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  • Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    DUKAS_191484523_NUR
    Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    KRAKOW, POLAND – NOVEMBER 27:
    Elena Grossfeld (King’s College London, Great Britain) listens as Jacek Tebinka (Right, University of Gdansk, Poland) presents on British intelligence and death of general Sikorski 'From Goebbels disinformation to Hochhuth’s play' during Panel I of the 'Need to Know XIV: In a World of Mirrors. Intelligence and Disinformation' conference, organised by the Institute of National Remembrance (IPN) and the Need to Know research network, in Krakow, Poland, on November 27, 2025.
    The network, founded in 2011, brings together international scholars to examine intelligence, security services and disinformation from the Cold War to the present. (Photo by Artur Widak/NurPhoto)

     

  • Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    DUKAS_191484495_NUR
    Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    KRAKOW, POLAND – NOVEMBER 27:
    Dr. Douglas Selvage (Germany/USA) presents on Cuban bioweapons propaganda, U.S. conspiracy theories and the Soviet Bloc’s AIDS disinformation campaign during Panel I of the 'Need to Know XIV: In a World of Mirrors. Intelligence and Disinformation' conference, organised by the Institute of National Remembrance (IPN) and the Need to Know research network, in Krakow, Poland, on November 27, 2025.
    The network, founded in 2011, brings together international scholars to examine intelligence, security services and disinformation from the Cold War to the present. (Photo by Artur Widak/NurPhoto)

     

  • Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    DUKAS_191484493_NUR
    Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    KRAKOW, POLAND – NOVEMBER 27:
    Jacek Tebinka (University of Gdansk, Poland) listens as Douglas Selvage (Germany/USA) presents on Cuban bioweapons propaganda, U.S. conspiracy theories and the Soviet Bloc’s AIDS disinformation campaign during Panel I of the 'Need to Know XIV: In a World of Mirrors. Intelligence and Disinformation' conference, organised by the Institute of National Remembrance (IPN) and the Need to Know research network, in Krakow, Poland, on November 27, 2025.
    The network, founded in 2011, brings together international scholars to examine intelligence, security services and disinformation from the Cold War to the present. (Photo by Artur Widak/NurPhoto)

     

  • Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    DUKAS_191484461_NUR
    Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    KRAKOW, POLAND – NOVEMBER 27:
    Elena Grossfeld (King’s College London, Great Britain) speaks during Panel I of the 'Need to Know XIV: In a World of Mirrors. Intelligence and Disinformation' conference, organised by the Institute of National Remembrance (IPN) and the Need to Know research network, in Krakow, Poland, on November 27, 2025.
    The network, founded in 2011, brings together international scholars to examine intelligence, security services and disinformation from the Cold War to the present. (Photo by Artur Widak/NurPhoto)

     

  • Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    DUKAS_191484453_NUR
    Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    KRAKOW, POLAND – NOVEMBER 27:
    Dr. Douglas Selvage (Germany/USA) presents on Cuban bioweapons propaganda, U.S. conspiracy theories and the Soviet Bloc’s AIDS disinformation campaign during Panel I of the 'Need to Know XIV: In a World of Mirrors. Intelligence and Disinformation' conference, organised by the Institute of National Remembrance (IPN) and the Need to Know research network, in Krakow, Poland, on November 27, 2025.
    The network, founded in 2011, brings together international scholars to examine intelligence, security services and disinformation from the Cold War to the present. (Photo by Artur Widak/NurPhoto)

     

  • Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    DUKAS_191484437_NUR
    Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    KRAKOW, POLAND – NOVEMBER 27:
    Elena Grossfeld (King’s College London, Great Britain) listens as Douglas Selvage (Germany/USA) presents on Cuban bioweapons propaganda, U.S. conspiracy theories and the Soviet Bloc’s AIDS disinformation campaign during Panel I of the 'Need to Know XIV: In a World of Mirrors. Intelligence and Disinformation' conference, organised by the Institute of National Remembrance (IPN) and the Need to Know research network, in Krakow, Poland, on November 27, 2025.
    The network, founded in 2011, brings together international scholars to examine intelligence, security services and disinformation from the Cold War to the present. (Photo by Artur Widak/NurPhoto)

