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  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358615_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615k)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358613_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615j)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358612_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615i)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358607_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615h)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358603_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615g)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358599_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615f)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358596_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615e)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358591_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615d)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358588_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615c)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358584_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615b)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • "Boys And Their Fathers" by Craig Gibson
    DUKAS_33358580_REX
    "Boys And Their Fathers" by Craig Gibson
    MUST CREDIT: Craig Gibson/Rex Features. IMAGES OUTSIDE OF PRINT NEWSPAPER SUBSCRIPTIONS. FEES APPLY FOR UNIQUE IPAD USE.
    Mandatory Credit: Photo by REX/Craig Gibson (2925615a)

    "Boys And Their Fathers" by Craig Gibson
    A man has produced a series of portraits that compare the faces of fathers and sons - confirming the motto "the apple doesn't fall far from the tree".

    Craig Gibson's project "Boys And Their Fathers" features a variety of portraits which seek to demonstrate the physical similarities between one genetic relationship.

    Each single picture contains an image of the father, his son and then a larger image in which Gibson has blended the two generations together.

    The 22-year-old photography student's work highlights the subjects' common physical attributes, as well as their expressions, postures and moods.

    "The series was inspired by my own physical similarities between myself and my father," says the Glasgow-based photographer.

    "I am actually amongst the set of images - I'm wearing the glasses."

    Gibson claims that he first thought of the project at his mother's 50th birthday party. He caught sight of several photographs of his father and noticed the resemblance.

    Interestingly, one set of photos includes a father and son who had not seen each other in over a year (the one featuring the bald man with the moustache).

    The body of work is ongoing and Gibson wants to take the set up to 20 or further. There is also the possibility of an exhibition in Glasgow and New York in the near future as Gibson is taking part in the YPA's (Young Photographers Alliance) mentoring programme as part of the Glasgow team.

    Must credit Craig Gibson/Rex Features.

    For more information visit http://www.rexfeatures.com/stacklink/KIQHCPIAB (FOTO:DUKAS/REX)

    DUKAS/REX

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_027
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422j)
    A woman views "Half a Grandstand (Spread)", 1978 Solvent transfer, fabric, acrylic and collage on plywood panels with objects.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_026
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422a)
    A woman views "Bough (Spread)", 1980
    Solvent transfer with acrylic and collage on wood panels with pole.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_024
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422c)
    A woman views "Bough (Spread)", 1980
    Solvent transfer with acrylic and collage on wood panels with pole.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_023
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422s)
    A woman views "Ruby Re-Run (Spread)", 1978 Solvent transfer on fabric collage with split tire, coloured mirrors, and graphite on wood panels.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_022
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422aa)
    A woman views "Untitled (Spread), 1982" - solvent transfer, acrylic and collage on wood panel, with umbrellas.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_020
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422q)
    A woman views "Palladian Xmas (Spread)", 1980 Solvent transfer, acrylic and collage on wooden panel with mirror and electric light.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_019
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422x)
    A woman views "Untitled (Spread), 1982" - solvent transfer, acrylic and collage on wood panel, with umbrellas.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_018
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422h)
    A woman views "Consul (Spread)", 1980
    Solvent transfer, collage and acrylic on wooden panels with aluminium.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_017
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422f)
    A woman views "Consul (Spread)", 1980
    Solvent transfer, collage and acrylic on wooden panels with aluminium (L) and "Lipstick (Spread)", 1981
    Mixed media on two attached panels (R).

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_015
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422k)
    A woman views "Half a Grandstand (Spread)", 1978 Solvent transfer, fabric, acrylic and collage on plywood panels with objects.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_014
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422z)
    A woman views "Untitled (Spread), 1982" - solvent transfer, acrylic and collage on wood panel, with umbrellas.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_011
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422ab)
    A woman views "Untitled (Spread), 1982" - solvent transfer, acrylic and collage on wood panel, with umbrellas.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_009
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422g)
    A woman views "Consul (Spread)", 1980
    Solvent transfer, collage and acrylic on wooden panels with aluminium.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_008
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422b)
    A woman views "Bough (Spread)", 1980
    Solvent transfer with acrylic and collage on wood panels with pole.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_007
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422p)
    A woman views "Palladian Xmas (Spread)", 1980 Solvent transfer, acrylic and collage on wooden panel with mirror and electric light (L) and "Lipstick (Spread)", 1981
    Mixed media on two attached panels (R).

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_006
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422o)
    A woman views "Palladian Xmas (Spread)", 1980 Solvent transfer, acrylic and collage on wooden panel with mirror and electric light (L) and "Lipstick (Spread)", 1981
    Mixed media on two attached panels (R).

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_005
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422n)
    A woman views "Palladian Xmas (Spread)", 1980 Solvent transfer, acrylic and collage on wooden panel with mirror and electric light.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_004
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422i)
    A woman views "Half a Grandstand (Spread)", 1978 Solvent transfer, fabric, acrylic and collage on plywood panels with objects.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_003
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422t)
    A woman views "Rumor (Spread)", 1980
    Solvent transfer, acrylic and collage on wooden panel with bucket and lights.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_002
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422r)
    A woman views "Ruby Re-Run (Spread)", 1978 Solvent transfer on fabric collage with split tire, coloured mirrors, and graphite on wood panels.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    DUK10109292_001
    NEWS - London: Ausstellung Robert Rauschenberg 'Spreads'
    Mandatory Credit: Photo by Dinendra Haria/REX/Shutterstock (10001422y)
    A woman views "Untitled (Spread), 1982" - solvent transfer, acrylic and collage on wood panel, with umbrellas.

