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DUKAS_189707809_EYE
Four Last Songs from R:Evolution
A scene from Four Last Songs from R:Evolution by English National Ballet @ Sadler's Wells.
(Opening 01-10-25)
©Tristram Kenton 10-25
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DUKAS_189707836_EYE
Herman Schmerman (Quintet) from R:Evolution
Aitor Arrieta and Swanice Luong in Herman Schmerman (Quintet) from R:Evolution by English National Ballet @ Sadler's Wells.
(Opening 01-10-25)
©Tristram Kenton 10-25
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DUKAS_189707822_EYE
Errand into the Maze from R:Evolution
Emily Suzuki (The Woman) and Rentaro Nakaaki (The Creature of Fear) in Errand into the Maze from R:Evolution by English National Ballet @ Sadler's Wells.
(Opening 01-10-25)
©Tristram Kenton 10-25
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DUKAS_189707833_EYE
Theme and Variations from R:Evolution
Alice Mariani, centre, in Theme and Variations from R:Evolution by English National Ballet @ Sadler's Wells.
(Opening 01-10-25)
©Tristram Kenton 10-25
Credit: Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_186553589_EYE
Quadrophenia: A Mod Ballet review - a razor-sharp reboot of the Who's rock opera.
Quadrophenia: A Mod Ballet - a razor-sharp reboot of the Who's rock opera.
Pete Townshend's tragic story of teenage angst returns to the stage in a visceral dance production full of the original's swagger and bravado.
Matthew Ball (Godfather) in Universal Music & Extended Play's Quadrophenia, A Mod Ballet at the Sadler's Wells. Choreographer Paul Roberts and Director Rob Ashford.
(Opening 25-06-25)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_186553590_EYE
Quadrophenia: A Mod Ballet review - a razor-sharp reboot of the Who's rock opera.
Quadrophenia: A Mod Ballet - a razor-sharp reboot of the Who's rock opera.
Pete Townshend's tragic story of teenage angst returns to the stage in a visceral dance production full of the original's swagger and bravado.
Paris Fitzpatrick (Jimmy) in Universal Music & Extended Play's Quadrophenia, A Mod Ballet at the Sadler's Wells. Choreographer Paul Roberts and Director Rob Ashford.
(Opening 25-06-25)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_186553593_EYE
Quadrophenia: A Mod Ballet review - a razor-sharp reboot of the Who's rock opera.
Quadrophenia: A Mod Ballet - a razor-sharp reboot of the Who's rock opera.
Pete Townshend's tragic story of teenage angst returns to the stage in a visceral dance production full of the original's swagger and bravado.
Dan Baines (Ace Face), centre, in Universal Music & Extended Play's Quadrophenia, A Mod Ballet at the Sadler's Wells. Choreographer Paul Roberts and Director Rob Ashford.
(Opening 25-06-25)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_181368799_EYE
Tanztheater Wuppertal Pina Bausch: Vollmond review - glamorous, surreal and very, very wet
With its off-kilter comedy and flirtatious touches, this show is Bausch at her most accessible - and beautiful.
A scene from Vollmond by Tanztheater Wuppertal Pina Bausch and Terrain Boris Charmatz at the Sadler's Wells.
(Opening 14-02-2025)
Tristram Kenton / Guardian / eyevine
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DUKAS_181368790_EYE
Tanztheater Wuppertal Pina Bausch: Vollmond review - glamorous, surreal and very, very wet
With its off-kilter comedy and flirtatious touches, this show is Bausch at her most accessible - and beautiful.
A scene from Vollmond by Tanztheater Wuppertal Pina Bausch and Terrain Boris Charmatz at the Sadler's Wells.
(Opening 14-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_181368798_EYE
Tanztheater Wuppertal Pina Bausch: Vollmond review - glamorous, surreal and very, very wet
With its off-kilter comedy and flirtatious touches, this show is Bausch at her most accessible - and beautiful.
A scene from Vollmond by Tanztheater Wuppertal Pina Bausch and Terrain Boris Charmatz at the Sadler's Wells.
