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DUKAS_187880684_NUR
Rescue Operations Continue As Flash Floods Kill Dozens In Indian Kashmir
Panna Devi, 60, weeps after hearing the news of her sister Kumud Devi's death following the cloudburst in the village of Chisoti, in the Kishtwar district of Jammu and Kashmir, on August 17, 2025. Flash floods triggered by a cloudburst on August 14 kill at least 60 people and leave over 100 injured in Chisoti village of Kishtwar district, Jammu and Kashmir. The floods hit the pilgrimage route to the Machail Mata temple, sweeping away a market, a community kitchen for pilgrims, and a security post. Rescue teams work for three days to find the missing and help survivors, officials say. (Photo by Firdous Nazir/NurPhoto) -
DUKAS_187413428_NUR
Daily Life In Kleipeda
A man searches for amber in the Baltic Sea with a UV flashlight near Kerkle, Lithuania on 26 July, 2025. (Photo by Jaap Arriens/NurPhoto) -
DUKAS_187413410_NUR
Daily Life In Kleipeda
People search for amber in the Baltic Sea with a UV flashlight near Kerkle, Lithuania on 26 July, 2025. (Photo by Jaap Arriens/NurPhoto) -
DUKAS_187413408_NUR
Daily Life In Kleipeda
A rock hunter shows pieces of amber under UV light near Kerkle, Lithuania on 26 July, 2025. (Photo by Jaap Arriens/NurPhoto) -
DUKAS_187413402_NUR
Daily Life In Kleipeda
A man searches for amber in the Baltic Sea with a UV flashlight near Kerkle, Lithuania on 26 July, 2025. (Photo by Jaap Arriens/NurPhoto) -
DUKAS_184764142_FER
Fossil tracks rewrite reptile history by 40 million years
Ferrari Press Agency
Tracks 1
Ref 16822
15/05/2025
See Ferrari text
Picture MUST credit: John Eason/Flinders University
Fossil tracks have been discovered that show reptiles appeared on Earth up to 40 million years earlier than previously thought,
The evidence was discovered at an Australian fossil site that represents a critical time period.
Professor John Long and colleagues from Australia’s Flinders University identified the tracks of an early animal with clawed feet – most probably a reptile.
They date from the Carboniferous period of about 350 million years ago.
They were uncovered in the Mansfield district of northern Victoria and were made by an animal that would have looked like a small, stumpy, reptile-like creature.
Fossil records of mammals, birds and reptiles begin in the Late Carboniferous period of about 318 million years old.
Previously the earliest body fossils were from about 334 million years ago, and the oldest trackways about 353 million years.
This had suggested the modern tetrapod group originated in the early Carboniferous period, with the modern amniote group appearing in the early part of the Late Carboniferous period.
But the new find has now completely re-written the timeline.
OPS: Fossil team (left to right): Andrew Crockett, Craig Eury, Jeremy Madin, Jenny Delaforce, John Long
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_184764134_FER
Fossil tracks rewrite reptile history by 40 million years
Ferrari Press Agency
Tracks 1
Ref 16822
15/05/2025
See Ferrari text
Picture MUST credit: Flinders University
Fossil tracks have been discovered that show reptiles appeared on Earth up to 40 million years earlier than previously thought,
The evidence was discovered at an Australian fossil site that represents a critical time period.
Professor John Long and colleagues from Australia’s Flinders University identified the tracks of an early animal with clawed feet – most probably a reptile.
They date from the Carboniferous period of about 350 million years ago.
They were uncovered in the Mansfield district of northern Victoria and were made by an animal that would have looked like a small, stumpy, reptile-like creature.
Fossil records of mammals, birds and reptiles begin in the Late Carboniferous period of about 318 million years old.
Previously the earliest body fossils were from about 334 million years ago, and the oldest trackways about 353 million years.
This had suggested the modern tetrapod group originated in the early Carboniferous period, with the modern amniote group appearing in the early part of the Late Carboniferous period.
But the new find has now completely re-written the timeline.
OPS: An imagining of the reptile making the tracks some 350 million years ago.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_184764127_FER
Fossil tracks rewrite reptile history by 40 million years
Ferrari Press Agency
Tracks 1
Ref 16822
15/05/2025
See Ferrari text
Picture MUST credit: Flinders University
Fossil tracks have been discovered that show reptiles appeared on Earth up to 40 million years earlier than previously thought,
The evidence was discovered at an Australian fossil site that represents a critical time period.
Professor John Long and colleagues from Australia’s Flinders University identified the tracks of an early animal with clawed feet – most probably a reptile.