     

  • Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    DUKAS_191484410_NUR
    Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    KRAKOW, POLAND – NOVEMBER 27:
    Jacek Tebinka (R) from University of Gdansk, Poland, presents on British intelligence and death of general Sikorski 'From Goebbels disinformation to Hochhuth’s play' during Panel I of the 'Need to Know XIV: In a World of Mirrors. Intelligence and Disinformation' conference, organised by the Institute of National Remembrance (IPN) and the Need to Know research network, in Krakow, Poland, on November 27, 2025.
    The network, founded in 2011, brings together international scholars to examine intelligence, security services and disinformation from the Cold War to the present. (Photo by Artur Widak/NurPhoto)

     

  • Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    DUKAS_191484403_NUR
    Scholars Gather In Krakow For ‘Need To Know XIV’ Intelligence Conference
    KRAKOW, POLAND – NOVEMBER 27:
    Douglas Selvage (Germany/USA) presents on Cuban bioweapons propaganda, U.S. conspiracy theories and the Soviet Bloc’s AIDS disinformation campaign during Panel I of the 'Need to Know XIV: In a World of Mirrors. Intelligence and Disinformation' conference, organised by the Institute of National Remembrance (IPN) and the Need to Know research network, in Krakow, Poland, on November 27, 2025.
    The network, founded in 2011, brings together international scholars to examine intelligence, security services and disinformation from the Cold War to the present. (Photo by Artur Widak/NurPhoto)

     

  • Rome: Protest Against U.S. Military Aggression in Caribbean
    DUKAS_190904431_ZUM
    Rome: Protest Against U.S. Military Aggression in Caribbean
    November 8, 2025, Rome,Italy: Students and activists gathered near the US embassy to protest U.S. military aggression and the deployment of significant military forces and resources in the Caribbean. The police block the way to the entrance of the embassy. (Credit Image: © Marco Di Gianvito/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
    Represented by ZUMA Press, Inc.

     

  • 'Camino A Arcadia' Madrid Premiere
    DUKAS_190794906_ZUM
    'Camino A Arcadia' Madrid Premiere
    November 5, 2025, Madrid, Madrid, SPAIN: PAULA ECHEVARRIA attends the premiere for the presentation of 'Camino a Arcadia', the new SkyShowtime original series. (Credit Image: © David Cruz Sanz/ZUMA Press Wire (FOTO: DUKAS/ZUMA)
    Represented by ZUMA Press, Inc.

     

  • Carlos Acosta
    DUKAS_109408549_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408544_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408547_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408548_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408545_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408546_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408529_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408550_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408528_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408551_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408530_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • Carlos Acosta
    DUKAS_109408552_EYE
    Carlos Acosta
    Portrait of Ballet director Carlos Acosta. 'I didn't adore ballet at the beginning — then I realised I could be somebody'. Carlos Acosta will take charge of Birmingham National Ballet.
    © Matt Writtle / Evening Standard / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Evening Standard / eyevine. All Rights Reserved.