    Robert Rauschenberg's 'Spreads' exhibition, London, UK - 28 Nov 2018
    Preview of first UK exhibition dedicated to Monumental Series of Robert Rauschenberg's Spreads dedicated to the American artist's Spreads series at Galerie Thaddaeus Ropac's Gallery in Mayfair. Robert Rauschenberg's will be on display from 28 November to 26 January 2019.

    (c) Dukas

     

  • 'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    DUKAS_183150156_EYE
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer

    Work by Sarah Roberts addresses the impact of being a young carer on childhood and the strange feeling of being 'sick-adjacent'

    An arrangement of collages's by Welsh artist Sarah Roberts, who lives and works in Leeds. Her dynamic body of work spans sculpture, drawing, collage & installation. Sarah has created an installation around being a child carer which will be on display at The Stanley & Audrey Burton Gallery in the Parkinson building of the University of Leeds.

    Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    Richard Saker

     

  • 'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    DUKAS_183150155_EYE
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer

    Work by Sarah Roberts addresses the impact of being a young carer on childhood and the strange feeling of being 'sick-adjacent'

    An installation at University of Leeds by Welsh artist Sarah Roberts, who lives and works in Leeds. Her dynamic body of work spans sculpture, drawing, collage & installation. Sarah has created an installation around being a child carer which will be on display at The Stanley & Audrey Burton Gallery in the Parkinson building of the University of Leeds.

    Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    Richard Saker

     

  • 'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    DUKAS_183150154_EYE
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer

    Work by Sarah Roberts addresses the impact of being a young carer on childhood and the strange feeling of being 'sick-adjacent'

    Welsh artist Sarah Roberts, who lives and works in Leeds. Her dynamic body of work spans sculpture, drawing, collage & installation. Sarah has created an installation around being a child carer which will be on display at The Stanley & Audrey Burton Gallery in the Parkinson building of the University of Leeds.

    Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    Richard Saker

     

  • 'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    DUKAS_183150153_EYE
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer

    Work by Sarah Roberts addresses the impact of being a young carer on childhood and the strange feeling of being 'sick-adjacent'

    Welsh artist Sarah Roberts, who lives and works in Leeds. Her dynamic body of work spans sculpture, drawing, collage & installation. Sarah has created an installation around being a child carer which will be on display at The Stanley & Audrey Burton Gallery in the Parkinson building of the University of Leeds.

    Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    Richard Saker

     

  • 'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    DUKAS_183150152_EYE
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer

    Work by Sarah Roberts addresses the impact of being a young carer on childhood and the strange feeling of being 'sick-adjacent'

    Welsh artist Sarah Roberts, who lives and works in Leeds. Her dynamic body of work spans sculpture, drawing, collage & installation. Sarah has created an installation around being a child carer which will be on display at The Stanley & Audrey Burton Gallery in the Parkinson building of the University of Leeds.

    Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    Richard Saker

     

  • 'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    DUKAS_183150151_EYE
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer
    'You have the experience of a sick person but it's not yours': Leeds art installation explores being a carer

    Work by Sarah Roberts addresses the impact of being a young carer on childhood and the strange feeling of being 'sick-adjacent'

    Welsh artist Sarah Roberts, who lives and works in Leeds. Her dynamic body of work spans sculpture, drawing, collage & installation. Sarah has created an installation around being a child carer which will be on display at The Stanley & Audrey Burton Gallery in the Parkinson building of the University of Leeds.

    Richard Saker / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    Richard Saker

     

  • NEWS - Illustration: Social Media User
    DUK10156580_003
    NEWS - Illustration: Social Media User
    The Pinterest logo is seen in this photo illustration on 22 August, 2023 in Warsaw, Poland. (Photo by Jaap Arriens/NurPhoto)
    (c) Dukas

     

  • NEWS - Illustration: Social Media User
    DUK10156580_010
    NEWS - Illustration: Social Media User
    THe Pinterest logo is seen in this photo illustration on 22 August, 2023 in Warsaw, Poland. (Photo by Jaap Arriens/NurPhoto)
    (c) Dukas

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053958_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053921_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
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    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053956_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053927_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053908_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053900_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053913_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053911_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
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    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053950_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

  • 'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    DUKAS_140053934_EYE
    'The Beatles? I was more a fan of the Beach Boys': Peter Blake at 90 on pop art and clubbing with the Fab Four
    ëMy life was popular cultureí Ö Peter Blake.

    The groundbreaking artist documented the birth of youth culture and created the most famous album cover in history. Now with a new exhibition, he talks about what inspires him - from corn dollies to music halls

    Artist Peter Blake photographed at his home in London. Peter Blake has a new exhibition at Peg is a new exhibition at Waddngton Custot Gallery illustrating Dylan Thomas' "Under Milk Wood." Sir Peter Blake is a British painter, sculptor, draughtsman and printmaker. Often referred to as the ëFather of British Pop Artí.

    © Antonio Olmos / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)

    © Guardian / eyevine. All Rights Reserved.

     

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