They date from the Carboniferous period of about 350 million years ago.
They were uncovered in the Mansfield district of northern Victoria and were made by an animal that would have looked like a small, stumpy, reptile-like creature.
Fossil records of mammals, birds and reptiles begin in the Late Carboniferous period of about 318 million years old.
Previously the earliest body fossils were from about 334 million years ago, and the oldest trackways about 353 million years.
This had suggested the modern tetrapod group originated in the early Carboniferous period, with the modern amniote group appearing in the early part of the Late Carboniferous period.
But the new find has now completely re-written the timeline.
OPS: An imagining of the type of reptile that made the tracks.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_184764118_FER
Fossil tracks rewrite reptile history by 40 million years
Ferrari Press Agency
Tracks 1
Ref 16822
15/05/2025
See Ferrari text
Picture MUST credit: Flinders University
Fossil tracks have been discovered that show reptiles appeared on Earth up to 40 million years earlier than previously thought,
The evidence was discovered at an Australian fossil site that represents a critical time period.
Professor John Long and colleagues from Australia’s Flinders University identified the tracks of an early animal with clawed feet – most probably a reptile.
They date from the Carboniferous period of about 350 million years ago.
They were uncovered in the Mansfield district of northern Victoria and were made by an animal that would have looked like a small, stumpy, reptile-like creature.
Fossil records of mammals, birds and reptiles begin in the Late Carboniferous period of about 318 million years old.
Previously the earliest body fossils were from about 334 million years ago, and the oldest trackways about 353 million years.
This had suggested the modern tetrapod group originated in the early Carboniferous period, with the modern amniote group appearing in the early part of the Late Carboniferous period.
But the new find has now completely re-written the timeline.
OPS: An imagining of the type of reptile that made the tracks.
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_184764110_FER
Fossil tracks rewrite reptile history by 40 million years
Ferrari Press Agency
Tracks 1
Ref 16822
15/05/2025
See Ferrari text
Picture MUST credit:Traci Klarenbeek/ Flinders University
Fossil tracks have been discovered that show reptiles appeared on Earth up to 40 million years earlier than previously thought,
The evidence was discovered at an Australian fossil site that represents a critical time period.
Professor John Long and colleagues from Australia’s Flinders University identified the tracks of an early animal with clawed feet – most probably a reptile.
They date from the Carboniferous period of about 350 million years ago.
They were uncovered in the Mansfield district of northern Victoria and were made by an animal that would have looked like a small, stumpy, reptile-like creature.
Fossil records of mammals, birds and reptiles begin in the Late Carboniferous period of about 318 million years old.
Previously the earliest body fossils were from about 334 million years ago, and the oldest trackways about 353 million years.
This had suggested the modern tetrapod group originated in the early Carboniferous period, with the modern amniote group appearing in the early part of the Late Carboniferous period.
But the new find has now completely re-written the timeline.
OPS: Professor John Long comparing the trackways with a modern Iguana foot
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_184764102_FER
Fossil tracks rewrite reptile history by 40 million years
Ferrari Press Agency
Tracks 1
Ref 16822
15/05/2025
See Ferrari text
Picture MUST credit: Flinders University
Fossil tracks have been discovered that show reptiles appeared on Earth up to 40 million years earlier than previously thought,
The evidence was discovered at an Australian fossil site that represents a critical time period.
Professor John Long and colleagues from Australia’s Flinders University identified the tracks of an early animal with clawed feet – most probably a reptile.
They date from the Carboniferous period of about 350 million years ago.
They were uncovered in the Mansfield district of northern Victoria and were made by an animal that would have looked like a small, stumpy, reptile-like creature.
Fossil records of mammals, birds and reptiles begin in the Late Carboniferous period of about 318 million years old.
Previously the earliest body fossils were from about 334 million years ago, and the oldest trackways about 353 million years.
This had suggested the modern tetrapod group originated in the early Carboniferous period, with the modern amniote group appearing in the early part of the Late Carboniferous period.
But the new find has now completely re-written the timeline.
OPS: The fossil trackway with different tracks on it highlighted
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_184764095_FER
Fossil tracks rewrite reptile history by 40 million years
Ferrari Press Agency
Tracks 1
Ref 16822
15/05/2025
See Ferrari text
Picture MUST credit: Flinders University
Fossil tracks have been discovered that show reptiles appeared on Earth up to 40 million years earlier than previously thought,
The evidence was discovered at an Australian fossil site that represents a critical time period.
Professor John Long and colleagues from Australia’s Flinders University identified the tracks of an early animal with clawed feet – most probably a reptile.
