Ihre Suche nach:
862 Ergebnis(se) in 0.19 s
-
DUK10160580_021
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823a)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUK10160580_020
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823i)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUK10160580_019
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823f)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUK10160580_018
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823g)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUK10160580_016
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823n)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUK10160580_015
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823t)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUK10160580_003
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823ct)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUK10160580_002
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823cr)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUK10160580_001
FUSSBALL - EURO 2024: Shaqiri trifft zum 1:1 im Spiel Schweiz gegen Schottland
EDITORIAL USE ONLY No use with unauthorised audio, video, data, fixture lists, club/league logos or "live" services. Online in-match use limited to 120 images, no video emulation. No use in betting, games or single club/league/player publications.
Mandatory Credit: Photo by Bruce White/Colorsport/Shutterstock (14542823cm)
Football - 2024 European Championship Finals - Group A - Scotland vs Switzerland - Rhein Energy Stadium, Cologne - Wednesday 19th June 2024 Xherdan Shaqiri of Switzerland celebrates after scoring to make it 1-1 Credit: COLORSPORT / Bruce White
Scotland v Switzerland, UEFA European Championship 2024, Group A, Football, Cologne Stadium, Cologne, Germany, 19 Jun 2024
(c) Dukas -
DUKAS_170431429_DAL
Bruce Dickinson live in concert at O2 Forum Kentish Town, London, UK
Bruce Dickinson live in concert at O2 Forum Kentish Town, London, UK. 24 May 2024, Credit:John Williams / Avalon_ DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
© DALLE aprf -
DUKAS_169386355_DAL
Bruce Springsteen and the E Street Band play first night of European leg of their 2024 tour at Principality Stadium. Cardiff, Wales
Bruce Springsteen and the E Street Band play first night of European leg of their 2024 tour at Principality Stadium. Cardiff, Wales, Credit:Jules Annan / Avalon_ DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
© DALLE aprf -
DUKAS_162210094_DAL
BRUCE SPRINGSTEEN US rock musician with fans in 1984. Photo Jeffrey Mayer
BRUCE SPRINGSTEEN US rock musician with fans in 1984. Photo Jeffrey Mayer_DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_162210093_DAL
BRUCE SPRINGSTEEN US rock musician in 1984. Photo Jeffrey Mayer
BRUCE SPRINGSTEEN US rock musician in 1984. Photo Jeffrey Mayer_DALLE (FOTO: DUKAS/DALLE) --- NO WEB USAGE ---
©DALLE APRF -
DUKAS_148208673_COY
Scout Willis and Jake Miller are spotted in Beverly Hills.
EXCLUSIVE. Coleman-Rayner
Los Angeles, CA, USA. December 13, 2022
Scout LaRue Willis and her musician boyfriend Jake Miller are seen running errands in Beverly Hills on December 13, 2022. The 31-year-old middle daughter of Bruce Willis and Demi Moore wore a white lace spaghetti strap top, blue chinos, blue sandals and socks. Jake wore black jacket, jeans, black & white beanie, pink sunglasses and loafers.
CREDIT MUST READ: Coleman-Rayner
Tel US (001) 310-474-4343 - office
www.coleman-rayner.com
(c) Dukas -
DUKAS_148208655_COY
Scout Willis and Jake Miller are spotted in Beverly Hills.
EXCLUSIVE. Coleman-Rayner
Los Angeles, CA, USA. December 13, 2022
Scout LaRue Willis and her musician boyfriend Jake Miller are seen running errands in Beverly Hills on December 13, 2022. The 31-year-old middle daughter of Bruce Willis and Demi Moore wore a white lace spaghetti strap top, blue chinos, blue sandals and socks. Jake wore black jacket, jeans, black & white beanie, pink sunglasses and loafers.
CREDIT MUST READ: Coleman-Rayner
Tel US (001) 310-474-4343 - office
www.coleman-rayner.com
(c) Dukas -
DUKAS_148208609_COY
Scout Willis and Jake Miller are spotted in Beverly Hills.
EXCLUSIVE. Coleman-Rayner
Los Angeles, CA, USA. December 13, 2022
Scout LaRue Willis and her musician boyfriend Jake Miller are seen running errands in Beverly Hills on December 13, 2022. The 31-year-old middle daughter of Bruce Willis and Demi Moore wore a white lace spaghetti strap top, blue chinos, blue sandals and socks. Jake wore black jacket, jeans, black & white beanie, pink sunglasses and loafers.
