Stephen Unwin.
(Opening 25-04-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_165706823_EYE
Dark With Excessive Bright: the Royal Ballet's giant leap into immersive dance - in pictures
The Royal Opera House's Linbury theatre will be transformed for Canadian choreographer Robert Binet’s new show, where the audience can roam freely. Take a first look.
Melissa Hamilton and Denilson Almeida rehearsing Dark With Excessive Bright @ Linbury Theatre, Royal Opera House. Choreography by Robert Binet. Music by Missy Mazzoli. Set Designer, Shizuka Hariu. Costume Designer, Thomas Tait. Lighting Designer, Simisola Majekodunmi. Send Designer, Jon Nicholls. Immersive Descriptive Audio, Devon Healey.
(Opening 10-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165706825_EYE
Dark With Excessive Bright: the Royal Ballet's giant leap into immersive dance - in pictures
The Royal Opera House's Linbury theatre will be transformed for Canadian choreographer Robert Binet’s new show, where the audience can roam freely. Take a first look.
Robert Binet, left, watches Marco Masciari and Leticia Dias rehearsing Dark With Excessive Bright @ Linbury Theatre, Royal Opera House. Choreography by Robert Binet. Music by Missy Mazzoli. Set Designer, Shizuka Hariu. Costume Designer, Thomas Tait. Lighting Designer, Simisola Majekodunmi. Send Designer, Jon Nicholls. Immersive Descriptive Audio, Devon Healey.
(Opening 10-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165706820_EYE
Dark With Excessive Bright: the Royal Ballet's giant leap into immersive dance - in pictures
The Royal Opera House's Linbury theatre will be transformed for Canadian choreographer Robert Binet’s new show, where the audience can roam freely. Take a first look.
Robert Binet, left, watches Joseph Sissens rehearsing Dark With Excessive Bright @ Linbury Theatre, Royal Opera House. Choreography by Robert Binet. Music by Missy Mazzoli. Set Designer, Shizuka Hariu. Costume Designer, Thomas Tait. Lighting Designer, Simisola Majekodunmi. Send Designer, Jon Nicholls. Immersive Descriptive Audio, Devon Healey.
(Opening 10-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165706817_EYE
Dark With Excessive Bright: the Royal Ballet's giant leap into immersive dance - in pictures
The Royal Opera House's Linbury theatre will be transformed for Canadian choreographer Robert Binet’s new show, where the audience can roam freely. Take a first look.
Joseph Sissens, Mariko Sasaki and Reece Clarke rehearsing Dark With Excessive Bright @ Linbury Theatre, Royal Opera House. Choreography by Robert Binet. Music by Missy Mazzoli. Set Designer, Shizuka Hariu. Costume Designer, Thomas Tait. Lighting Designer, Simisola Majekodunmi. Send Designer, Jon Nicholls. Immersive Descriptive Audio, Devon Healey.
(Opening 10-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165706827_EYE
Dark With Excessive Bright: the Royal Ballet's giant leap into immersive dance - in pictures
The Royal Opera House's Linbury theatre will be transformed for Canadian choreographer Robert Binet’s new show, where the audience can roam freely. Take a first look.
Choreographer Robert Binet, left, rehearsing Dark With Excessive Bright @ Linbury Theatre, Royal Opera House. Choreography by Robert Binet. Music by Missy Mazzoli. Set Designer, Shizuka Hariu. Costume Designer, Thomas Tait. Lighting Designer, Simisola Majekodunmi. Send Designer, Jon Nicholls. Immersive Descriptive Audio, Devon Healey.
(Opening 10-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165706816_EYE
Dark With Excessive Bright: the Royal Ballet's giant leap into immersive dance - in pictures
The Royal Opera House's Linbury theatre will be transformed for Canadian choreographer Robert Binet’s new show, where the audience can roam freely. Take a first look.
Mariko Sasaki rehearsing Dark With Excessive Bright @ Linbury Theatre, Royal Opera House. Choreography by Robert Binet. Music by Missy Mazzoli. Set Designer, Shizuka Hariu. Costume Designer, Thomas Tait. Lighting Designer, Simisola Majekodunmi. Send Designer, Jon Nicholls. Immersive Descriptive Audio, Devon Healey.
(Opening 10-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165706818_EYE
Dark With Excessive Bright: the Royal Ballet's giant leap into immersive dance - in pictures
The Royal Opera House's Linbury theatre will be transformed for Canadian choreographer Robert Binet’s new show, where the audience can roam freely. Take a first look.
Yu Hang rehearsing Dark With Excessive Bright @ Linbury Theatre, Royal Opera House. Choreography by Robert Binet. Music by Missy Mazzoli. Set Designer, Shizuka Hariu. Costume Designer, Thomas Tait. Lighting Designer, Simisola Majekodunmi. Send Designer, Jon Nicholls. Immersive Descriptive Audio, Devon Healey.
(Opening 10-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_165706822_EYE
Dark With Excessive Bright: the Royal Ballet's giant leap into immersive dance - in pictures
The Royal Opera House's Linbury theatre will be transformed for Canadian choreographer Robert Binet’s new show, where the audience can roam freely. Take a first look.
Choreographer Robert Binet, arms raised, rehearsing Dark With Excessive Bright @ Linbury Theatre, Royal Opera House. Choreography by Robert Binet. Music by Missy Mazzoli. Set Designer, Shizuka Hariu. Costume Designer, Thomas Tait. Lighting Designer, Simisola Majekodunmi. Send Designer, Jon Nicholls. Immersive Descriptive Audio, Devon Healey.
(Opening 10-02-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_148018952_EYE
Ruination review - you'll laugh and cry at this 'Christmas show' Medea
Ben Duke brings fresh life to the classics again with deft movement between tragedy and comedy.