They date from the Carboniferous period of about 350 million years ago.
They were uncovered in the Mansfield district of northern Victoria and were made by an animal that would have looked like a small, stumpy, reptile-like creature.
Fossil records of mammals, birds and reptiles begin in the Late Carboniferous period of about 318 million years old.
Previously the earliest body fossils were from about 334 million years ago, and the oldest trackways about 353 million years.
This had suggested the modern tetrapod group originated in the early Carboniferous period, with the modern amniote group appearing in the early part of the Late Carboniferous period.
But the new find has now completely re-written the timeline.
OPS: Professor John Long with the fossil trackway
Picture supplied by Ferrari
(FOTO: DUKAS/FERRARI PRESS) -
DUKAS_184590265_POL
Travel Argentina
March 20, 2024 - Patagonia, Argentina: The route is like life and the difficult things just have to be overcome. The good things often lie just around the next bend. Let's be grateful by acknowledging what we do have this moment, let's feel present, right here, right now. I am grateful for being in this uniquely beautiful country where I've connected with the dignity of the locals, their passion for life, for evolution, dance, the art of flirting all aspects of existence and for the openness this country has offered me as an opportunity in my life. Thank you Argentina! (Maro Kouri/Polaris) (FOTO:DUKAS/POLARIS)
MARO KOURI -
DUKAS_174471448_EYE
Who wins from nature's genetic bounty? The billions at stake in a global 'biopiracy' battle
As multinationals and researchers harvest rare organisms around the world, anger is rising in the global south over the unpaid use of lucrative genetic codes found on their land.
Bupe Mwambingu, left, and Emma Bolton from Basecamp Research collect samples in Ribblehead. The company pays a royalty when organisms are collected but the need for a global system to share the benefits of digital sequencing will be a big issue at the UN’s Cop16 biodiversity summit.
Rebecca Cole-Ingleborough mountain-Emma and Bupe from Basecamp Research taking fecal samples near with Ingleborough summit in the background
Rebecca Cole / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Rebecca Cole -
DUKAS_174471446_EYE
Who wins from nature's genetic bounty? The billions at stake in a global 'biopiracy' battle
As multinationals and researchers harvest rare organisms around the world, anger is rising in the global south over the unpaid use of lucrative genetic codes found on their land.
Bupe Mwambingu, left, and Emma Bolton from Basecamp Research collect samples in Ribblehead. The company pays a royalty when organisms are collected but the need for a global system to share the benefits of digital sequencing will be a big issue at the UN’s Cop16 biodiversity summit.
Rebecca Cole-Sampling-Matter is collected carefully to avoid contamination
Rebecca Cole / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Rebecca Cole -
DUKAS_174471464_EYE
Who wins from nature's genetic bounty? The billions at stake in a global 'biopiracy' battle
As multinationals and researchers harvest rare organisms around the world, anger is rising in the global south over the unpaid use of lucrative genetic codes found on their land.
Bupe Mwambingu, left, and Emma Bolton from Basecamp Research collect samples in Ribblehead. The company pays a royalty when organisms are collected but the need for a global system to share the benefits of digital sequencing will be a big issue at the UN’s Cop16 biodiversity summit.
Rebecca Cole-Ingleborough Nature Reserve-water pool-Bupe and Emma collect samples in an area recently covered by water
Rebecca Cole / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Rebecca Cole -
DUKAS_174471449_EYE
Who wins from nature's genetic bounty? The billions at stake in a global 'biopiracy' battle
As multinationals and researchers harvest rare organisms around the world, anger is rising in the global south over the unpaid use of lucrative genetic codes found on their land.
Bupe Mwambingu, left, and Emma Bolton from Basecamp Research collect samples in Ribblehead. The company pays a royalty when organisms are collected but the need for a global system to share the benefits of digital sequencing will be a big issue at the UN’s Cop16 biodiversity summit.
Rebecca Cole-Profile Photo-Emma Bolton and Bupe Mwambingu
Rebecca Cole / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Rebecca Cole -
DUKAS_174471462_EYE
Who wins from nature's genetic bounty? The billions at stake in a global 'biopiracy' battle
As multinationals and researchers harvest rare organisms around the world, anger is rising in the global south over the unpaid use of lucrative genetic codes found on their land.
Bupe Mwambingu, left, and Emma Bolton from Basecamp Research collect samples in Ribblehead. The company pays a royalty when organisms are collected but the need for a global system to share the benefits of digital sequencing will be a big issue at the UN’s Cop16 biodiversity summit.
