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  • Gazans restore money bills
    DUKAS_188734611_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734771_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734755_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734739_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734723_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734707_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734691_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734675_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734659_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734643_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Gazans restore money bills
    DUKAS_188734627_POL
    Gazans restore money bills
    September 11, 2025 - Gaza: Palestinians restore old and worn-out banknotes as the enclave runs out of hard currency on September 11, 2025, in Gaza City, Gaza. Lack of liquidity and funds flowing in and out of the Gaza Strip has led Palestinians to repair torn banknotes. Bank branches in the Gaza Strip have been out of operation for an extended period following the destruction of numerous banks and ATMs by the Israeli army. As Israel continues to block financial transfers to the region, Palestinians are facing a severe liquidity crisis, making it difficult for them to afford essential goods. The circulation of damaged and worn-out banknotes has created further complications, as vendors cannot deposit them in banks and often refuse to accept them in the marketplace. (Tamer Ibrahim/APAImages/Polaris) (FOTO:DUKAS/POLARIS)
    apaimages

     

  • Native Olympia Oysters fair well against global warming
    DUKAS_185418032_POL
    Native Olympia Oysters fair well against global warming
    5/28/2025 - Richmond, California, USA: The Nature Conservancy Estuarine Project Director Phoebe Racine shows a young oyster on a rock at a newly-developed restoration site along the shoreline of Point San Pablo in Richmond, California Wednesday, May 28, 2025. Native Olympia oysters are surprisingly resistant to rising ocean temperatures, according to a new study. Once abundant from Baja California to British Columbia, they are coming back with restoration projects such as in the San Francisco Bay. (Jessica Christian / San Francisco Chronicle / Polaris) (FOTO:DUKAS/POLARIS)
    © 2025 Jessica Christian / S.F. Chronicle

     

  • Canadian Pacific steam locomotive restored in Ropley, UK.
    DUKAS_182682036_EYE
    Canadian Pacific steam locomotive restored in Ropley, UK.
    19/03/2025. Ropley, UK.

    The newly restored railway locomotive 'Canadian Pacific' steams through the Hampshire countryside on the Watercress Line towards Alton Station. One of the last surviving Merchant Navy Class locomotives, Canadian Pacific, was built in 1941 during World War II. This iconic engine has been lovingly restored to her former glory by The Watercress Line. Work, which began in 2014 at the Eastleigh Works, used 10,000 hours of volunteer time to restore the locomotive to its former glory. Launched today with a ceremony at Alresford Station passengers can now book rides between 20-23/3/2025.

    Photo credit: Peter Macdiarmid / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Peter Macdiarmid

     

  • Canadian Pacific steam locomotive restored in Ropley, UK.
    DUKAS_182682033_EYE
    Canadian Pacific steam locomotive restored in Ropley, UK.
    19/03/2025. Ropley, UK.

    The newly restored railway locomotive 'Canadian Pacific' steams through the Hampshire countryside on the Watercress Line towards Ropley Station. One of the last surviving Merchant Navy Class locomotives, Canadian Pacific, was built in 1941 during World War II. This iconic engine has been lovingly restored to her former glory by The Watercress Line. Work, which began in 2014 at the Eastleigh Works, used 10,000 hours of volunteer time to restore the locomotive to its former glory. Launched today with a ceremony at Alresford Station passengers can now book rides between 20-23/3/2025.

    Photo credit: Peter Macdiarmid / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Peter Macdiarmid

     

  • Canadian Pacific steam locomotive restored in Ropley, UK.
    DUKAS_182682039_EYE
    Canadian Pacific steam locomotive restored in Ropley, UK.
    19/03/2025. Ropley, UK.

    Local people wave as the newly restored railway locomotive 'Canadian Pacific' steams through the Hampshire countryside on the Watercress Line towards Ropley Station. One of the last surviving Merchant Navy Class locomotives, Canadian Pacific, was built in 1941 during World War II. This iconic engine has been lovingly restored to her former glory by The Watercress Line. Work, which began in 2014 at the Eastleigh Works, used 10,000 hours of volunteer time to restore the locomotive to its former glory. Launched today with a ceremony at Alresford Station passengers can now book rides between 20-23/3/2025.

    Photo credit: Peter Macdiarmid / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Peter Macdiarmid

     

  • Canadian Pacific steam locomotive restored in Ropley, UK.
    DUKAS_182682040_EYE
    Canadian Pacific steam locomotive restored in Ropley, UK.
    19/03/2025. Ropley, UK.

    Local people wave as the newly restored railway locomotive 'Canadian Pacific' steams through the Hampshire countryside on the Watercress Line towards Ropley Station. One of the last surviving Merchant Navy Class locomotives, Canadian Pacific, was built in 1941 during World War II. This iconic engine has been lovingly restored to her former glory by The Watercress Line. Work, which began in 2014 at the Eastleigh Works, used 10,000 hours of volunteer time to restore the locomotive to its former glory. Launched today with a ceremony at Alresford Station passengers can now book rides between 20-23/3/2025.

