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DUKAS_190813159_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
The clear, shallow water of the Loisach springs flows through a marshy pond surrounded by pine forest in the Loisach springs Area near Biberwier, Tyrol, Austria, on November 1, 2025. The natural gem is nestled within the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813155_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
A ''Quellschutzgebiet'' (Spring Protection Area) sign is posted next to a forest path in the area of the Loisach springs (Loisachquellen) near Biberwier, Tyrol, Austria, on November 1, 2025. The protected area feeds a small marshy pond and is part of the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813151_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
The clear, shallow water of the Loisach springs flows through a marshy pond surrounded by pine forest in the Loisach springs Area near Biberwier, Tyrol, Austria, on November 1, 2025. The natural gem is nestled within the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813146_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
A hiking signpost directs visitors to the Loisach springs (Loisachquellen), Mittersee, and Weissensee on a forest path near Biberwier, Tyrol, Austria, on November 1, 2025. The sign is located in the Tiroler Zugspitz Arena area. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813128_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
The clear, shallow water of the Loisach springs flows through a marshy pond surrounded by pine forest in the Loisach springs Area near Biberwier, Tyrol, Austria, on November 1, 2025. The natural gem is nestled within the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813125_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
The clear, shallow water of the Loisach springs flows through a marshy pond surrounded by pine forest in the Loisach springs Area near Biberwier, Tyrol, Austria, on November 1, 2025. The natural gem is nestled within the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813122_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
The clear, shallow water of the Loisach springs flows through a marshy pond surrounded by pine forest in the Loisach springs Area near Biberwier, Tyrol, Austria, on November 1, 2025. The natural gem is nestled within the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813119_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
The clear, shallow water of the Loisach springs flows through a marshy pond surrounded by pine forest in the Loisach springs Area near Biberwier, Tyrol, Austria, on November 1, 2025. The natural gem is nestled within the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813116_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
The clear, shallow water of the Loisach springs flows through a marshy pond surrounded by pine forest in the Loisach springs Area near Biberwier, Tyrol, Austria, on November 1, 2025. The natural gem is nestled within the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_190813113_NUR
Clear Water And Pine Forests At Loisach Springs Area Near Biberwier In The Tyrolean Zugspitz Arena
The clear, shallow water of the Loisach springs flows through a marshy pond surrounded by pine forest in the Loisach springs Area near Biberwier, Tyrol, Austria, on November 1, 2025. The natural gem is nestled within the Tiroler Zugspitz Arena. (Photo by Michael Nguyen/NurPhoto) -
DUKAS_189971277_NUR
Colorful Red Winged Blackbird In Flight
A Red-winged Blackbird flies over the Orlando Wetlands in Christmas, Florida. This striking bird, with its vivid red and yellow shoulder patches, is easily recognized during flight or while defending its territory. Red-winged Blackbirds are highly adaptable and found across North America. (Photo by Ronen Tivony/NurPhoto) -
DUKAS_189795954_NUR
Birds Of Florida Wetlands
A tricolored heron perches in the marsh at Orlando Wetlands Park in Christmas, Florida. These slender wading birds hunt by stalking small fish and amphibians in shallow water. (Photo by Ronen Tivony/NurPhoto) -
DUKAS_189099161_NUR
Urban Wildlife In Sri Lanka
A Scarlet Skimmer or Ruddy Marsh Skimmer (Crocothemis servilia) rests on a twig at an urban wetland park in Colombo, Sri Lanka, on September 20, 2025. (Photo by Krishan Kariyawasam/NurPhoto) -
DUKAS_187198683_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198701_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198692_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198673_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198663_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198653_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198643_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198623_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198633_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_187198615_EYE
Britannia International Hotel, 163 Marsh Wall, London, UK.
Britannia International Hotel, 163 Marsh Wall, London, UK.
23rd July 2025
According to Tower Hamlets council, Labour intends to repurpose the hotel as temporary accommodation for asylum seekers.