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_086
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) Naomi Diaz performs at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB009/Credit:SYSPEO/SIPA/1811212302 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_090
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) twin sisters, Lisa-Kainde Diaz (L), Naomi Diaz (R) perform at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB013/Credit:SYSPEO/SIPA/1811212302 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_087
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) Lisa-Kainde Diaz performs at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB020/Credit:SYSPEO/SIPA/1811212302 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_084
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) twin sisters, Lisa-Kainde Diaz (L), Naomi Diaz (R) perform at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB032/Credit:SYSPEO/SIPA/1811212302 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_085
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) Lisa-Kainde Diaz performs at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB008/Credit:SYSPEO/SIPA/1811212257 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_091
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) twin sisters, Lisa-Kainde Diaz (L), Naomi Diaz (R) perform at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB002/Credit:SYSPEO/SIPA/1811212257 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_089
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) twin sisters, Lisa-Kainde Diaz (L), Naomi Diaz (R) perform at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB004/Credit:SYSPEO/SIPA/1811212257 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_083
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) twin sisters, Lisa-Kainde Diaz (R), Naomi Diaz (L) perform at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB007/Credit:SYSPEO/SIPA/1811212257 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - On Stage: Stars live auf der Bühne
    DUK10109144_088
    PEOPLE - On Stage: Stars live auf der Bühne
    Ibeyi (french musical duo) twin sisters, Lisa-Kainde Diaz (L), Naomi Diaz (R) perform at Theatre Anthea in Antibes, FRANCE - 20/11/2018//SYSPEO_sysB006/Credit:SYSPEO/SIPA/1811212257 (FOTO: DUKAS/SIPA) *** Local Caption *** 00885408
    (c) Dukas

     

  • PEOPLE - Dorset: Bestival Music Festiva in Lulworth Estate
    DUK10071473_130
    PEOPLE - Dorset: Bestival Music Festiva in Lulworth Estate
    Mandatory Credit: Photo by Finbarr Webster/REX/Shutterstock (9047728h)
    Bestival 2017, The Cuban Brothers perform onstage
    Bestival Music Festival, Lulworth Estate, Dorset, UK - 08 Sep 2017

    (c) Dukas

     

  • PEOPLE - Roter Teppich beim Nickelodeon's Kids'Choice Awards
    DUK10055915_061
    PEOPLE - Roter Teppich beim Nickelodeon's Kids'Choice Awards
    Mandatory Credit: Photo by Jim Smeal/BEI/Shutterstock (8510614bn)
    Mark Cuban and Family
    Nickelodeon Kids' Choice Awards, Arrivals, Los Angeles, USA - 11 Mar 2017

    (FOTO:DUKAS/REX)

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_045
    REPORTAGE - Alltag in Kuba
    Cuban cigars on display in a shop window.
    Those cigars are rolled from tobacco leaves found throughout the country of Cuba. The filler, binder, and wrapper may come from different portions of the island. All cigar production in Cuba is controlled by the Cuban government, and each brand may be rolled in several different factories in Cuba.
    Cuba produces both handmade and machine-made cigars. All boxes and labels are marked Hecho en Cuba (Spanish for made in Cuba). Machine-bunched cigars finished by hand add Hecho a mano, while fully handmade cigars say Totalmente a mano in script text, though not all Cuban cigars will include this statement. Because of the perceived status of Cuban cigars, counterfeits are somewhat commonplace.
    Despite American trade sanctions against Cuban products, cigars remain one of the country's leading exports. Since the United States has removed import limits on Cuban tobacco and alcohol, all travelers can bring home an unlimited supply of the rhum and cigars.
    On Saturday, 1 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097572

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_044
    REPORTAGE - Alltag in Kuba
    A classic American car seen in Havana center.
    Thousands of vintage American cars remain scattered throughout Cuba, manufactured before the revolution and subsequent US embargo in 1960.
    With no automobile imports coming in to the island, the old cars are preserved by local mechanics and improvised fixes by the owners themselves.
    On Monday, 5 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097673

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_043
    REPORTAGE - Alltag in Kuba
    Two men seat on the street in Havana city center.
    For a week I explored the streets of Havana, the homes and Havana's vastly diverse culture, just a few days after the death of the legendary leader Fidel Castro.
    After news broke on Friday evening (the 25th November) that Fidel Castro had died, some people in Havana reacted in shock, disbelief, and pain. Others saw the former leader's death as an opportunity for the country.
    On the same night, many people did not respond with any visible emotion when they were told of Fidel Castro’s death.
    During the next few days that followed, many went about their days as usual, arguing that little would change because of Fidel Castro’s demise.
    Much of Havana seemed and still seems uncertain about exactly how to feel, or at least how to talk about it.
    On Friday, 2 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097650