(Opening 14-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_181368795_EYE
Tanztheater Wuppertal Pina Bausch: Vollmond review - glamorous, surreal and very, very wet
With its off-kilter comedy and flirtatious touches, this show is Bausch at her most accessible - and beautiful.
Dean Biosca, Alexander LÛpez Guerra, Reginald LefËbvre, Nicholas Losada and
Naomi Brito in Vollmond by Tanztheater Wuppertal Pina Bausch and Terrain Boris Charmatz at the Sadler's Wells.
(Opening 14-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977124_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Valentina Fittipaldi, centre, in Encantado by Lia Rodrigues, a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 07-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_181368803_EYE
Infinite possibilities: the Rose International Dance prize - in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
A scene from Encantado by Lia Rodrigues, a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 07-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977125_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Valentina Fittipaldi, centre, in Encantado by Lia Rodrigues, a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 07-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977142_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
A scene from Encantado by Lia Rodrigues, a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 07-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977136_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
David Abreu in Encantado by Lia Rodrigues, a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 07-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977141_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Raquel Alexandre and Daline Ribeiro in Encantado by Lia Rodrigues, a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 07-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977127_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
A scene from Larsen C by Christos Papadopoulos, a Rose Prize nominee at the Sadler's Wells
(Opening 04-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977139_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
A scene from Larsen C by Christos Papadopoulos, a Rose Prize nominee at the Sadler's Wells
(Opening 04-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977134_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
A scene from Larsen C by Christos Papadopoulos, a Rose Prize nominee at the Sadler's Wells
(Opening 04-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977123_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Georgios Kotsifakis, Maria Bregianni, Sotiria Koutsopetrou and Ioanna Paraskevopoulou in Larsen C by Christos Papadopoulos, a Rose Prize nominee at the Sadler's Wells
(Opening 04-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977126_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Adonis Vais and Maria Bregianni in Larsen C by Christos Papadopoulos, a Rose Prize nominee at the Sadler's Wells
(Opening 04-02-2025)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977137_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Keturah Stephen, Tamisha A Guy, Catherine Kirk and Gianna Theodore in An Untitled Love by Kyle Abraham (A.I.M. by Kyle Abraham), a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 29-01-25)
Tristram Kenton / Guardian / eyevine
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DUKAS_180977130_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Roderick Phifer and Keratin Jinakunwiphat in An Untitled Love by Kyle Abraham (A.I.M. by Kyle Abraham), a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 29-01-25)
Tristram Kenton / Guardian / eyevine
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DUKAS_180977131_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
A scene from An Untitled Love by Kyle Abraham (A.I.M. by Kyle Abraham), a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 29-01-25)
Tristram Kenton / Guardian / eyevine
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DUKAS_180977132_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Martell Ruffin and Catherine Kirk in An Untitled Love by Kyle Abraham (A.I.M. by Kyle Abraham), a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 29-01-25)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977128_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
Gianna Theodore, left and Jae Neal, right, in An Untitled Love by Kyle Abraham (A.I.M. by Kyle Abraham), a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 29-01-25)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_180977138_EYE
Infinite possibilities: the Rose International Dance prize – in pictures
Greek choreographer Christos Papadopoulos took the honours in the inaugural award, with a strong shortlist showcasing everything from political protest to playing dress-up.
A scene from A.I.M. by Kyle Abraham, a Finalist of The Rose Prize at the Sadler's Wells.
(Opening 29-01-25)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_174957963_EYE
London City Ballet: Resurgence review - a glorious revival. Eve.
The resurrected company revives rarities by Kenneth MacMillan and Ashley Page alongside enticing new work - all performed with brio and belief.
Cira Robinson (Eve) and çlvaro Madrigal Arenilla (Serpent) in Eve by London City Ballet at the Sadler's Wells. Choreography by Christopher Marney.
(Opening 11-09-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_174957941_EYE
London City Ballet: Resurgence review - a glorious revival. Eve.
The resurrected company revives rarities by Kenneth MacMillan and Ashley Page alongside enticing new work - all performed with brio and belief.
