Ihre Suche nach:
124 Ergebnis(se) in 0.19 s
-
DUKAS_195184909_ZUM
Israel-US Strike Iran: Iranian Pro-Government Rally
March 17, 2026, Tehran, Iran: Pro-government supporters wave Iranian flags during a night rally. Israel and the United States launched strikes on Iran, killing its supreme leader and triggering a war that spread across the Middle East. (Credit Image: © Iranian Supreme Leader's Office via ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_195152937_ZUM
U.S. Navy Flight Operations Supporting Operation Epic Fury
March 17, 2026, Undisclosed Location: A U.S. Navy F/A-18F Super Hornet fighter aircraft approaches to refuel from a KC-135 Stratotanker during a nighttime bombing mission in support of Operation Epic Fury at an Undisclosed Location. (Credit Image: © Usaf/U.S. Air/Planet Pix via ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_195024617_ZUM
Israel-US Strike Iran: Iranian Pro-Government Rally
March 14, 2026, Tehran, Iran: People wave Iranian flags during a night rally in the streets of Tehran. Israel and the United States launched strikes on Iran, killing its supreme leader and triggering a war that spread across the Middle East. (Credit Image: © Iranian Supreme Leader'S Office via ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_194923157_ZUM
Israel-US Strike Iran: Funeral For Killed Iranian Military
March 12, 2026, Tehran, Iran: Iranians attend the funerals of Islamic Revolutionary Guard Corps (IRGC) commanders, army officers and civilians killed in the early days of U.S. and Israeli strikes on Iran, in Tehran, Iran. Washington launched strikes with Israel on Iran on February 28, 2026, triggering retaliatory attacks by Tehran on Israel and U.S. bases across the Gulf region. Israeli and U.S. forces have continued to target multiple locations across Iran since the early hours of February 28. (Credit Image: © Iranian Supreme Leader'S Office via ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_194900204_ZUM
Israel-US Strike Iran: Funeral for Killed Iranian Military
March 11, 2026, Tehran, Iran: Iranians attend the funerals of Islamic Revolutionary Guard Corps (IRGC) commanders, army officers and civilians killed in the early days of U.S. and Israeli strikes on Iran. Washington launched strikes with Israel on Iran on February 28, 2026, triggering retaliatory attacks by Tehran on Israel and U.S. bases across the Gulf region. Israeli and U.S. forces have continued to target multiple locations across Iran since the early hours of February 28. (Credit Image: © Iranian Supreme Leader's Office via ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_192458004_ZUM
Ukrainians Plunge Into Icy Dnieper River In Kyiv
January 6, 2026, Kyiv, Ukraine: Ukrainians take part in traditional ice water plunges in the frozen Dnieper River during Orthodox Epiphany celebrations in Kyiv, Ukraine. The ritual, observed annually, commemorates the baptism of Jesus Christ and is believed by participants to bring spiritual cleansing and renewal in the new year. (Credit Image: © Cedar Barnes/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_192285502_ZUM
Russian War on Ukraine: Ukrainian Air defenses Engage Russian Drones
December 27, 2025, Kyiv, Ukraine: Ukrainian air defenses engage Russian drones attacking Kyiv during large-scale attack. Russian Forces have been targeting critical infrastructure across Ukraine, with electricity outages being reported in Kyiv as a result of the attack. Up to 15 Shahed-type loitering munitions reportedly flew toward Kyiv, with multiple ballistic missiles making impact in the early morning hours. Kyiv Oblast Governor Kalashnyk has reported that critical infrastructure and residential buildings were damaged during strikes with one injured. (Credit Image: © Cedar Barnes/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
Represented by ZUMA Press, Inc. -
DUKAS_187026822_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
At the territory of Sviatohirsk Lavra.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026824_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The objects of the Russian occupation of Izyum and Kharkiv region at the museum of local history.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026825_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The damaged monument to Artyom, the Bolshevik revolutionary Fyodor Sergeyev, on the hill in Sviatohirsk.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026821_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The damaged monument to Artyom, the Bolshevik revolutionary Fyodor Sergeyev, on the hill in Sviatohirsk.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026817_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The view over Sviatohirsk Lavra and Artyom monument.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026820_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
The signs of damage caused by shelling at the territory of Sviatohirsk Lavra.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026823_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
Yaroslava Diedova, deputy director of the museum, at the territory of Sviatohirsk Lavra.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026815_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
Oleksandra, the graduate, celebrating her prom party and posing for a portrait in front of her ruined school in Izium.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026818_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
Halyna Ivanova, the director of the museum of local history in Izyum, showing the objects of the Russian occupation of the city and Kharkiv region.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUKAS_187026816_EYE
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
Inside the ghost museums of Ukraine: exhibits replaced by fragments of war and occupation.