    Photo credit: Peter Macdiarmid / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Peter Macdiarmid

     

  • Canadian Pacific steam locomotive restored in Alresford, UK.
    DUKAS_182682034_EYE
    Canadian Pacific steam locomotive restored in Alresford, UK.
    19/03/2025. Alresford, UK.

    People gather round the newly restored railway steam locomotive 'Canadian Pacific' as it prepares to depart from Alresford Station on the Watercress Line in Hampshire. One of the last surviving Merchant Navy Class locomotives, Canadian Pacific, was built in 1941 during World War II. This iconic engine has been lovingly restored to her former glory by The Watercress Line. Work, which began in 2014 at the Eastleigh Works, used 10,000 hours of volunteer time to restore the locomotive to its former glory. Launched today with a ceremony at Alresford Station passengers can now book rides between 20-23/3/2025.

    Photo credit: Peter Macdiarmid / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Peter Macdiarmid

     

  • Canadian Pacific steam locomotive restored in Alresford, UK.
    DUKAS_182682037_EYE
    Canadian Pacific steam locomotive restored in Alresford, UK.
    19/03/2025. Alresford, UK.

    The newly restored railway steam locomotive 'Canadian Pacific' waits for departure at Alresford Station on the Watercress Line in Hampshire. One of the last surviving Merchant Navy Class locomotives, Canadian Pacific, was built in 1941 during World War II. This iconic engine has been lovingly restored to her former glory by The Watercress Line. Work, which began in 2014 at the Eastleigh Works, used 10,000 hours of volunteer time to restore the locomotive to its former glory. Launched today with a ceremony at Alresford Station passengers can now book rides between 20-23/3/2025.

    Photo credit: Peter Macdiarmid / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Peter Macdiarmid

     

  • Canadian Pacific steam locomotive restored in Alresford, UK.
    DUKAS_182682035_EYE
    Canadian Pacific steam locomotive restored in Alresford, UK.
    19/03/2025. Alresford, UK.

    The driver chats with station staff on the newly restored railway steam locomotive 'Canadian Pacific' at Alresford Station on the Watercress Line in Hampshire. One of the last surviving Merchant Navy Class locomotives, Canadian Pacific, was built in 1941 during World War II. This iconic engine has been lovingly restored to her former glory by The Watercress Line. Work, which began in 2014 at the Eastleigh Works, used 10,000 hours of volunteer time to restore the locomotive to its former glory. Launched today with a ceremony at Alresford Station passengers can now book rides between 20-23/3/2025.

    Photo credit: Peter Macdiarmid / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Peter Macdiarmid

     

  • Canadian Pacific steam locomotive restored in Ropley, UK.
    DUKAS_182682041_EYE
    Canadian Pacific steam locomotive restored in Ropley, UK.
    19/03/2025. Ropley, UK.

    The newly restored railway locomotive 'Canadian Pacific' steams through the Hampshire countryside on the Watercress Line towards Alton Station. One of the last surviving Merchant Navy Class locomotives, Canadian Pacific, was built in 1941 during World War II. This iconic engine has been lovingly restored by volunteers at The Watercress Line. Work, which began in 2014 at the Eastleigh Works, used 10,000 hours of volunteer time to restore the locomotive to its former glory. Launched today with a ceremony at Alresford Station passengers can now book rides between 20-23/3/2025.

    Photo credit: Peter Macdiarmid / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)

    © Peter Macdiarmid

     

  • Guardianas del Conchalito. The Mexican women who defied drug-dealers, fly-tippers and chauvinists to build a thriving business.
    DUKAS_183190904_EYE
    Guardianas del Conchalito. The Mexican women who defied drug-dealers, fly-tippers and chauvinists to build a thriving business.
    Guardianas del Conchalito. The Mexican women who defied drug-dealers, fly-tippers and chauvinists to build a thriving business.

    The Guardianas del Conchalito ignored chants of Ôget back to your kitchensÕ, determined to protect the environment and create a sustainable shellfish operation.

    The guardianas dug the hydrological channel with shovels and pickaxes, allowing for the ecosystem's restoration

    Benjamin Soto / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

     

  • Ghosts of the landscape: how folklore and songs are key to rewilding Finland's reindeer
    DUKAS_180316225_EYE
    Ghosts of the landscape: how folklore and songs are key to rewilding Finland's reindeer
    Ghosts of the landscape: how folklore and songs are key to rewilding Finland's reindeer.

    For ecologists restoring the vast bogs of remote Karelia, wild reindeer are not just part of the environment but entwined with the ancient culture of the boreal forests.