Álvaro Madrigal Arenilla (Serpent) in Eve by London City Ballet at the Sadler's Wells. Choreography by Christopher Marney.
(Opening 11-09-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_174957944_EYE
London City Ballet: Resurgence review - a glorious revival. Eve.
The resurrected company revives rarities by Kenneth MacMillan and Ashley Page alongside enticing new work - all performed with brio and belief.
Cira Robinson (Eve) and çlvaro Madrigal Arenilla (Serpent) in Eve by London City Ballet at the Sadler's Wells. Choreography by Christopher Marney.
(Opening 11-09-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_172002705_EYE
Carmen by Carlos Acosta and Acosta Danza
A scene from Carmen by Carlos Acosta and Acosta Danza @ Sadler's Wells
(Opening 02-07-2024)
©Tristram Kenton 06-24
Credit: Tristram Kenton / Guardian / eyevine
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DUKAS_172002706_EYE
Carmen by Carlos Acosta and Acosta Danza
Carlos Acosta (The Bull) in Carmen by Carlos Acosta and Acosta Danza @ Sadler's Wells
(Opening 02-07-2024)
©Tristram Kenton 06-24
Credit: Tristram Kenton / Guardian / eyevine
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DUKAS_168563346_EYE
Elixir festival review - the dance of life through older eyes
Works from veteran dancers Germaine Acogny, Malou Airaudo, Louise Lecavalier and Ben Duke challenge perceptions of age, with performances full of spirit and maturity.
Christopher Akrill and Valentina Formenti in White Hare by Lost Dog, part of the Elixir Festival at the Sadler's Wells. Directed by Ben Duke.
(Opening 10-04-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_168563344_EYE
Elixir festival review - the dance of life through older eyes
Works from veteran dancers Germaine Acogny, Malou Airaudo, Louise Lecavalier and Ben Duke challenge perceptions of age, with performances full of spirit and maturity.
Christopher Akrill and Valentina Formenti in White Hare by Lost Dog, part of the Elixir Festival at the Sadler's Wells. Directed by Ben Duke.
(Opening 10-04-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_167967034_EYE
Carmen review - sharp moves
Johan Inger’s cool take on Bizet’s tragic heroine is given its UK premiere by English National Ballet.
Francesca Velicu (The Boy), Rentaro Nakaaki (Don Jose) and Minju Kang (Carmen) in Carmen by English National Ballet at the Sadler's Wells.
(Opening 27-03-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_167967041_EYE
Carmen review - sharp moves
Johan Inger’s cool take on Bizet’s tragic heroine is given its UK premiere by English National Ballet.
Minju Kang (Carmen) and Rentaro Nakaaki (Don Jose) in Carmen by English National Ballet at the Sadler's Wells.
(Opening 27-03-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_167967036_EYE
Carmen review - sharp moves
Johan Inger’s cool take on Bizet’s tragic heroine is given its UK premiere by English National Ballet.
Minju Kang (Carmen) and Rentaro Nakaaki (Don Jose) in Carmen by English National Ballet at the Sadler's Wells.
(Opening 27-03-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_167967040_EYE
Carmen review - sharp moves
Johan Inger’s cool take on Bizet’s tragic heroine is given its UK premiere by English National Ballet.
Minju Kang (Carmen) and Rentaro Nakaaki (Don Jose) in Carmen by English National Ballet at the Sadler's Wells.
(Opening 27-03-2024)
Tristram Kenton / Guardian / eyevine
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©Tristram Kenton -
DUKAS_167967037_EYE
Carmen review - sharp moves
Johan Inger’s cool take on Bizet’s tragic heroine is given its UK premiere by English National Ballet.
Minju Kang (Carmen), in red, in Carmen by English National Ballet at the Sadler's Wells.
(Opening 27-03-2024)
Tristram Kenton / Guardian / eyevine
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DUKAS_167523447_EYE
Company Wayne McGregor: Autobiography (v95 and v96) - review
Wayne McGregor’s DNA-themed work is an evolving delight.