The curators of shattered historical buildings near the eastern frontline are preserving wartime memories as they reconstruct their collections.
Halyna Ivanova, the director of the museum of local history in Izyum, showing modern art works presented at the museum.
Julia Kochetova / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
Julia Kochetova / The Guardian -
DUK10163281_014
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_012
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_016
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_015
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_003
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_017
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_024
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_006
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_005
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_022
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_007
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_001
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_002
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_028
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_013
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_029
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_030
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_011
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_018
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_032
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_008
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_031
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_004
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_021
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_023
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_009
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_025
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_026
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_010
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_027
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_019
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10163281_020
VE Day: Die Rolle der Frau in Kriegszeiten in Bildern des Women’s Auxiliary Air Force Corps der britischen Luftwaffe
SONDERKONDITIONEN: Satzpreis!
To coincide with the 80th anniversary of VE Day an archive of rare wartime photographs has been released documenting the pivotal but often overlooked role of women in military filmmaking during the Second World War.
Published by Historic England to mark the 80th anniversary of VE Day, the collection – curated by Dorothy ‘Knicky’ Chapman – captures the life and work of the Women’s Auxiliary Air Force (WAAF) photographers, offering a rare glimpse into the secretive world of wartime film production at Pinewood Studios.
Chapman was among the first cohort of women trained at the No. 2 School of Photography in Blackpool, later serving at RAF Iver Heath – the wartime name for Pinewood Studios. There, she played a key role in the RAF Film Production Unit (RAFFPU), working on military films and documenting both training and operations.
Duncan Wilson, Chief Executive of Historic England, said: “As we mark the 80th anniversary of VE Day, this remarkable collection commemorates the unsung heroes of the Second World War and sheds light on the history of wartime filmmaking. The photographs provide rare insight into a lesser-known aspect of our wartime heritage, from the crucial role of Pinewood Studios to the pioneering women of the WAAF.”
The archive contains over 150 photographs, many never seen before, showing behind-the-scenes moments from Chapman’s time at Pinewood as well as candid scenes from her WAAF training. Among them are images of model aircraft being built for film sets, RAF and WAAF personnel at work, and members of the photographic and film units capturing vital footage used to inform the public and bolster international support for the Allied war effort.
Pinewood Studios served as a base for several key wartime film units, including the RAFFPU and the Army Film and Photographic Unit (AFPU). These units produced powerful propaganda films, newsreels and training materials – including coverage of major events such as *** Local Cap
(c) Dukas -
DUK10138913_015
FEATURE - Archivbilder: So feierte das US-Militär während des Zweiten Weltkriegs Weihnachten feierte
STORY CAPTION: This bittersweet collection of vintage photographs show how U.S. military service men and women found solace in Christmas celebrations at the height of World War Two.
Mostly pictured in far-flung locations, the brave members of the Navy, Army, Marine, and Air Force are seen making the best their situations with turkey meals and the festooning of any available trees with decorations.
PICTURE SHOWS: Original caption: “Christmas tree and Howitzers form the holiday theme of Battery C, 599th Field Artillery Battalion, Camp Joseph T. Robinson, Arkansas. “We guarantee Christmas spirit American style.” From left to right: Pvt. Lewis Cox, Pvt. Charles Dunnings, Cpl. Alfonso Swain, Pvt. Homer Lee Johnson, Pvt. Frank Black, Pvt. Alexander Jones, Sgt. Willie Wright, Pvt. Dumas E. Bennett, Pvt. Amos Smith, Pvt. Henry Bowman, Pvt. David Swayze, Pvt. John Coles, Pvt. Wesley Douglas, Sgt. Albert Sawyer.” Date: December 1943
When: 21 Dec 2020
Credit: Nat. Archives/Cover-Images.com
**MUST CREDIT: Nat. Archives/Cover-Images.com
EDITORIAL USE ONLY** (FOTO: DUKAS/COVER IMAGES)
(c) Dukas -