    Now, a plan is being hatched to reintroduce them. The peatland has been restored and the first wild reindeer will be released here in 2028. The aim is to eventually have a herd of 300.

    Restoration of this peatland in Rahesuo landscape will help the wild reindeer population as they need the open spaces to give birth safely.

    Peatland restoration Rahesuo -5
    in Joensuu, Eastern Finland

    Salla Seeslahti / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    SALLA SEESLAHTI

     

  • Half a million oysters to be introduced to Humber estuary in restoration plan
    DUKAS_174743487_EYE
    Half a million oysters to be introduced to Humber estuary in restoration plan
    European flat oyster is defined as ‘collapsed’ in UK but there are hopes it could return to coastal waters.

    Half a million native European flat oysters will be introduced to the estuary after being carefully nurtured by Wilder Humber, a partnership between Yorkshire Wildlife Trust, Lincolnshire Wildlife Trust and the green energy company Ørsted.

    Yorkshire Wildlife Oyster Restoration project, based on the Spurn Point, Humberside.
    The project aims to restore the number of native oysters on the seabed of the North sea and Humber estuary.
    Oyster Larvae are bred and hatched in a bio controlled location by the The Oyster Restoration Co in remote Scotland. The first batch of 400,000 oysters were transported to Yorkahire Wildlife site on the 4th September 2024 and placed to grow in controlled tanks.
    Spurn Point.

    Gary Calton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com (FOTO: DUKAS/EYEVINE)

    Gary Calton mob 0797312255

     

  • Half a million oysters to be introduced to Humber estuary in restoration plan
    DUKAS_174743488_EYE
    Half a million oysters to be introduced to Humber estuary in restoration plan
    European flat oyster is defined as ‘collapsed’ in UK but there are hopes it could return to coastal waters.

    Half a million native European flat oysters will be introduced to the estuary after being carefully nurtured by Wilder Humber, a partnership between Yorkshire Wildlife Trust, Lincolnshire Wildlife Trust and the green energy company Ørsted.

    Yorkshire Wildlife Oyster Restoration project, based on the Spurn Point, Humberside.
    The project aims to restore the number of native oysters on the seabed of the North sea and Humber estuary.
    Oyster Larvae are bred and hatched in a bio controlled location by the The Oyster Restoration Co in remote Scotland. The first batch of 400,000 oysters were transported to Yorkahire Wildlife site on the 4th September 2024 and placed to grow in controlled tanks.
    Laura Welton holds the delivery of 400,000 young oyster larvae from The Oyster Restoration Project.

    Gary Calton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com (FOTO: DUKAS/EYEVINE)

    Gary Calton mob 0797312255

     

  • Half a million oysters to be introduced to Humber estuary in restoration plan
    DUKAS_174743486_EYE
    Half a million oysters to be introduced to Humber estuary in restoration plan
    European flat oyster is defined as ‘collapsed’ in UK but there are hopes it could return to coastal waters.

    Half a million native European flat oysters will be introduced to the estuary after being carefully nurtured by Wilder Humber, a partnership between Yorkshire Wildlife Trust, Lincolnshire Wildlife Trust and the green energy company Ørsted.

    Yorkshire Wildlife Oyster Restoration project, based on the Spurn Point, Humberside.
    The project aims to restore the number of native oysters on the seabed of the North sea and Humber estuary.
    Oyster Larvae are bred and hatched in a bio controlled location by the The Oyster Restoration Co in remote Scotland. The first batch of 400,000 oysters were transported to Yorkahire Wildlife site on the 4th September 2024 and placed to grow in controlled tanks.
    A cluster of young oysters in a tank ready for micro filming by Film maker Finn Varna.

    Gary Calton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com (FOTO: DUKAS/EYEVINE)

    Gary Calton mob 0797312255

     

  • Half a million oysters to be introduced to Humber estuary in restoration plan
    DUKAS_174743485_EYE
    Half a million oysters to be introduced to Humber estuary in restoration plan
    European flat oyster is defined as ‘collapsed’ in UK but there are hopes it could return to coastal waters.

    Half a million native European flat oysters will be introduced to the estuary after being carefully nurtured by Wilder Humber, a partnership between Yorkshire Wildlife Trust, Lincolnshire Wildlife Trust and the green energy company Ørsted.

    Yorkshire Wildlife Oyster Restoration project, based on the Spurn Point, Humberside.
    The project aims to restore the number of native oysters on the seabed of the North sea and Humber estuary.
    Oyster Larvae are bred and hatched in a bio controlled location by the The Oyster Restoration Co in remote Scotland. The first batch of 400,000 oysters were transported to Yorkahire Wildlife site on the 4th September 2024 and placed to grow in controlled tanks.
    Dr Boze Hancock, from The Nature Conservancy organisation and lead scientist in the Global project to restore the oyster numbers.