Ruination is a piece about the loss of children, and it's also about myth-making, who gets to write the story, with an un-self-aware Jason (Liam Francis) glossing over Medea's (Hannah Shepherd-Hulford) role in his heroics, or his part in her crimes.
A scene from Ruination by Lost Dog @ Linbury Theatre, Royal Opera House. Directed by Ben Duke. Designed by Soutra Gilmour.
(Opening 01-12-2022)
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DUKAS_147952760_EYE
Ruination review - you'll laugh and cry at this 'Christmas show' Medea
Ben Duke brings fresh life to the classics again with deft movement between tragedy and comedy.
Ruination is a piece about the loss of children, and it's also about myth-making, who gets to write the story, with an un-self-aware Jason (Liam Francis) glossing over Medea's (Hannah Shepherd-Hulford) role in his heroics, or his part in her crimes.
Hannah Shepherd-Hulford (Medea) and Liam Francis (Jason) in Ruination by Lost Dog at the Linbury Theatre, Royal Opera House. Directed by Ben Duke. Designed by Soutra Gilmour.
(Opening 01-12-2022)
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DUKAS_147952756_EYE
Ruination review - you'll laugh and cry at this 'Christmas show' Medea
Ben Duke brings fresh life to the classics again with deft movement between tragedy and comedy.
Ruination is a piece about the loss of children, and it's also about myth-making, who gets to write the story, with an un-self-aware Jason (Liam Francis) glossing over Medea's (Hannah Shepherd-Hulford) role in his heroics, or his part in her crimes.
Jean-Daniel (JD) Brousse? (Hades) and Liam Francis (Jason) in Ruination by Lost Dog at the Linbury Theatre, Royal Opera House. Directed by Ben Duke. Designed by Soutra Gilmour.
(Opening 01-12-2022)
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DUKAS_139848551_EYE
Like Water For Chocolate at the Royal Opera House.
Mayara Magri and Marcelino Sambe?, Principal dancers of The Royal Ballet photographed in the wings during rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
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DUKAS_139848536_EYE
Like Water For Chocolate at the Royal Opera House.
Kristen McNally, (Principal Character Artist), Francesca Hayward, (Principal dancer) and Edward Watson (Re?pe?titeur to the Principal Artists), photographed from the wings during rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
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DUKAS_139848556_EYE
Like Water For Chocolate at the Royal Opera House.
Francesca Hayward and Marcelino Sambe? (Principal dancers) and Leo Dixon, (First Artist) of The Royal Ballet photographed in the wings during rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
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DUKAS_139848518_EYE
Like Water For Chocolate at the Royal Opera House.
Dancers of The Royal Ballet photographed from the wings during rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848520_EYE
Like Water For Chocolate at the Royal Opera House.
Annette Buvoli, (First Artist), centre and dancers of The Royal Ballet photographed in the wings during rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
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DUKAS_139848517_EYE
Like Water For Chocolate at the Royal Opera House.
Laura Morera (Mama Elena) and Francesca Hayward (Tita) in rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848548_EYE
Like Water For Chocolate at the Royal Opera House.
Marcelino Sambe? (Pedro) and Francesca Hayward (Tita) in rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848577_EYE
Like Water For Chocolate at the Royal Opera House.
Marcelino Sambe? (Pedro) and Francesca Hayward (Tita) in rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848552_EYE
Like Water For Chocolate at the Royal Opera House.
Anna Rose O'Sullivan and Cesar Corrales in rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848570_EYE
Like Water For Chocolate at the Royal Opera House.
Marcelino Sambe? (Pedro) in rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848512_EYE
Like Water For Chocolate at the Royal Opera House.
Francesca Hayward (Tita) and Marcelino Sambe? (Pedro) in rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848513_EYE
Like Water For Chocolate at the Royal Opera House.
Rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848516_EYE
Like Water For Chocolate at the Royal Opera House.
Marcelino Sambe? (Pedro) and Francesca Hayward (Tita) in rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
© Tristram Kenton / Guardian / eyevine
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DUKAS_139848550_EYE
Like Water For Chocolate at the Royal Opera House.
Choreographer Christopher Wheeldon in rehearsals for the World Premiere of Like Water For Chocolate by Christopher Wheeldon and The Royal Ballet at the Royal Opera House.
(Taken 20-05-2022)
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DUKAS_136363039_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Conductor Mark Elder and Director Deborah Warner in the ROH auditorium during rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
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DUKAS_136363054_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
John Graham-Hall pictured backstage during rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
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DUKAS_136363027_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Cruz Fitz and Allan Clayton in Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
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DUKAS_136363040_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Sam Morris and Stephen Richardson in rehearsal for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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DUKAS_136363051_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Bryn Terfel and John Graham-Hall rehearsing Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_136363053_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Rehearsals showing Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder. Allan Clayton as Peter Grimes (centre)
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_136363038_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Maria Bengtsson and Allan Clayton in Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_136363055_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Allan Clayton in Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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DUKAS_136363056_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Cruz Fitz and Maria Bengtsson in Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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DUKAS_136363036_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Movement director, Kim Brandstrup, assistant director, Isabelle Kettle, Director Deborah Warner and lighting designer Peter Mumford working in the ROH stalls before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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DUKAS_136363076_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Deborah Warner seated far right talks to the principal singers in the ROH stalls before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_136363073_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Bryn Terfel in the ROH auditorium before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_136363075_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Rosie Aldridge photographed in her dressing room before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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DUKAS_136363050_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Allan Clayton photographed in his dressing room before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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DUKAS_136363035_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Alexandra Lowe and Jennifer France in Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
DUKAS_136363074_EYE
‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
Maria Bengtsson photographed in the wings during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
(Opening 17-03-2022)
03-22
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
