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DUKAS_188483049_NUR
Kumari Pooja: A Worship Of Pre-pubescent Girls For Good Luck And Wellness In Nepal
A Nepali girl receives the final touch of make-up as she prepares for the Kumari Pooja at Kathmandu Durbar Square in Kathmandu, Nepal, on September 5, 2025. Pre-pubescent girls dressed as the living goddess Kumari are worshipped every year right before the main day of Indra Jatra in the courtyard of the Kathmandu Durbar Square, which is believed to ward off bad luck and diseases. Girls below the age of 12 years, donned in regalia like the living goddess Kumari, perform rituals to please Taleju Bhawani, the Hindu Goddess. Locally called ''Kumari Pooja,'' Newari girls hold rituals annually in front of the Taleju Bhawani Temple, known for her earthly incarnations of divine feminine energy and manifestations. ''Kanyas,'' or girls taking part in this annual procession, are taken to the Taleju Bhawani Temple for worship, one of the Shaktipith of Nepal, which opens its doors only for a day during Dashain. As part of the ritual, the participating girls are taken around the temple of Taleju Bhawani, a Hindu deity whose face is not displayed to the public and has remained hidden for centuries. The procession of worshipping the girls undergoes three methods: Hinduism, Buddhism, and Tantrism. It is believed that girls taking part in the procession do not have any health problems. (Photo by Subaas Shrestha/NurPhoto) -
DUKAS_188288168_NUR
Onam Festival Is Celebrated In Canada
Women perform a dance during the Onam festival in Woodbridge, Ontario, Canada, on August 30, 2025. Onam is a major annual event for Malayali people in and outside Kerala. Onam is a harvest festival and is one of three major annual Hindu celebrations along with Vishu and Thiruvathira observed by Keralites. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_188288131_NUR
Onam Festival Is Celebrated In Canada
Women perform a dance during the Onam festival in Woodbridge, Ontario, Canada, on August 30, 2025. Onam is a major annual event for Malayali people in and outside Kerala. Onam is a harvest festival and is one of three major annual Hindu celebrations along with Vishu and Thiruvathira observed by Keralites. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_187807101_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807098_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807095_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807092_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807087_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807082_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807079_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807075_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807074_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807073_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807072_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807071_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807070_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807069_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807068_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807067_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807065_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807062_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807059_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807056_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807053_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807050_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807047_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807044_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187807040_NUR
Indian Performers Stage Kathakali Dance In Nepal On 79th Independence Day Of India
Indian artists led by N. Ramankutty perform Kathakali, a traditional dance performed especially in the Indian state of Kerala, in Lalitpur, Nepal, on August 15, 2025, on the occasion of the 79th Independence Day of India. Kathakali, as a dance form popular today, evolves from many social and religious theatrical forms that existed in the southern region of India in ancient times. Kathakali is a blend of dance, music, and acting and dramatizes stories, which are mostly adapted from the Indian epics. It is a stylized art form where the four aspects of abhinaya--angika, aharya, vachika, satvika--and the nritta, nritya, and natya aspects are combined perfectly. The dancer expresses themselves through codified hasta-mudras and facial expressions, closely following the verses that are sung. Kathakali derives its textual sanction from Balarama Bharatam and Hastalakshana Deepika. Kathakali is a visual art where aharya, costume, and make-up are suited to the characters, as per the tenets laid down in the Natya Shastra. The characters are grouped under certain clearly defined types like the pacha, kathi, thadi, kari, or minukku. The face of the artist is painted to appear as though a mask is worn. The lips, eyelashes, and eyebrows are made to look prominent. A mixture of rice paste and lime is applied to make the chutti on the face, which highlights the facial make-up. Kathakali dance is chiefly interpretative. The characters in a Kathakali performance are broadly divided into satvika, rajasika, and tamasika types. Satvika characters are noble, heroic, generous, and refined. In pacha, green color dominates, and kirita (headgear) is worn by all. Krishna and Rama wear special crowns decorated with peacock feathers. The noble characters like Indra, Arjun, and the Devas are some of the pacha characters. The kathi type depicts anti-heroes. Though they are of the rajasika category, they are sometimes great warriors and scholars such as Ravana, Kamsa, and Sisupala, to name a few. -
DUKAS_187451738_NUR
Daily Life In Toronto
Kajal is sold in Toronto, Ontario, Canada, on July 6, 2025. (Photo by Creative Touch Imaging Ltd./NurPhoto) -
DUKAS_161292471_EYE
Don't mess with my face: confessions of makeup artist Breanne Mc Ivor
Breanne Mc Ivor has spent years giving people the makeup look they need to make life work for them. But, she asks, is makeup just a mask to hide behind - or is it a way to celebrate who we truly are?
My client's fantasy may seem straight out of a movie, but so many people have envisaged rising like a phoenix from unfashionable ashes. Many of my customers grew up on that Hollywood staple, the makeover montage: Olivia Newton-John in Grease; Julia Roberts in Pretty Woman; Anne Hathaway in both The Princess Diaries and The Devil Wears Prada.
Clients regularly requested that I help them create a version of this moment.
I didn't think of my job as a makeup artist as just slapping product on faces. My job, I believed, was to make people happy, to make them confident, to help them manifest the most powerful version of who they could be - and to make their face communicate exactly what they wanted.
Most times, clients left my chair glowing. And I glowed, too. I'd helped them become the best version of themselves for an important occasion in their lives. In those moments, I loved makeup and I loved seeing the confidence that came with the makeover.
© Pal Hansen / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_161292470_EYE
Don't mess with my face: confessions of makeup artist Breanne Mc Ivor
Breanne Mc Ivor has spent years giving people the makeup look they need to make life work for them. But, she asks, is makeup just a mask to hide behind - or is it a way to celebrate who we truly are?
My client's fantasy may seem straight out of a movie, but so many people have envisaged rising like a phoenix from unfashionable ashes. Many of my customers grew up on that Hollywood staple, the makeover montage: Olivia Newton-John in Grease; Julia Roberts in Pretty Woman; Anne Hathaway in both The Princess Diaries and The Devil Wears Prada.
Clients regularly requested that I help them create a version of this moment.
I didn't think of my job as a makeup artist as just slapping product on faces. My job, I believed, was to make people happy, to make them confident, to help them manifest the most powerful version of who they could be - and to make their face communicate exactly what they wanted.
Most times, clients left my chair glowing. And I glowed, too. I'd helped them become the best version of themselves for an important occasion in their lives. In those moments, I loved makeup and I loved seeing the confidence that came with the makeover.
© Pal Hansen / Guardian / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© Guardian / eyevine. All Rights Reserved. -
DUKAS_110866892_EYE
Erin McGregor at home
MY FAVE ROOM. Erin McGregor at home. She is a former hairdresser and older sister of Irish mixed martial arts fighter Conor McGregor. She competed on the world stage as a bodybuilder, but retired in 2013.
© David Conachy / The Irish Independent / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
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http://www.eyevine.com
(FOTO: DUKAS/EYEVINE)
© The Irish Independent / eyevine. All Rights Reserved. -
DUKAS_108620625_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620603_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620600_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620599_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620598_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620597_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620626_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620619_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620618_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620595_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620593_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620594_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620596_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620592_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620617_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620616_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620628_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_108620624_EYE
World Zombie Day in London
World Zombie Day in London. Zombies meet in the Leake Street tunnel before heading off on a Zombie Walk around London.
Headless corpses, missing limbs and rotting flesh were just some of the ghoulish sights seen on London streets for an annual zombie march through the city.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