    Gary Calton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com (FOTO: DUKAS/EYEVINE)

    Gary Calton mob 0797312255

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148587_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148575_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. The different coloured stonework and fresh pointing shows the areas where the stone restoration was done under the front entrance area. Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148585_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. The big acorns on the roof showing the different coloured stone where they were restored. Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148574_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. Parliament Victoria's Senior Project Manager Ari Indra on the roof with the restored stonework Melbourne. Australia

    Ellen Smith / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
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    (FOTO: DUKAS/EYEVINE)

     

  • No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    DUKAS_165148586_EYE
    No more coat hangers: Victoria's Parliament House returned to full glory in 16-year restoration project
    Through leadership spills, protests and Covid, the stonemasons continued their 'intricate' work on Australia's largest heritage restoration project.

    End of the 16 years of restoration work at Victoria's Parliament House. For the first time in more than a decade, scaffolding and cranes have come down and the entire facade of parliament will be on show. Library Manager Caroline Macvean in the Parliament library. Melbourne. Australia

    Ellen Smith / Guardian / eyevine

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    The Guardian

     

  • The Church of St. Moritz, International Organ Festival Olomouc, Katerina Malkova
    DUKAS_160069700_DAL
    The Church of St. Moritz, International Organ Festival Olomouc, Katerina Malkova
    The 55th edition of International Organ Festival Olomouc returns after several years following a thorough reconstruction of the organ in St. Moritz Church to this church in Olomouc, Czech Republic. Pictured Katerina Malkova (pictured), organist, with Moravia Brass Band with conductor Chuhei Iwasaki of Japan during rehersal in St. Moritz Church in Olomouc, Czech Republic, September 4, 2023. (CTK Photo/Ludek Perina_ DALLE (FOTO: DUKAS/DALLE)
    ©DALLE aprf

     

  • The Church of St. Moritz, International Organ Festival Olomouc, Katerina Malkova
    DUKAS_160069641_DAL
    The Church of St. Moritz, International Organ Festival Olomouc, Katerina Malkova
    The 55th edition of International Organ Festival Olomouc returns after several years following a thorough reconstruction of the organ in St. Moritz Church to this church in Olomouc, Czech Republic. Pictured Katerina Malkova (pictured), organist, with Moravia Brass Band with conductor Chuhei Iwasaki of Japan during rehersal in St. Moritz Church in Olomouc, Czech Republic, September 4, 2023. (CTK Photo/Ludek Perina_ DALLE (FOTO: DUKAS/DALLE)
    ©DALLE aprf

     

  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445447_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Staff at Hardwick Hall make final adjustments to the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445476_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Staff at Hardwick Hall make final adjustments to the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445480_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    A label for a tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445446_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    A tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445442_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445439_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Liz Waring (property curator) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445482_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Liz Waring (Property curator) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    © Guardian / eyevine. All Rights Reserved.

     

  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445443_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Elena Williams (Collections and house manager) at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445424_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Staff at Hardwick Hall applaud the unveiling of tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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    © Guardian / eyevine. All Rights Reserved.

     

  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445444_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Yoko Hanegreefs (textile cuartor) holding an image of a previous repare of the Tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445477_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Staff look at review previous images of the Tapestries Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445440_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445441_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445474_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    A portrait of Elizabeth of Hardwick , Countess of Shrewsbury at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

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  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445479_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    A portrait of Elizabeth of Hardwick , Countess of Shrewsbury at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    © Guardian / eyevine. All Rights Reserved.

     

  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445445_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    A close up of a Tapestry at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    © Guardian / eyevine. All Rights Reserved.

     

  • Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    DUKAS_158445478_EYE
    Restoration of 16th-century Derbyshire tapestries ends after 24 years at Hardwick Hall
    After a 24-year project, the National Trust has finally finished the restoration of a set of 16th-century tapestries at Hardwick Hall in Derbyshire, the longest such endeavour in its history.

    The final tapestry in the set of 13 Gideon tapestries was unveiled on the wall of the long gallery, the culmination of a painstaking effort to clean and hand-stitch the huge pieces one at a time, at a cost of £1.7m.

    The enormous works, 6 metres tall and more than 70 metres in length, are considered to be one of the most ambitiously scaled tapestry sets of their time, and were last on display together before the project began in 1999.

    Hardwick Hall, an Elizabethan country house situated on a hilltop between Chesterfield and Mansfield, was at one point surrounded by nine coalmines.

    Construction workers remove the final pieces of scaffolding which has surrounded the tapestries at Hardwick Hall in Derbyshire where the National Trust are unveiling a set of 13 16th-century tapestries. It is the National Trust's longest ever conservation project - they have spent 24 years restoring the tapestries.

    © Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
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