CREDIT MUST READ: Coleman-Rayner
Tel US (001) 310-474-4343 - office
www.coleman-rayner.com
(c) Dukas -
DUK10150941_009
FUSSBALL - Frauen EM 2022: Die Engländerin Alessia Russo erzielt mit einem Hackentrick das dritte Tor im Halbfinal gegen Schweden
Mandatory Credit: Photo by Bruce White/Shutterstock (13048220bh)
Football - 2022 UEFA Womens European Championship Finals - Semi-Finals - England vs Sweden - Bramall Lane, Sheffield - Tuesday 26th July 2022 Alessia Russo of England scores to make it 3-0 Credit: COLORSPORT / Bruce White
England v Sweden, Womens UEFA European Championship, Semi Final, Football, Bramall Lane, Sheffield, UK - 26 Jul 2022
(c) Dukas -
DUK10150941_005
FUSSBALL - Frauen EM 2022: Die Engländerin Alessia Russo erzielt mit einem Hackentrick das dritte Tor im Halbfinal gegen Schweden
Mandatory Credit: Photo by Bruce White/Shutterstock (13048220bi)
Football - 2022 UEFA Womens European Championship Finals - Semi-Finals - England vs Sweden - Bramall Lane, Sheffield - Tuesday 26th July 2022 Alessia Russo of England scores to make it 3-0 Credit: COLORSPORT / Bruce White
England v Sweden, Womens UEFA European Championship, Semi Final, Football, Bramall Lane, Sheffield, UK - 26 Jul 2022
(c) Dukas -
DUK10150941_004
FUSSBALL - Frauen EM 2022: Die Engländerin Alessia Russo erzielt mit einem Hackentrick das dritte Tor im Halbfinal gegen Schweden
Mandatory Credit: Photo by Bruce White/Shutterstock (13048220bj)
Football - 2022 UEFA Womens European Championship Finals - Semi-Finals - England vs Sweden - Bramall Lane, Sheffield - Tuesday 26th July 2022 Alessia Russo of England scores to make it 3-0 Credit: COLORSPORT / Bruce White
England v Sweden, Womens UEFA European Championship, Semi Final, Football, Bramall Lane, Sheffield, UK - 26 Jul 2022
(c) Dukas -
DUK10150941_001
FUSSBALL - Frauen EM 2022: Die Engländerin Alessia Russo erzielt mit einem Hackentrick das dritte Tor im Halbfinal gegen Schweden
Mandatory Credit: Photo by Bruce White/Shutterstock (13048220bg)
Football - 2022 UEFA Womens European Championship Finals - Semi-Finals - England vs Sweden - Bramall Lane, Sheffield - Tuesday 26th July 2022 Alessia Russo of England scores to make it 3-0 Credit: COLORSPORT / Bruce White
England v Sweden, Womens UEFA European Championship, Semi Final, Football, Bramall Lane, Sheffield, UK - 26 Jul 2022
(c) Dukas -
DUKAS_141483222_COY
Scout Willis is seen strolling on the beach in Malibu with her musician boyfriend Jake Miller, her dog Grandma and friends on Monday afternoon.
EXCLUSIVE. Coleman-Rayner
Los Angeles, CA, USA. July 18, 2022
Scout Willis is seen strolling on the beach in Malibu with her musician boyfriend Jake Miller, her dog Grandma and friends on Monday afternoon. The 30-year-old middle child of Bruce Willis and Demi Moore wore a neon green bikini top and beige sweatpants for the outing.
CREDIT MUST READ: Coleman-Rayner
Tel US (001) 310-474-4343 - office
www.coleman-rayner.com
(c) Dukas -
DUKAS_141483212_COY
Scout Willis is seen strolling on the beach in Malibu with her musician boyfriend Jake Miller, her dog Grandma and friends on Monday afternoon.
EXCLUSIVE. Coleman-Rayner
Los Angeles, CA, USA. July 18, 2022
Scout Willis is seen strolling on the beach in Malibu with her musician boyfriend Jake Miller, her dog Grandma and friends on Monday afternoon. The 30-year-old middle child of Bruce Willis and Demi Moore wore a neon green bikini top and beige sweatpants for the outing.
CREDIT MUST READ: Coleman-Rayner
Tel US (001) 310-474-4343 - office
www.coleman-rayner.com
(c) Dukas -
DUKAS_123555256_COY
Rumer Willis is seen showing off her long hair as she heads to a meeting in Santa Monica.