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_042
    REPORTAGE - Alltag in Kuba
    An erderly lady seen near her house entrance in Havana city center.
    For a week I explored the streets of Havana, the homes and Havana's vastly diverse culture, just a few days after the death of the legendary leader Fidel Castro.
    After news broke on Friday evening (the 25th November) that Fidel Castro had died, some people in Havana reacted in shock, disbelief, and pain. Others saw the former leader's death as an opportunity for the country.
    On the same night, many people did not respond with any visible emotion when they were told of Fidel Castro’s death.
    During the next few days that followed, many went about their days as usual, arguing that little would change because of Fidel Castro’s demise.
    Much of Havana seemed and still seems uncertain about exactly how to feel, or at least how to talk about it.
    On Friday, 2 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097711

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_041
    REPORTAGE - Alltag in Kuba
    A street scene from Havana's city center.
    On Thursday, 30 November 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097660

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_040
    REPORTAGE - Alltag in Kuba
    Cuban cigars on display in a shop window.
    Those cigars are rolled from tobacco leaves found throughout the country of Cuba. The filler, binder, and wrapper may come from different portions of the island. All cigar production in Cuba is controlled by the Cuban government, and each brand may be rolled in several different factories in Cuba.
    Cuba produces both handmade and machine-made cigars. All boxes and labels are marked Hecho en Cuba (Spanish for made in Cuba). Machine-bunched cigars finished by hand add Hecho a mano, while fully handmade cigars say Totalmente a mano in script text, though not all Cuban cigars will include this statement. Because of the perceived status of Cuban cigars, counterfeits are somewhat commonplace.
    Despite American trade sanctions against Cuban products, cigars remain one of the country's leading exports. Since the United States has removed import limits on Cuban tobacco and alcohol, all travelers can bring home an unlimited supply of the rhum and cigars.
    On Saturday, 1 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097577

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_039
    REPORTAGE - Alltag in Kuba
    A saxophone player busking in Havana Old Town.
    For a week I explored the streets of Havana, the homes and Havana's vastly diverse culture, just a few days after the death of the legendary leader Fidel Castro.
    After news broke on Friday evening (the 25th November) that Fidel Castro had died, some people in Havana reacted in shock, disbelief, and pain. Others saw the former leader's death as an opportunity for the country.
    On the same night, many people did not respond with any visible emotion when they were told of Fidel Castro’s death.
    During the next few days that followed, many went about their days as usual, arguing that little would change because of Fidel Castro’s demise.
    Much of Havana seemed and still seems uncertain about exactly how to feel, or at least how to talk about it.
    On Friday, 2 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097703

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_038
    REPORTAGE - Alltag in Kuba
    A street art seen Havana's city center.
    On Thursday, 30 November 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097732

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_037
    REPORTAGE - Alltag in Kuba
    A *** Please Use Credit from Credit Field *** *** Local Caption *** 19097638
    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_036
    REPORTAGE - Alltag in Kuba
    Adrian Gonzalez Gonzalez (age 28), A Heavyweight Champion of Cuba 2006, 2008 and 2012, during his training at the Kid Chocolate boxing gym, in Old Havana. Adrian is trained by Carlos Manuel Miranda La O.
    Adrian's dream is to become a professional boxer, but it is impossible in Cuba for the moment.
    On Tuesday, 4 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097694

