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  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363036_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Movement director, Kim Brandstrup, assistant director, Isabelle Kettle, Director Deborah Warner and lighting designer Peter Mumford working in the ROH stalls before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363076_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Deborah Warner seated far right talks to the principal singers in the ROH stalls before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363073_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Bryn Terfel in the ROH auditorium before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363075_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Rosie Aldridge photographed in her dressing room before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
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    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363050_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Allan Clayton photographed in his dressing room before rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363035_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Alexandra Lowe and Jennifer France in Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363074_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Maria Bengtsson photographed in the wings during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363034_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Jennifer France and Alexandra Lowe photographed from the wings during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363037_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Bryn Terfel in rehearsal for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363052_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Allan Clayton photographed from the wings during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363071_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Conductor, Mark Elder in the pit during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363033_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Jacques Imbrailo photographed from the wings during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363026_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Allan Clayton and Bryn Terfel photographed from the wings during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363048_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Catherine Wyn-Rogers photographed in the wings during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363031_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Maria Bengtsson photographed from the wings during rehearsals for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363070_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    John Tomlinson watching from the wings during rehearsals of Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363049_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Allan Clayton and Aerialist Jamie Higgins in rehearsal for Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363069_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    Rehearsals showing Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.

     

  • ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    DUKAS_136363030_EYE
    ‘I felt an immediate thrill’: Joe Cornish’s confessions of a Britten addict. In 2014, the film-maker and broadcaster took a chance on his first opera – Peter Grimes. He expected atonal warbling, but instead got hooked for life on the beauty, drama
    John Tomlinson in Peter Grimes by Benjamin Britten @ ROH. Directed by Deborah Warner. Conductor, Mark Elder.
    (Opening 17-03-2022)
    03-22

    © Tristram Kenton / Guardian / eyevine

    Contact eyevine for more information about using this image:
    T: +44 (0) 20 8709 8709
    E: info@eyevine.com
    http://www.eyevine.com
    (FOTO: DUKAS/EYEVINE)
    © Guardian / eyevine. All Rights Reserved.