Rebecca Cole-Ingleborough Nature Reserve-waterfall-Bupe and Emma take samples and record data
Rebecca Cole / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Rebecca Cole -
DUKAS_174471461_EYE
Who wins from nature's genetic bounty? The billions at stake in a global 'biopiracy' battle
As multinationals and researchers harvest rare organisms around the world, anger is rising in the global south over the unpaid use of lucrative genetic codes found on their land.
Bupe Mwambingu, left, and Emma Bolton from Basecamp Research collect samples in Ribblehead. The company pays a royalty when organisms are collected but the need for a global system to share the benefits of digital sequencing will be a big issue at the UN’s Cop16 biodiversity summit.
Rebecca Cole-Ingleborough Nature Reserve-taking soil samples and meter readings
Rebecca Cole / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Rebecca Cole -
DUKAS_150027274_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke ( in Photo)while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027273_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027240_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027239_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027238_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027237_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027236_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027235_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027234_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027233_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027227_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027226_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027225_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027224_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke ( in Photo)while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027171_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_150027170_EYE
Metal detectorist unearths Tudor gold pendant linked to Henry VIII in Warwickshire.
31/01/2023. London. British Museum. A Tudor chain associated with Henry VIII and Katherine of Aragon found in Warwrickshire by Charlie Clarke while metal detecting.
© Sean Smith / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239398_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
Tide-times graphic on the side of a shelter at Pontoon Dock DLR station. The Thames river at low tide. The Thames Barrier. Photographed from the Thames Barrier Park in Silvertown, London. 3/3/21
© David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239444_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
The Thames river at low tide, in foggy conditions. The Thames Barrier. Photographed from the Thames Barrier Park in Silvertown, London. 3/3/21
© David Levene / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239492_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
The Thames river at low tide, in foggy conditions. The Thames Barrier. Photographed from the Thames Barrier Park in Silvertown, London. 3/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239482_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
The Thames river at low tide, in foggy conditions. The Thames Barrier. Photographed from the Thames Barrier Park in Silvertown, London. 3/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
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(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239460_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
The Thames river at low tide, in foggy conditions. The Thames Barrier. Photographed from the Thames Barrier Park in Silvertown, London. 3/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239443_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
The Thames river at low tide, in foggy conditions. The Thames Barrier. Photographed from the Thames Barrier Park in Silvertown, London. 3/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239390_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
The Thames river at low tide, in foggy conditions. The Thames Barrier. Photographed from the Thames Barrier Park in Silvertown, London. 3/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239494_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
The Thames river at low tide, in foggy conditions. The Thames Barrier. Photographed from the Thames Barrier Park in Silvertown, London. 3/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239449_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
Nick Bertrand, a conservationist from the Creekside Educational Centre, walks along Deptford Creek at low-tide, near to where the River Ravensbourne flows in to the River Thames. Nick would usually be hosting groups of school children who come to visit the Creekside Centre to walk along the creek and learn about the tide, the river and life in the creek, but due to the Covid-19 pandemic and UK lockdownn the centre is closed to all visitors. Photographed at low-tide. 11/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239402_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
Nick Bertrand, a conservationist from the Creekside Educational Centre, walks along Deptford Creek at low-tide, near to where the River Ravensbourne flows in to the River Thames. Nick would usually be hosting groups of school children who come to visit the Creekside Centre to walk along the creek and learn about the tide, the river and life in the creek, but due to the Covid-19 pandemic and UK lockdownn the centre is closed to all visitors. Photographed at low-tide. 11/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239481_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
A discarded floor sign instructing to maintain social distance for Covid-19 safety. Deptford Creek, near to where the River Ravensbourne flows in to the River Thames. Photographed at low-tide. 11/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239483_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
Deptford Creek, near to where the River Ravensbourne flows in to the River Thames. Photographed at low-tide. 11/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239493_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
Deptford Creek, near to where the River Ravensbourne flows in to the River Thames. Photographed at low-tide. 11/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239401_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
Deptford Creek, near to where the River Ravensbourne flows in to the River Thames. Photographed at low-tide. 11/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_123239470_EYE
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
Finding calm: the Thames at low tide during lockdown. Photographer David Levene found himself drawn to water, and the River Thames at low tide, for his second lockdown photo diary.
‘I seem to be returning to water again and again as a theme. This surely has something to do with my love of swimming, as exemplified by my previous lockdown diary, but perhaps bodies of water, beaches, rivers that flow to the sea, present to us the very nature of our confinement to an island, putting into sharp focus the essence of being held captive within a place and time’.
Deptford Creek, near to where the River Ravensbourne flows in to the River Thames. Photographed at low-tide. 11/3/21
© David Levene / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