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_035
    REPORTAGE - Alltag in Kuba
    A man seats at the entrence to his shop, in Havana city center.
    For a week I explored the streets of Havana, the homes and Havana's vastly diverse culture, just a few days after the death of the legendary leader Fidel Castro.
    After news broke on Friday evening (the 25th November) that Fidel Castro had died, some people in Havana reacted in shock, disbelief, and pain. Others saw the former leader's death as an opportunity for the country.
    On the same night, many people did not respond with any visible emotion when they were told of Fidel Castro’s death.
    During the next few days that followed, many went about their days as usual, arguing that little would change because of Fidel Castro’s demise.
    Much of Havana seemed and still seems uncertain about exactly how to feel, or at least how to talk about it.
    On Friday, 2 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097623

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_034
    REPORTAGE - Alltag in Kuba
    A classic American car used as a taxi, seen in Havana.
    Thousands of vintage American cars remain scattered throughout Cuba, manufactured before the revolution and subsequent US embargo in 1960.
    With no automobile imports coming in to the island, the old cars are preserved by local mechanics and improvised fixes by the owners themselves.
    On Monday, 5 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097651

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_033
    REPORTAGE - Alltag in Kuba
    A crowd of tourists seen at the book market.
    The improvment of relations between the USA and Cuba at the beginning of this year started a boom in tourism. Cruise liners traveling from the US began docking in Havana in May and the first commercial flight from the US to Cuba landed on November 28. But not everyone in Cuba sees the benefits from a growing number of foreign visitors. The food in Cuba is becoming scarce and expensive.
    On Monday, 3 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097588

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_032
    REPORTAGE - Alltag in Kuba
    A saxophone player busking in Havana Old Town.
    For a week I explored the streets of Havana, the homes and Havana's vastly diverse culture, just a few days after the death of the legendary leader Fidel Castro.
    After news broke on Friday evening (the 25th November) that Fidel Castro had died, some people in Havana reacted in shock, disbelief, and pain. Others saw the former leader's death as an opportunity for the country.
    On the same night, many people did not respond with any visible emotion when they were told of Fidel Castro’s death.
    During the next few days that followed, many went about their days as usual, arguing that little would change because of Fidel Castro’s demise.
    Much of Havana seemed and still seems uncertain about exactly how to feel, or at least how to talk about it.
    On Friday, 2 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097699

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_031
    REPORTAGE - Alltag in Kuba
    A man with a cigar seen near Havana's Cathedral.
    For a week I explored the streets of Havana, the homes and Havana's vastly diverse culture, just a few days after the death of the legendary leader Fidel Castro.
    After news broke on Friday evening (the 25th November) that Fidel Castro had died, some people in Havana reacted in shock, disbelief, and pain. Others saw the former leader's death as an opportunity for the country.
    On the same night, many people did not respond with any visible emotion when they were told of Fidel Castro’s death.
    During the next few days that followed, many went about their days as usual, arguing that little would change because of Fidel Castro’s demise.
    Much of Havana seemed and still seems uncertain about exactly how to feel, or at least how to talk about it.
    On Friday, 2 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097618

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_030
    REPORTAGE - Alltag in Kuba
    Adrian Gonzalez Gonzalez (age 28), A Heavyweight Champion of Cuba 2006, 2008 and 2012, during his training at the Kid Chocolate boxing gym, in Old Havana. Adrian is trained by Carlos Manuel Miranda La O.
    Adrian's dream is to become a professional boxer, but it is impossible in Cuba for the moment.
    On Tuesday, 4 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097698

    (c) Dukas

     

  • REPORTAGE - Alltag in Kuba
    DUK10044974_029
    REPORTAGE - Alltag in Kuba
    A classic American cars used as a taxi, seen in Havana streets.
    Thousands of vintage American cars remain scattered throughout Cuba, manufactured before the revolution and subsequent US embargo in 1960.
    With no automobile imports coming in to the island, the old cars are preserved by local mechanics and improvised fixes by the owners themselves.
    On Monday, 5 December 2016, in Havana, Cuba.
    Photo by Artur Widak *** Please Use Credit from Credit Field *** *** Local Caption *** 19097595

    (c) Dukas

     

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