EXCLUSIVE. Coleman-Rayner
Santa Monica, CA, USA. April 5, 2021
Rumer Willis is seen showing off her long hair as she heads to a meeting in Santa Monica. The oldest daughter of Bruce Willis and Demi Moore wore a gray sweater, Levis jeans and white high top sneakers.
CREDIT MUST READ: RF/Coleman-Rayner
Tel US (001) 310 474 4343 ? office
www.coleman-rayner.com
(c) Dukas -
DUKAS_123555249_COY
Rumer Willis is seen showing off her long hair as she heads to a meeting in Santa Monica.
EXCLUSIVE. Coleman-Rayner
Santa Monica, CA, USA. April 5, 2021
Rumer Willis is seen showing off her long hair as she heads to a meeting in Santa Monica. The oldest daughter of Bruce Willis and Demi Moore wore a gray sweater, Levis jeans and white high top sneakers.
CREDIT MUST READ: RF/Coleman-Rayner
Tel US (001) 310 474 4343 ? office
www.coleman-rayner.com
(c) Dukas -
DUK10139838_004
PEOPLE - Cicely Tyson gestorben: Sie erhielt als erste schwarze Frau 2018 einen Ehren-Oscar
January 28, 2021: Cicely Tyson, an award-winning icon who broke barriers for Black actresses and who gained an Oscar nomination for her role as the sharecropper's wife in 'Sounder,' has died at 96. FILE PHOTO: November 22, 2016, Washington, District of Columbia, USA: President BARACK OBAMA awarded the Presidential Medal of Freedom to actress CICELY TYSON. (Credit Image: © Cheriss May/NurPhoto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUKAS_118855212_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Run From Fear
Fun From Rear
1996
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855208_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Musical Chairs 1983
Steel and wire
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Nauman’s full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Nauman’s famous neon works including Human Nature Knows/Doesn’t Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Nauman’s radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artist’s earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855193_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Musical Chairs 1983
Steel and wire
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855198_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Hanged Man 1985
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Nauman’s full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Nauman’s famous neon works including Human Nature Knows/Doesn’t Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Nauman’s radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artist’s earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855197_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Hanged Man 1985
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Nauman’s full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Nauman’s famous neon works including Human Nature Knows/Doesn’t Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Nauman’s radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artist’s earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855195_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Hanged Man 1985
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855196_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
One Hundred Live and Die 1984
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855211_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
One Hundred Live and Die 1984
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855209_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
One Hundred Live and Die 1984
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855201_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Black Marble Under Yellow Light 1981/88
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Nauman’s full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Nauman’s famous neon works including Human Nature Knows/Doesn’t Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Nauman’s radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artist’s earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855204_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Black Marble Under Yellow Light 1981/88
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855210_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
One Hundred Live and Die 1984
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855202_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
One Hundred Live and Die 1984
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855206_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Human Nature/Knows Doesn’t Know 1983/1986
Neon tubing with clear glass tubing suspension frames
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Nauman’s full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Nauman’s famous neon works including Human Nature Knows/Doesn’t Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Nauman’s radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artist’s earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855203_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Human Nature/Knows Doesnít Know 1983/1986
Neon tubing with clear glass tubing suspension frames
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUKAS_118855194_EYE
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
Bruce Nauman exhibition at the Tate Modern, Bankside, London.
The True Artist Helps the World by Revealing Mystic Truths 1967
First new exhibition since the reopening of the gallery this summer. Bruce Nauman is recognised as one of the most innovative and influential artists of the late 20th and early 21st centuries, with a ground-breaking body of work encompassing a range of media. This exhibition at Tate Modern will be the first to show Naumanís full breadth of work in London for more than 20 years, offering sculpture, sound, film, video and neon works that explore distinctive themes that have preoccupied the artist during his remarkable 50-year career.
Many of Naumanís famous neon works including Human Nature Knows/Doesnít Know 1983/86, Hanged Man 1985 and the striking wall sculpture One Hundred Live and Die 1984
Seminal room-sized installation Shadow Puppets and Instructed Mime 1990 which has never been shown in the UK before.
A room of rarely seen early works including Concrete Tape Recorder Piece 1968 and Manipulating the T-Bar 1965-66, revealing Naumanís radical approach to art from his early career.
Several works by Nauman in public concourse spaces around the gallery, including the timely video work Washing Hands 1996 on level 0 and the artistís earliest text-based neon sculpture, The True Artist Helps the World by Revealing Mystic Truth (Window or Wall Sign) 1967 at the entrance to the exhibition.