A scene from Autobiography (v95 and v96) by Company Wayne McGregor-Sadler's Wells.
(Opening 12-03-2024)
©Tristram Kenton 03-24
Tristram Kenton / Guardian / eyevine
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DUKAS_167523449_EYE
Company Wayne McGregor: Autobiography (v95 and v96) - review
Wayne McGregor’s DNA-themed work is an evolving delight.
Hannah Joseph and Salome Pressac in Autobiography (v95 and v96) by Company Wayne McGregor-Sadler's Wells.
(Opening 12-03-2024)
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Sao Paulo Dance Company review – athletic power and sinuous movement
In a triple bill by Spanish and Brazilian choreographers, dancers move in ritualistic unison, launch into flight or just inspire wonder.
A scene from Agora by Cassi Abranches from Sao Paulo Dance Company at the Sadler's Wells.
(Opening 09-02-2024)
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Sao Paulo Dance Company review – athletic power and sinuous movement
In a triple bill by Spanish and Brazilian choreographers, dancers move in ritualistic unison, launch into flight or just inspire wonder.
Ammanda Rosa in Gnawa by Nacho Duato from Sao Paulo Dance Company at the Sadler's Wells.
(Opening 09-02-2024)
Tristram Kenton / Guardian / eyevine
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Sao Paulo Dance Company review – athletic power and sinuous movement
In a triple bill by Spanish and Brazilian choreographers, dancers move in ritualistic unison, launch into flight or just inspire wonder
Hiago Castro in Gnawa by Nacho Duato from Sao Paulo Dance Company at the Sadler's Wells.
(Opening 09-02-2024)
Tristram Kenton / Guardian / eyevine
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Lunar Halo review - Sigur Ros soundtrack arresting images and smooth moves
Cloud Gate Dance Theatre of Taiwan show extraordinary finesse but the theme of bodies and technology rarely coheres into anything substantial.
SHAO Hsing-wen in Lunar Halo by Cloud Gate at the Sadler's Wells. Choreography by Artistic Director, Cheng Tsung-Iung.
(Opening 30-11-2023)
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Lunar Halo review - Sigur Ros soundtrack arresting images and smooth moves
Cloud Gate Dance Theatre of Taiwan show extraordinary finesse but the theme of bodies and technology rarely coheres into anything substantial.
A scene from Lunar Halo by Cloud Gate at the Sadler's Wells. Choreography by Artistic Director, Cheng Tsung-Iung.
(Opening 30-11-2023)
© Tristram Kenton / Guardian / eyevine
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DUKAS_163481253_EYE
Lunar Halo review - Sigur Ros soundtrack arresting images and smooth moves
Cloud Gate Dance Theatre of Taiwan show extraordinary finesse but the theme of bodies and technology rarely coheres into anything substantial.
A scene from Lunar Halo by Cloud Gate at the Sadler's Wells. Choreography by Artistic Director, Cheng Tsung-Iung.
(Opening 30-11-2023)
© Tristram Kenton / Guardian / eyevine
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Lunar Halo review - Sigur Ros soundtrack arresting images and smooth moves
Cloud Gate Dance Theatre of Taiwan show extraordinary finesse but the theme of bodies and technology rarely coheres into anything substantial.
CHOU Chen-yeh in Lunar Halo by Cloud Gate at the Sadler's Wells. Choreography by Artistic Director, Cheng Tsung-Iung.
(Opening 30-11-2023)
© Tristram Kenton / Guardian / eyevine
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Lunar Halo review - Sigur Ros soundtrack arresting images and smooth moves
Cloud Gate Dance Theatre of Taiwan show extraordinary finesse but the theme of bodies and technology rarely coheres into anything substantial.
LEE Tzu-chun in Lunar Halo by Cloud Gate at the Sadler's Wells. Choreography by Artistic Director, Cheng Tsung-Iung.
(Opening 30-11-2023)
© Tristram Kenton / Guardian / eyevine
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© Guardian / eyevine. All Rights Reserved. -