Protestors mistakenly thought that migrants accommodated at the Bell Hotel in Epping Forest were being transferred to this hotel resulting in protests on 22nd July.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2025 © Elliott Franks -
DUKAS_173750069_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A famille verse lady at her toilette dish Changsha six character mark, Kanji
Estimate HK$300,000 - 400,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750057_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A famille verse lady at her toilette dish Changsha six character mark, Kanji
Estimate HK$300,000 - 400,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750070_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A famille verse lady at her toilette dish Changsha six character mark, Kanji
Estimate HK$300,000 - 400,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750098_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare bronze double chilong brush set
Yuan/Ming Dynasty
HK 50,000 to HK 80,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750068_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare bronze double chilong brush set
Yuan/Ming Dynasty
HK 50,000 to HK 80,000
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750097_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750087_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750086_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750085_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750067_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750084_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Highlights include:
A rare, enamelled Qianlong Imperial poem brushpot, Qianlong Yuzhi seal marks and of the period (estimate HK$3,000,000-4,000,000).
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
A blue and white ‘Zhong Kui’ sleeve vase, Chongzhen (estimate HK$800,000-1,000,000).
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750076_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750078_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750055_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750056_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_173750077_EYE
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK.
Bonhams’ The Marsh Collection: Art for the Literati (III) sale preview at Bonhams New Bond Street, London, UK
20 August 2024
Press photocall
An extremely large and important blue and white ‘seven sages of the Bamboo Grove’ brushpot, Chongzhen (estimate HK$ 3,000,000-4,000,000).
The sale itself will be held at Bonhams Hong Kong on 29th November. Highlights will be on view at New Bond Street until 23 August.
The much-anticipated sale of The Marsh Collection: Art for the Literati (III) The Hong Kong sale marks a poignant return by the collectors Sam and Marion Marsh to the very place where their passion for collecting Chinese art began.
The Marsh Collection was put together over a period of 40 years by Sam Marsh and his wife Marion who started collecting when they moved to Hong Kong in 1970. They were advised by their friend, the noted collector and dealer Adrian Joseph, and with his encouragement began collecting. Over the years they shared their knowledge with fellow collectors, the late Sir Michael Butler, and John and Julia Curtis, which resulted in them forming an exceptional collection. A scholar in his own right, Sam Marsh is the author of Brushpots: A Collector’s View, which features several of the pieces offered with Bonhams.
Part III of this exceptional collection includes 22 rare pieces of porcelain and works of art.
Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
2024 © Elliott Franks -
DUKAS_162483384_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: collects of women cocklepickers crossing a bridge on the marsh in 1901.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483389_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign on the marsh notifying the public of the bridge removal.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483398_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: views over the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483392_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: anglers traversing the ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483401_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign outside the viallage appealing for the return of the bridge. The Shoebottom family traversing the ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483383_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign outside the viallage appealing for the return of the bridge. The Shoebottom family traversing the ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483400_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Sign outside the viallage appealing for the return of the bridge. The Shoebottom family traversing the ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483385_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: The ad-hoc bridge over Cabbage creek on the marsh.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483404_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Ian Curtis, villager and campaigner for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
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(FOTO: DUKAS/EYEVINE)
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DUKAS_162483390_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Ian Curtis, villager and campaigner for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_162483397_EYE
Norfolk villagers and National Trust at loggerheads over 'fairy bridge' that appeared in the night
An ad hoc crossing removed in a safety row has been mysteriously replaced.
The tale of Stiffkey bridge began in February 2022, when the Trust removed the original footbridge linking the village of Stiffkey to the magnificent salt marshes and sand dunes of the north Norfolk coast. This move, on grounds that the bridge had become unsafe, sparked a row between the villagers and the guardian of the nation’s heritage that has rumbled on for more than 18 months and has led to the creation of what, according to a scribbled sign, is The Stiffkey Fairy Bridge.
The bridge is about five metres long and the width of just a single wooden plank, supported by scaffolding poles and a handrail for support.
It's no feat of engineering, but offers an alternative to wading through the creek and scrambling down its banks at low tide, and possibly a lifeline at high tide when other routes are cut off.
Once upon a time, there was a bridge. Some say it was built by fairies.
"It lasted about four or five weeks before the National Trust took it down in a dawn raid," says Ian Curtis. "The police were informed. But, of course, the fairies were watching and they put another one up. A better one this time, which is much harder to take down."
A number of the village inhabitants are in dispute with the National Trust after a bridge providing access to the marshes was removed. Subsequently it led to an unofficial one being installed, apparently by 'marsh fairies'.
Pictures shows: Ian Curtis, villager and campaigner for the return of the bridge.
Stiffkey Marshes, North Norfolk, UK.
© Si Barber / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