Immersive installation work Black Marble Under Yellow Light 1981/1988, where the whole room is bathed in an ominous yellow light with disorienting marble blocks across the floor.
Photograph by Elliott Franks / eyevine
Contact eyevine for more information about using this image:
T: +44 (0) 20 8709 8709
E: info@eyevine.com
http:///www.eyevine.com (FOTO: DUKAS/EYEVINE)
© Elliott Franks / eyevine. -
DUK10134643_007
NEWS - Coronavirus: Impfstoffstudie COVID-19 läuft in Florida
August 4, 2020, Deland, Florida, United States: Tony Potts, a 69-year-old retiree living in Ormond Beach, is examined by Dr. Bruce Rankin, Medical Director at Accel Research Sites, before Potts receives his first injection as a participant in a Phase 3 COVID-19 vaccine clinical trial sponsored by Moderna on August 4, 2020 in DeLand, Florida, US. Potts is one of 30,000 participants nationwide to be recruited for the Moderna trial who will receive two injections about a month apart and be monitored for two years. (Credit Image: © Paul Hennessy/NurPhoto via ZUMA Press (FOTO: DUKAS/ZUMA)
(c) Dukas -
DUKAS_114329596_COY
Iron Maiden lead singer Bruce Dickinson, 61, wraps up in a hat and scarf as he arrives in Moscow for an undisclosed visit.
EXCLUSIVE. Coleman-Rayner
Moscow, Russia, March 12, 2020
Iron Maiden lead singer Bruce Dickinson, 61, wraps up in a hat and scarf as he arrives in Moscow for an undisclosed visit. The heavy metal rock group is due in the Russian capital in July as part of its ïLegacy of the BeastÍ world tour.
CREDIT MUST READ: Coleman-Rayner
Tel US (001) 310 474 4343 ? Office
www.coleman-rayner.com
(c) Dukas -
DUK10128066_359
PORTRAIT - National Television Awards, London, Portraits
EXCLUSIVE - Premium Rates Apply. Please call your account manager for pricing.
Mandatory Credit: Photo by Tom Dymond/REX (10537868q)
Caitlyn Jenner
Exclusive - 25th National Television Awards, Portraits, O2, London, UK - 28 Jan 2020
(c) Dukas -
DUK10128066_358
PORTRAIT - National Television Awards, London, Portraits
EXCLUSIVE - Premium Rates Apply. Please call your account manager for pricing.
Mandatory Credit: Photo by Tom Dymond/REX (10537868f)
Caitlyn Jenner
Exclusive - 25th National Television Awards, Portraits, O2, London, UK - 28 Jan 2020
(c) Dukas -
DUK10128066_354
PORTRAIT - National Television Awards, London, Portraits
EXCLUSIVE - Premium Rates Apply. Please call your account manager for pricing.
Mandatory Credit: Photo by Tom Dymond/REX (10537868p)
Caitlyn Jenner
Exclusive - 25th National Television Awards, Portraits, O2, London, UK - 28 Jan 2020
(c) Dukas -
DUK10128066_352
PORTRAIT - National Television Awards, London, Portraits
EXCLUSIVE - Premium Rates Apply. Please call your account manager for pricing.
Mandatory Credit: Photo by Tom Dymond/REX (10537868i)
Caitlyn Jenner
Exclusive - 25th National Television Awards, Portraits, O2, London, UK - 28 Jan 2020
(c) Dukas -
DUK10128066_345
PORTRAIT - National Television Awards, London, Portraits
EXCLUSIVE - Premium Rates Apply. Please call your account manager for pricing.
Mandatory Credit: Photo by Tom Dymond/REX (10537868g)
Caitlyn Jenner
Exclusive - 25th National Television Awards, Portraits, O2, London, UK - 28 Jan 2020
(c) Dukas -
DUK10128066_341
PORTRAIT - National Television Awards, London, Portraits
EXCLUSIVE - Premium Rates Apply. Please call your account manager for pricing.
Mandatory Credit: Photo by Tom Dymond/REX (10537868m)
Caitlyn Jenner
Exclusive - 25th National Television Awards, Portraits, O2, London, UK - 28 Jan 2020
(c) Dukas -
DUK10128066_306
PORTRAIT - National Television Awards, London, Portraits
EXCLUSIVE - Premium Rates Apply. Please call your account manager for pricing.
Mandatory Credit: Photo by Tom Dymond/REX (10537868j)
Caitlyn Jenner
Exclusive - 25th National Television Awards, Portraits, O2, London, UK - 28 Jan 2020
(c) Dukas -
